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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA45B it is the complementary color #125BA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA45B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EDA45B shade: #F2A456, #FFB669, #FFC87C, #FFDA8F and #FFECA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA45B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EDA45B shade: #EDA45B, #DC9248, #CB8035, #BA6E22 and #A95C0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EDA45B shade: #EDA35A, #ED7C5A and #ED5A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EDA45B shade: #EDA35A, #EDCB5A, #E7ED5A, #BFED5A and #98ED5A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EDA45B shade matches the following richer shades: #EDA35A and #FBA34B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EDA45B shade: #EDA35A, #DEA369, #CFA377, #C0A386 and #B1A395

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EDA45B shade: #ED5A5F, #ED7C5A, #EDA35A, #EDCA5A and #E8ED5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EDA45B shade: #DB7A18, #E98F35, #EDA35A, #F1B87F and #F5CCA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EDA45B shade: #EDA45B, #86ED5A and #685AED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EDA45B shade: #EDA45B, #5AEDA3 and #A35AED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EDA45B shade: #EDA45B, #86ED5A, #5AA3ED and #C15AED

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EDA45B shade: #EDA45B, #5AED5A, #5AA3ED and #ED5AED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 62 / 7

HEX #EDA45B

RGB 237 164 91

HSL 30, 0.8%, 0.64%

LAB 73.1, 19.83, 48.07

 

Complementary color

CMYK 89 / 45 / 0 / 36

HEX #125BA4

RGB 18 91 164

HSL 210, 0.8%, 0.36%

LAB 38.36, 7.05, -45.27

 

CMYK 0 / 32 / 64 / 5

HEX #F2A456

RGB 242 164 86

HSL 30, 0.86%, 0.64%

LAB 73.61, 21.56, 51.24

 

CMYK 0 / 29 / 59 / 0

HEX #FFB669

RGB 255 182 105

HSL 30.8, 1%, 0.71%

LAB 79.46, 18.67, 49.16

 

CMYK 0 / 22 / 51 / 0

HEX #FFC87C

RGB 255 200 124

HSL 34.81, 1%, 0.74%

LAB 83.98, 10.78, 45.23

 

CMYK 0 / 15 / 44 / 0

HEX #FFDA8F

RGB 255 218 143

HSL 40.18, 1%, 0.78%

LAB 88.63, 3.25, 41.6

 

CMYK 0 / 7 / 36 / 0

HEX #FFECA2

RGB 255 236 162

HSL 47.74, 1%, 0.82%

LAB 93.39, -3.87, 38.24

 

CMYK 0 / 31 / 62 / 7

HEX #EDA45B

RGB 237 164 91

HSL 30, 0.8%, 0.64%

LAB 73.1, 19.83, 48.07

 

CMYK 0 / 34 / 67 / 14

HEX #DC9248

RGB 220 146 72

HSL 30, 0.68%, 0.57%

LAB 66.7, 21.2, 49.54

 

CMYK 0 / 37 / 74 / 20

HEX #CB8035

RGB 203 128 53

HSL 30, 0.59%, 0.5%

LAB 60.24, 22.76, 50.91

 

CMYK 0 / 41 / 82 / 27

HEX #BA6E22

RGB 186 110 34

HSL 30, 0.69%, 0.43%

LAB 53.71, 24.56, 51.95

 

CMYK 0 / 46 / 91 / 34

HEX #A95C0F

RGB 169 92 15

HSL 30, 0.84%, 0.36%

LAB 47.14, 26.61, 52.05

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 0 / 48 / 62 / 7

HEX #ED7C5A

RGB 237 124 90

HSL 13.88, 0.8%, 0.64%

LAB 64.29, 40.65, 38.08

 

CMYK 0 / 62 / 62 / 7

HEX #ED5A5A

RGB 237 90 90

HSL 0, 0.8%, 0.64%

LAB 58.09, 56.67, 30.35

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 0 / 14 / 62 / 7

HEX #EDCB5A

RGB 237 203 90

HSL 46.12, 0.8%, 0.64%

LAB 82.62, -0.69, 59.32

 

CMYK 3 / 0 / 62 / 7

HEX #E7ED5A

RGB 231 237 90

HSL 62.45, 0.8%, 0.64%

LAB 90.91, -20.13, 68.13

 

CMYK 19 / 0 / 62 / 7

HEX #BFED5A

RGB 191 237 90

HSL 78.78, 0.8%, 0.64%

LAB 88.15, -35.8, 64.35

 

CMYK 36 / 0 / 62 / 7

HEX #98ED5A

RGB 152 237 90

HSL 94.69, 0.8%, 0.64%

LAB 86, -49.72, 61.38

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 0 / 35 / 70 / 2

HEX #FBA34B

RGB 251 163 75

HSL 30, 0.96%, 0.64%

LAB 74.32, 25.17, 57.46

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 0 / 27 / 53 / 13

HEX #DEA369

RGB 222 163 105

HSL 29.74, 0.64%, 0.64%

LAB 71.38, 15.27, 38.5

 

CMYK 0 / 21 / 43 / 19

HEX #CFA377

RGB 207 163 119

HSL 30, 0.48%, 0.64%

LAB 70.03, 10.5, 29.04

 

CMYK 0 / 15 / 30 / 25

HEX #C0A386

RGB 192 163 134

HSL 30, 0.32%, 0.64%

LAB 68.84, 6.3, 19.03

 

CMYK 0 / 8 / 16 / 31

HEX #B1A395

RGB 177 163 149

HSL 30, 0.15%, 0.64%

LAB 67.81, 2.7, 9.1

 

CMYK 0 / 62 / 60 / 7

HEX #ED5A5F

RGB 237 90 95

HSL 357.96, 0.8%, 0.64%

LAB 58.17, 56.99, 27.59

 

CMYK 0 / 48 / 62 / 7

HEX #ED7C5A

RGB 237 124 90

HSL 13.88, 0.8%, 0.64%

LAB 64.29, 40.65, 38.08

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 0 / 15 / 62 / 7

HEX #EDCA5A

RGB 237 202 90

HSL 45.71, 0.8%, 0.64%

LAB 82.37, -0.18, 59.05

 

CMYK 2 / 0 / 62 / 7

HEX #E8ED5A

RGB 232 237 90

HSL 62.04, 0.8%, 0.64%

LAB 90.99, -19.73, 68.24

 

CMYK 0 / 44 / 89 / 14

HEX #DB7A18

RGB 219 122 24

HSL 30.15, 0.8%, 0.48%

LAB 60.82, 31.76, 63.02

 

CMYK 0 / 39 / 77 / 9

HEX #E98F35

RGB 233 143 53

HSL 30, 0.8%, 0.56%

LAB 67.45, 27.31, 59.31

 

CMYK 0 / 31 / 62 / 7

HEX #EDA35A

RGB 237 163 90

HSL 29.8, 0.8%, 0.64%

LAB 72.85, 20.29, 48.27

 

CMYK 0 / 24 / 47 / 5

HEX #F1B87F

RGB 241 184 127

HSL 30, 0.8%, 0.72%

LAB 78.76, 13.8, 36.83

 

CMYK 0 / 17 / 33 / 4

HEX #F5CCA4

RGB 245 204 164

HSL 29.63, 0.8%, 0.8%

LAB 84.63, 8.91, 25.36

 

CMYK 0 / 31 / 62 / 7

HEX #EDA45B

RGB 237 164 91

HSL 30, 0.8%, 0.64%

LAB 73.1, 19.83, 48.07

 

CMYK 43 / 0 / 62 / 7

HEX #86ED5A

RGB 134 237 90

HSL 102.04, 0.8%, 0.64%

LAB 85.19, -55.43, 60.26

 

CMYK 56 / 62 / 0 / 7

HEX #685AED

RGB 104 90 237

HSL 245.71, 0.8%, 0.64%

LAB 47.46, 45.34, -72.54

 

CMYK 0 / 31 / 62 / 7

HEX #EDA45B

RGB 237 164 91

HSL 30, 0.8%, 0.64%

LAB 73.1, 19.83, 48.07

 

CMYK 62 / 0 / 31 / 7

HEX #5AEDA3

RGB 90 237 163

HSL 149.8, 0.8%, 0.64%

LAB 84.68, -55.84, 24.5

 

CMYK 31 / 62 / 0 / 7

HEX #A35AED

RGB 163 90 237

HSL 269.8, 0.8%, 0.64%

LAB 53.18, 56.9, -62.99

 

CMYK 0 / 31 / 62 / 7

HEX #EDA45B

RGB 237 164 91

HSL 30, 0.8%, 0.64%

LAB 73.1, 19.83, 48.07

 

CMYK 43 / 0 / 62 / 7

HEX #86ED5A

RGB 134 237 90

HSL 102.04, 0.8%, 0.64%

LAB 85.19, -55.43, 60.26

 

CMYK 62 / 31 / 0 / 7

HEX #5AA3ED

RGB 90 163 237

HSL 210.2, 0.8%, 0.64%

LAB 65.34, -0.62, -43.95

 

CMYK 19 / 62 / 0 / 7

HEX #C15AED

RGB 193 90 237

HSL 282.04, 0.8%, 0.64%

LAB 56.84, 63.6, -56.92

 

CMYK 0 / 31 / 62 / 7

HEX #EDA45B

RGB 237 164 91

HSL 30, 0.8%, 0.64%

LAB 73.1, 19.83, 48.07

 

CMYK 62 / 0 / 62 / 7

HEX #5AED5A

RGB 90 237 90

HSL 120, 0.8%, 0.64%

LAB 83.69, -66.8, 58.18

 

CMYK 62 / 31 / 0 / 7

HEX #5AA3ED

RGB 90 163 237

HSL 210.2, 0.8%, 0.64%

LAB 65.34, -0.62, -43.95

 

CMYK 0 / 62 / 0 / 7

HEX #ED5AED

RGB 237 90 237

HSL 300, 0.8%, 0.64%

LAB 62.87, 73.82, -46.97

 

Description

Color code: HEX #EDA45B | qconv.com Color code: HEX #EDA45B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 164 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 164 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 62 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 62% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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