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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED681E it is the complementary color #1297E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED681E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ED681E: #F26819, #FF7A2C, #FF8C3F, #FF9E52 and #FFB065

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED681E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ED681E: #ED681E, #DC560B, #CB4400, #BA3200 and #A92000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

Complementary color

CMYK 92 / 33 / 0 / 12

HEX #1297E1

RGB 18 151 225

HSL 201.45, 0.85%, 0.48%

LAB 59.61, -5.97, -46.47

 

CMYK 0 / 57 / 90 / 5

HEX #F26819

RGB 242 104 25

HSL 21.84, 0.89%, 0.52%

LAB 60.65, 49.69, 64.11

 

CMYK 0 / 52 / 83 / 0

HEX #FF7A2C

RGB 255 122 44

HSL 22.18, 1%, 0.59%

LAB 66.03, 46.4, 62.69

 

CMYK 0 / 45 / 75 / 0

HEX #FF8C3F

RGB 255 140 63

HSL 24.06, 1%, 0.62%

LAB 69.74, 38.11, 58.25

 

CMYK 0 / 38 / 68 / 0

HEX #FF9E52

RGB 255 158 82

HSL 26.36, 1%, 0.66%

LAB 73.75, 29.76, 53.74

 

CMYK 0 / 31 / 60 / 0

HEX #FFB065

RGB 255 176 101

HSL 29.22, 1%, 0.7%

LAB 78.02, 21.53, 49.42

 

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

CMYK 0 / 61 / 95 / 14

HEX #DC560B

RGB 220 86 11

HSL 21.53, 0.9%, 0.45%

LAB 53.92, 49.72, 61.45

 

CMYK 0 / 67 / 100 / 20

HEX #CB4400

RGB 203 68 0

HSL 20.1, 1%, 0.4%

LAB 48.05, 51.38, 59.09

 

CMYK 0 / 73 / 100 / 27

HEX #BA3200

RGB 186 50 0

HSL 16.13, 1%, 0.36%

LAB 42.34, 52.67, 54.55

 

CMYK 0 / 81 / 100 / 34

HEX #A92000

RGB 169 32 0

HSL 11.36, 1%, 0.33%

LAB 36.87, 53.15, 50.15

 

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

CMYK 0 / 42 / 88 / 7

HEX #EC881C

RGB 236 136 28

HSL 31.15, 0.85%, 0.52%

LAB 66.16, 31.51, 67.02

 

CMYK 0 / 28 / 88 / 7

HEX #ECAA1C

RGB 236 170 28

HSL 40.96, 0.85%, 0.52%

LAB 73.98, 13.57, 73.09

 

CMYK 0 / 13 / 88 / 7

HEX #ECCD1C

RGB 236 205 28

HSL 51.06, 0.85%, 0.52%

LAB 82.69, -4.64, 79.92

 

CMYK 1 / 0 / 88 / 7

HEX #E9EC1C

RGB 233 236 28

HSL 60.87, 0.85%, 0.52%

LAB 90.5, -21.26, 85.97

 

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

CMYK 0 / 58 / 88 / 87

HEX #210E04

RGB 33 14 4

HSL 20.69, 0.78%, 0.07%

LAB 5.84, 7.86, 7.24

 

CMYK 0 / 56 / 87 / 67

HEX #54250B

RGB 84 37 11

HSL 21.37, 0.77%, 0.19%

LAB 20.95, 19.96, 25.97

 

CMYK 0 / 56 / 87 / 47

HEX #873B11

RGB 135 59 17

HSL 21.36, 0.78%, 0.3%

LAB 34.64, 30.15, 39.13

 

CMYK 0 / 56 / 87 / 27

HEX #BA5218

RGB 186 82 24

HSL 21.48, 0.77%, 0.41%

LAB 47.67, 39.06, 50.6

 

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

CMYK 48 / 0 / 88 / 7

HEX #7AEC1C

RGB 122 236 28

HSL 92.88, 0.85%, 0.52%

LAB 84.08, -62.28, 78.07

 

CMYK 88 / 84 / 0 / 7

HEX #1C26EC

RGB 28 38 236

HSL 237.12, 0.85%, 0.52%

LAB 33.33, 65.25, -95.41

 

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

CMYK 88 / 0 / 57 / 7

HEX #1CEC65

RGB 28 236 101

HSL 141.06, 0.85%, 0.52%

LAB 82.47, -73.66, 51.73

 

CMYK 57 / 88 / 0 / 7

HEX #651CEC

RGB 101 28 236

HSL 261.06, 0.85%, 0.52%

LAB 37.21, 72.53, -88.81

 

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

CMYK 48 / 0 / 88 / 7

HEX #7AEC1C

RGB 122 236 28

HSL 92.88, 0.85%, 0.52%

LAB 84.08, -62.28, 78.07

 

CMYK 88 / 31 / 0 / 7

HEX #1CA3EC

RGB 28 163 236

HSL 201.06, 0.85%, 0.52%

LAB 63.75, -8.25, -46.01

 

CMYK 39 / 88 / 0 / 7

HEX #8F1CEC

RGB 143 28 236

HSL 273.17, 0.85%, 0.52%

LAB 42.35, 76.71, -80.17

 

CMYK 0 / 56 / 87 / 7

HEX #ED681E

RGB 237 104 30

HSL 21.45, 0.85%, 0.52%

LAB 59.89, 47.93, 61.6

 

CMYK 75 / 0 / 88 / 7

HEX #3BEC1C

RGB 59 236 28

HSL 111.06, 0.85%, 0.52%

LAB 82.38, -76.19, 75.95

 

CMYK 88 / 31 / 0 / 7

HEX #1CA3EC

RGB 28 163 236

HSL 201.06, 0.85%, 0.52%

LAB 63.75, -8.25, -46.01

 

CMYK 13 / 88 / 0 / 7

HEX #CD1CEC

RGB 205 28 236

HSL 291.06, 0.85%, 0.52%

LAB 51.69, 85.22, -64.55

 

Description

Color code: HEX #ED681E | qconv.com Color code: HEX #ED681E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 104 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 104 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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