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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA8CED it is the complementary color #357312. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA8CED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA8CED shade: #CF8CE8, #E09EFB, #F1B0FF, #FFC2FF and #FFD4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA8CED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA8CED shade: #CA8CED, #B97ADA, #A868C7, #9756B4 and #8644A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA8CED shade: #CA8CED, #E48CED, #ED8CDC, #ED8CC2 and #ED8CA8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA8CED shade: #CA8CED, #B08CED, #968CED and #8C8CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA8CED shade matches the following richer shades: #CA8CED and #CD82F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA8CED shade: #CA8CED, #C797E2, #C4A2D8, #C1ACCD and #BEB7C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA8CED shade: #968CED, #B08CED, #CA8CED, #E38CED and #ED8CDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA8CED shade: #A945E2, #BA69E8, #CA8CED, #DBB0F3 and #EBD4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA8CED shade: #CA8CED, #ED8C9C and #8CEDA3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA8CED shade: #CA8CED, #EDCA8C and #8CEDCA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA8CED shade: #CA8CED, #ED8C9C, #B0ED8C and #8CEDDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA8CED shade: #CA8CED, #ED998C, #B0ED8C and #8CE0ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

Complementary color

CMYK 54 / 0 / 84 / 55

HEX #357312

RGB 53 115 18

HSL 98.35, 0.73%, 0.26%

LAB 42.86, -37.27, 43.25

 

CMYK 11 / 40 / 0 / 9

HEX #CF8CE8

RGB 207 140 232

HSL 283.7, 0.67%, 0.73%

LAB 67.91, 41.08, -36.57

 

CMYK 11 / 37 / 0 / 2

HEX #E09EFB

RGB 224 158 251

HSL 282.58, 0.92%, 0.8%

LAB 74.36, 40.34, -36.79

 

CMYK 5 / 31 / 0 / 0

HEX #F1B0FF

RGB 241 176 255

HSL 289.37, 1%, 0.85%

LAB 80.16, 36.71, -29.85

 

CMYK 0 / 24 / 0 / 0

HEX #FFC2FF

RGB 255 194 255

HSL 300, 1%, 0.88%

LAB 85.54, 31.62, -21.53

 

CMYK 0 / 17 / 0 / 0

HEX #FFD4FF

RGB 255 212 255

HSL 300, 1%, 0.92%

LAB 89.66, 22.17, -15.32

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 15 / 44 / 0 / 15

HEX #B97ADA

RGB 185 122 218

HSL 279.38, 0.56%, 0.67%

LAB 61.04, 41.44, -39.7

 

CMYK 16 / 48 / 0 / 22

HEX #A868C7

RGB 168 104 199

HSL 280.42, 0.46%, 0.59%

LAB 54.4, 42.25, -39.53

 

CMYK 16 / 52 / 0 / 29

HEX #9756B4

RGB 151 86 180

HSL 281.49, 0.39%, 0.52%

LAB 47.66, 43.06, -39.31

 

CMYK 17 / 58 / 0 / 37

HEX #8644A1

RGB 134 68 161

HSL 282.58, 0.41%, 0.45%

LAB 40.86, 43.81, -39.01

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 4 / 41 / 0 / 7

HEX #E48CED

RGB 228 140 237

HSL 294.43, 0.73%, 0.74%

LAB 70.43, 48.26, -35.22

 

CMYK 0 / 41 / 7 / 7

HEX #ED8CDC

RGB 237 140 220

HSL 310.52, 0.73%, 0.74%

LAB 70.82, 47.96, -25.18

 

CMYK 0 / 41 / 18 / 7

HEX #ED8CC2

RGB 237 140 194

HSL 326.6, 0.73%, 0.74%

LAB 69.93, 43.81, -12.11

 

CMYK 0 / 41 / 29 / 7

HEX #ED8CA8

RGB 237 140 168

HSL 342.68, 0.73%, 0.74%

LAB 69.17, 40.15, 1.29

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 26 / 41 / 0 / 7

HEX #B08CED

RGB 176 140 237

HSL 262.27, 0.73%, 0.74%

LAB 65.04, 33.23, -44.04

 

CMYK 37 / 41 / 0 / 7

HEX #968CED

RGB 150 140 237

HSL 246.19, 0.73%, 0.74%

LAB 62.81, 26.2, -47.71

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CED

RGB 140 140 237

HSL 240, 0.73%, 0.74%

LAB 62.04, 23.64, -48.98

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 17 / 48 / 0 / 3

HEX #CD82F8

RGB 205 130 248

HSL 278.14, 0.89%, 0.74%

LAB 66.31, 49.13, -47.89

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 12 / 33 / 0 / 11

HEX #C797E2

RGB 199 151 226

HSL 278.4, 0.56%, 0.74%

LAB 69.3, 31.45, -31.17

 

CMYK 9 / 25 / 0 / 15

HEX #C4A2D8

RGB 196 162 216

HSL 277.78, 0.41%, 0.74%

LAB 71.24, 22.37, -22.73

 

CMYK 6 / 16 / 0 / 20

HEX #C1ACCD

RGB 193 172 205

HSL 278.18, 0.25%, 0.74%

LAB 73.06, 13.66, -13.97

 

CMYK 2 / 6 / 0 / 24

HEX #BEB7C2

RGB 190 183 194

HSL 278.18, 0.08%, 0.74%

LAB 75.27, 4.51, -4.69

 

CMYK 37 / 41 / 0 / 7

HEX #968CED

RGB 150 140 237

HSL 246.19, 0.73%, 0.74%

LAB 62.81, 26.2, -47.71

 

CMYK 26 / 41 / 0 / 7

HEX #B08CED

RGB 176 140 237

HSL 262.27, 0.73%, 0.74%

LAB 65.04, 33.23, -44.04

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 4 / 41 / 0 / 7

HEX #E38CED

RGB 227 140 237

HSL 293.81, 0.73%, 0.74%

LAB 70.32, 47.96, -35.41

 

CMYK 0 / 41 / 7 / 7

HEX #ED8CDD

RGB 237 140 221

HSL 309.9, 0.73%, 0.74%

LAB 70.86, 48.13, -25.68

 

CMYK 25 / 69 / 0 / 11

HEX #A945E2

RGB 169 69 226

HSL 278.22, 0.73%, 0.58%

LAB 49.72, 65.36, -62.35

 

CMYK 20 / 55 / 0 / 9

HEX #BA69E8

RGB 186 105 232

HSL 278.27, 0.73%, 0.66%

LAB 58.39, 53.65, -51.72

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 10 / 28 / 0 / 5

HEX #DBB0F3

RGB 219 176 243

HSL 278.51, 0.74%, 0.82%

LAB 77.63, 27.52, -27.47

 

CMYK 5 / 15 / 0 / 3

HEX #EBD4F8

RGB 235 212 248

HSL 278.33, 0.72%, 0.9%

LAB 87.74, 14.36, -14.68

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 0 / 41 / 34 / 7

HEX #ED8C9C

RGB 237 140 156

HSL 350.1, 0.73%, 0.74%

LAB 68.87, 38.63, 7.57

 

CMYK 41 / 0 / 31 / 7

HEX #8CEDA3

RGB 140 237 163

HSL 134.23, 0.73%, 0.74%

LAB 86.4, -44.01, 27.12

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 0 / 15 / 41 / 7

HEX #EDCA8C

RGB 237 202 140

HSL 38.35, 0.73%, 0.74%

LAB 82.99, 4.1, 35.51

 

CMYK 41 / 0 / 15 / 7

HEX #8CEDCA

RGB 140 237 202

HSL 158.35, 0.73%, 0.74%

LAB 87.2, -36.5, 8.03

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 0 / 41 / 34 / 7

HEX #ED8C9C

RGB 237 140 156

HSL 350.1, 0.73%, 0.74%

LAB 68.87, 38.63, 7.57

 

CMYK 26 / 0 / 41 / 7

HEX #B0ED8C

RGB 176 237 140

HSL 97.73, 0.73%, 0.74%

LAB 87.82, -36.16, 40.88

 

CMYK 41 / 0 / 7 / 7

HEX #8CEDDD

RGB 140 237 221

HSL 170.1, 0.73%, 0.74%

LAB 87.66, -32.32, -1.24

 

CMYK 15 / 41 / 0 / 7

HEX #CA8CED

RGB 202 140 237

HSL 278.35, 0.73%, 0.74%

LAB 67.6, 40.65, -39.85

 

CMYK 0 / 35 / 41 / 7

HEX #ED998C

RGB 237 153 140

HSL 8.04, 0.73%, 0.74%

LAB 71.34, 29.98, 19.92

 

CMYK 26 / 0 / 41 / 7

HEX #B0ED8C

RGB 176 237 140

HSL 97.73, 0.73%, 0.74%

LAB 87.82, -36.16, 40.88

 

CMYK 41 / 5 / 0 / 7

HEX #8CE0ED

RGB 140 224 237

HSL 188.04, 0.73%, 0.74%

LAB 84.48, -22.21, -14.37

 

Description

Color code: HEX #CA8CED | qconv.com Color code: HEX #CA8CED | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 140 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 140 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 41 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 41% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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