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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EDA26C it is the complementary color #125D93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EDA26C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EDA26C: #F2A267, #FFB47A, #FFC68D, #FFD8A0 and #FFEAB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EDA26C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EDA26C: #EDA26C, #DC9059, #CB7E46, #BA6C33 and #A95A20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

Complementary color

CMYK 88 / 37 / 0 / 42

HEX #125D93

RGB 18 93 147

HSL 205.12, 0.78%, 0.32%

LAB 37.96, -1.1, -35.72

 

CMYK 0 / 33 / 57 / 5

HEX #F2A267

RGB 242 162 103

HSL 25.47, 0.84%, 0.68%

LAB 73.35, 23.78, 42.46

 

CMYK 0 / 29 / 52 / 0

HEX #FFB47A

RGB 255 180 122

HSL 26.17, 1%, 0.74%

LAB 79.22, 21.04, 40.3

 

CMYK 0 / 22 / 45 / 0

HEX #FFC68D

RGB 255 198 141

HSL 30, 1%, 0.78%

LAB 83.74, 13.38, 36.31

 

CMYK 0 / 15 / 37 / 0

HEX #FFD8A0

RGB 255 216 160

HSL 35.37, 1%, 0.81%

LAB 88.4, 6.07, 32.67

 

CMYK 0 / 8 / 30 / 0

HEX #FFEAB3

RGB 255 234 179

HSL 43.42, 1%, 0.85%

LAB 93.17, -0.86, 29.35

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

CMYK 0 / 35 / 60 / 14

HEX #DC9059

RGB 220 144 89

HSL 25.19, 0.65%, 0.61%

LAB 66.43, 23.38, 40.7

 

CMYK 0 / 38 / 66 / 20

HEX #CB7E46

RGB 203 126 70

HSL 25.26, 0.56%, 0.54%

LAB 59.94, 24.77, 42.35

 

CMYK 0 / 42 / 73 / 27

HEX #BA6C33

RGB 186 108 51

HSL 25.33, 0.57%, 0.46%

LAB 53.39, 26.36, 44.03

 

CMYK 0 / 47 / 81 / 34

HEX #A95A20

RGB 169 90 32

HSL 25.4, 0.68%, 0.39%

LAB 46.78, 28.17, 45.52

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

CMYK 0 / 22 / 54 / 7

HEX #EDB86D

RGB 237 184 109

HSL 35.16, 0.78%, 0.68%

LAB 78.1, 10.59, 45.1

 

CMYK 0 / 14 / 54 / 7

HEX #EDCD6D

RGB 237 205 109

HSL 45, 0.78%, 0.68%

LAB 83.32, -0.35, 51.37

 

CMYK 0 / 5 / 54 / 7

HEX #EDE26D

RGB 237 226 109

HSL 54.84, 0.78%, 0.68%

LAB 88.69, -10.99, 57.64

 

CMYK 5 / 0 / 54 / 7

HEX #E2ED6D

RGB 226 237 109

HSL 65.16, 0.78%, 0.68%

LAB 90.71, -20.77, 59.74

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

CMYK 0 / 30 / 55 / 87

HEX #21170F

RGB 33 23 15

HSL 26.67, 0.38%, 0.09%

LAB 8.74, 3.62, 6.7

 

CMYK 0 / 32 / 55 / 67

HEX #543926

RGB 84 57 38

HSL 24.78, 0.38%, 0.24%

LAB 26.59, 9.43, 16.59

 

CMYK 0 / 32 / 54 / 47

HEX #875C3E

RGB 135 92 62

HSL 24.66, 0.37%, 0.39%

LAB 42.99, 14.04, 24.27

 

CMYK 0 / 32 / 54 / 27

HEX #BA7F55

RGB 186 127 85

HSL 24.95, 0.42%, 0.53%

LAB 58.3, 18.21, 31.91

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

CMYK 33 / 0 / 54 / 7

HEX #9EED6D

RGB 158 237 109

HSL 97.03, 0.78%, 0.68%

LAB 86.48, -45.91, 53.74

 

CMYK 53 / 54 / 0 / 7

HEX #6F6DED

RGB 111 109 237

HSL 240.94, 0.78%, 0.68%

LAB 52.32, 35.45, -64.63

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

CMYK 54 / 0 / 32 / 7

HEX #6DEDA2

RGB 109 237 162

HSL 144.84, 0.78%, 0.68%

LAB 85.21, -52.1, 25.83

 

CMYK 32 / 54 / 0 / 7

HEX #A26DED

RGB 162 109 237

HSL 264.84, 0.78%, 0.68%

LAB 56.81, 46.75, -57.17

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

CMYK 33 / 0 / 54 / 7

HEX #9EED6D

RGB 158 237 109

HSL 97.03, 0.78%, 0.68%

LAB 86.48, -45.91, 53.74

 

CMYK 54 / 22 / 0 / 7

HEX #6DB8ED

RGB 109 184 237

HSL 204.84, 0.78%, 0.68%

LAB 71.99, -8.58, -33.52

 

CMYK 21 / 54 / 0 / 7

HEX #BC6DED

RGB 188 109 237

HSL 277.03, 0.78%, 0.68%

LAB 59.66, 53.2, -52.47

 

CMYK 0 / 32 / 54 / 7

HEX #EDA26C

RGB 237 162 108

HSL 25.12, 0.78%, 0.68%

LAB 72.84, 22.16, 39.12

 

CMYK 49 / 0 / 54 / 7

HEX #78ED6D

RGB 120 237 109

HSL 114.84, 0.78%, 0.68%

LAB 84.83, -57.45, 51.38

 

CMYK 54 / 22 / 0 / 7

HEX #6DB8ED

RGB 109 184 237

HSL 204.84, 0.78%, 0.68%

LAB 71.99, -8.58, -33.52

 

CMYK 5 / 54 / 0 / 7

HEX #E26DED

RGB 226 109 237

HSL 294.84, 0.78%, 0.68%

LAB 64.34, 62.96, -44.76

 

Description

Color code: HEX #EDA26C | qconv.com Color code: HEX #EDA26C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 162 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 162 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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