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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED8E9F it is the complementary color #127160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED8E9F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ED8E9F: #F28E9A, #FFA0AD, #FFB2C0, #FFC4D3 and #FFD6E6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED8E9F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ED8E9F: #ED8E9F, #DC7C8C, #CB6A79, #BA5866 and #A94653

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

Complementary color

CMYK 84 / 0 / 15 / 56

HEX #127160

RGB 18 113 96

HSL 169.26, 0.73%, 0.26%

LAB 42.44, -30.35, 2.02

 

CMYK 0 / 41 / 36 / 5

HEX #F28E9A

RGB 242 142 154

HSL 352.8, 0.79%, 0.75%

LAB 69.86, 39.16, 10.19

 

CMYK 0 / 37 / 32 / 0

HEX #FFA0AD

RGB 255 160 173

HSL 351.79, 1%, 0.81%

LAB 75.71, 36.81, 8.23

 

CMYK 0 / 30 / 25 / 0

HEX #FFB2C0

RGB 255 178 192

HSL 349.09, 1%, 0.85%

LAB 80.13, 29.93, 4.23

 

CMYK 0 / 23 / 17 / 0

HEX #FFC4D3

RGB 255 196 211

HSL 344.75, 1%, 0.88%

LAB 84.71, 23.24, 0.68

 

CMYK 0 / 16 / 10 / 0

HEX #FFD6E6

RGB 255 214 230

HSL 336.59, 1%, 0.92%

LAB 89.42, 16.82, -2.5

 

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

CMYK 0 / 44 / 36 / 14

HEX #DC7C8C

RGB 220 124 140

HSL 350, 0.58%, 0.67%

LAB 62.95, 38.9, 7.87

 

CMYK 0 / 48 / 40 / 20

HEX #CB6A79

RGB 203 106 121

HSL 350.72, 0.48%, 0.61%

LAB 56.47, 39.87, 9.32

 

CMYK 0 / 53 / 45 / 27

HEX #BA5866

RGB 186 88 102

HSL 351.43, 0.42%, 0.54%

LAB 49.95, 40.87, 11.02

 

CMYK 0 / 59 / 51 / 34

HEX #A94653

RGB 169 70 83

HSL 352.12, 0.41%, 0.47%

LAB 43.42, 41.84, 13.07

 

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

CMYK 0 / 41 / 41 / 7

HEX #ED8C8D

RGB 237 140 141

HSL 359.38, 0.73%, 0.74%

LAB 68.52, 36.9, 15.47

 

CMYK 0 / 35 / 41 / 7

HEX #ED9A8C

RGB 237 154 140

HSL 8.66, 0.73%, 0.74%

LAB 71.56, 29.45, 20.23

 

CMYK 0 / 28 / 41 / 7

HEX #EDAA8C

RGB 237 170 140

HSL 18.56, 0.73%, 0.74%

LAB 75.23, 20.96, 25.23

 

CMYK 0 / 21 / 41 / 7

HEX #EDBB8C

RGB 237 187 140

HSL 29.07, 0.73%, 0.74%

LAB 79.29, 11.96, 30.66

 

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

CMYK 0 / 39 / 33 / 87

HEX #211416

RGB 33 20 22

HSL 350.77, 0.25%, 0.1%

LAB 7.96, 7.08, 1.21

 

CMYK 0 / 40 / 33 / 67

HEX #543238

RGB 84 50 56

HSL 349.41, 0.25%, 0.26%

LAB 25.11, 16.31, 2.72

 

CMYK 0 / 40 / 33 / 47

HEX #87515B

RGB 135 81 91

HSL 348.89, 0.25%, 0.42%

LAB 40.88, 23.95, 3.83

 

CMYK 0 / 40 / 33 / 27

HEX #BA6F7D

RGB 186 111 125

HSL 348.8, 0.35%, 0.58%

LAB 55.37, 31.43, 5.1

 

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

CMYK 1 / 0 / 41 / 7

HEX #EBED8C

RGB 235 237 140

HSL 61.24, 0.73%, 0.74%

LAB 91.74, -14.42, 46.67

 

CMYK 41 / 17 / 0 / 7

HEX #8CC4ED

RGB 140 196 237

HSL 205.36, 0.73%, 0.74%

LAB 76.78, -7.81, -26.03

 

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

CMYK 33 / 0 / 41 / 7

HEX #9EED8C

RGB 158 237 140

HSL 108.87, 0.73%, 0.74%

LAB 86.86, -42.14, 39.47

 

CMYK 41 / 33 / 0 / 7

HEX #8C9EED

RGB 140 158 237

HSL 228.87, 0.73%, 0.74%

LAB 66.63, 13.24, -41.75

 

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

CMYK 1 / 0 / 41 / 7

HEX #EBED8C

RGB 235 237 140

HSL 61.24, 0.73%, 0.74%

LAB 91.74, -14.42, 46.67

 

CMYK 41 / 0 / 8 / 7

HEX #8CEDDB

RGB 140 237 219

HSL 168.87, 0.73%, 0.74%

LAB 87.61, -32.77, -0.26

 

CMYK 41 / 41 / 0 / 7

HEX #8D8CED

RGB 141 140 237

HSL 240.62, 0.73%, 0.74%

LAB 62.11, 23.89, -48.85

 

CMYK 0 / 40 / 33 / 7

HEX #ED8E9F

RGB 237 142 159

HSL 349.26, 0.73%, 0.74%

LAB 69.37, 37.96, 6.6

 

CMYK 13 / 0 / 41 / 7

HEX #CEED8C

RGB 206 237 140

HSL 79.18, 0.73%, 0.74%

LAB 89.67, -25.42, 43.61

 

CMYK 41 / 0 / 8 / 7

HEX #8CEDDB

RGB 140 237 219

HSL 168.87, 0.73%, 0.74%

LAB 87.61, -32.77, -0.26

 

CMYK 28 / 41 / 0 / 7

HEX #AA8CED

RGB 170 140 237

HSL 258.56, 0.73%, 0.74%

LAB 64.5, 31.56, -44.93

 

Description

Color code: HEX #ED8E9F | qconv.com Color code: HEX #ED8E9F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 142 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 142 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 33 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 33% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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