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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ED39CF it is the complementary color #12C630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ED39CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ED39CF: #F239CA, #FF4BDD, #FF5DF0, #FF6FFF and #FF81FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ED39CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ED39CF: #ED39CF, #DC27BC, #CB15A9, #BA0396 and #A90083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

Complementary color

CMYK 91 / 0 / 76 / 22

HEX #12C630

RGB 18 198 48

HSL 130, 0.83%, 0.42%

LAB 69.99, -68.47, 59.38

 

CMYK 0 / 76 / 17 / 5

HEX #F239CA

RGB 242 57 202

HSL 312.97, 0.88%, 0.59%

LAB 58.1, 80.81, -34.68

 

CMYK 0 / 71 / 13 / 0

HEX #FF4BDD

RGB 255 75 221

HSL 311.33, 1%, 0.65%

LAB 62.94, 80.92, -37.73

 

CMYK 0 / 64 / 6 / 0

HEX #FF5DF0

RGB 255 93 240

HSL 305.56, 1%, 0.68%

LAB 66.04, 77.38, -43.46

 

CMYK 0 / 56 / 0 / 0

HEX #FF6FFF

RGB 255 111 255

HSL 300, 1%, 0.72%

LAB 69.36, 72.52, -46.5

 

CMYK 0 / 49 / 0 / 0

HEX #FF81FF

RGB 255 129 255

HSL 300, 1%, 0.75%

LAB 72.35, 64.48, -41.82

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 0 / 82 / 15 / 14

HEX #DC27BC

RGB 220 39 188

HSL 310.61, 0.72%, 0.51%

LAB 52.17, 78.71, -36.17

 

CMYK 0 / 90 / 17 / 20

HEX #CB15A9

RGB 203 21 169

HSL 311.21, 0.81%, 0.44%

LAB 47.1, 76.05, -33.18

 

CMYK 0 / 98 / 19 / 27

HEX #BA0396

RGB 186 3 150

HSL 311.8, 0.97%, 0.37%

LAB 42.32, 72.32, -29.52

 

CMYK 0 / 100 / 22 / 34

HEX #A90083

RGB 169 0 131

HSL 313.49, 1%, 0.33%

LAB 37.97, 67, -24.9

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 0 / 75 / 25 / 7

HEX #EC3BB1

RGB 236 59 177

HSL 320, 0.82%, 0.58%

LAB 56.22, 75.75, -23.26

 

CMYK 0 / 75 / 38 / 7

HEX #EC3B93

RGB 236 59 147

HSL 330.17, 0.82%, 0.58%

LAB 55.14, 72.44, -7.3

 

CMYK 0 / 75 / 50 / 7

HEX #EC3B76

RGB 236 59 118

HSL 340, 0.82%, 0.58%

LAB 54.31, 69.83, 8.76

 

CMYK 0 / 75 / 63 / 7

HEX #EC3B58

RGB 236 59 88

HSL 350.17, 0.82%, 0.58%

LAB 53.67, 67.77, 25.81

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 0 / 76 / 12 / 87

HEX #21081D

RGB 33 8 29

HSL 309.6, 0.61%, 0.08%

LAB 5.29, 15.39, -8.12

 

CMYK 0 / 76 / 13 / 67

HEX #541449

RGB 84 20 73

HSL 310.31, 0.62%, 0.2%

LAB 19.5, 35.68, -17.31

 

CMYK 0 / 76 / 13 / 47

HEX #872076

RGB 135 32 118

HSL 309.9, 0.62%, 0.33%

LAB 32.9, 51.87, -25.17

 

CMYK 0 / 76 / 13 / 27

HEX #BA2DA2

RGB 186 45 162

HSL 310.21, 0.61%, 0.45%

LAB 45.53, 66.32, -31.7

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 0 / 47 / 75 / 7

HEX #EC7C3B

RGB 236 124 59

HSL 22.03, 0.82%, 0.58%

LAB 63.81, 38.62, 53.21

 

CMYK 75 / 0 / 17 / 7

HEX #3BECC3

RGB 59 236 195

HSL 166.1, 0.82%, 0.58%

LAB 84.41, -53.03, 7.39

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 12 / 0 / 75 / 7

HEX #CFEC3B

RGB 207 236 59

HSL 69.83, 0.82%, 0.58%

LAB 88.72, -30.93, 76.44

 

CMYK 75 / 12 / 0 / 7

HEX #3BCFEC

RGB 59 207 236

HSL 189.83, 0.82%, 0.58%

LAB 77.05, -28.71, -25.34

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 0 / 47 / 75 / 7

HEX #EC7C3B

RGB 236 124 59

HSL 22.03, 0.82%, 0.58%

LAB 63.81, 38.62, 53.21

 

CMYK 75 / 0 / 63 / 7

HEX #3BEC58

RGB 59 236 88

HSL 129.83, 0.82%, 0.58%

LAB 82.71, -72.09, 57.74

 

CMYK 75 / 28 / 0 / 7

HEX #3BABEC

RGB 59 171 236

HSL 202.03, 0.82%, 0.58%

LAB 66.61, -10.02, -41.49

 

CMYK 0 / 76 / 13 / 7

HEX #ED39CF

RGB 237 57 207

HSL 310, 0.83%, 0.58%

LAB 57.5, 80.4, -38.54

 

CMYK 0 / 25 / 75 / 7

HEX #ECB13B

RGB 236 177 59

HSL 40, 0.82%, 0.58%

LAB 75.82, 10.81, 65.11

 

CMYK 75 / 0 / 63 / 7

HEX #3BEC58

RGB 59 236 88

HSL 129.83, 0.82%, 0.58%

LAB 82.71, -72.09, 57.74

 

CMYK 75 / 50 / 0 / 7

HEX #3B76EC

RGB 59 118 236

HSL 220, 0.82%, 0.58%

LAB 51.77, 21.35, -65.09

 

Description

Color code: HEX #ED39CF | qconv.com Color code: HEX #ED39CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 237 red, 57 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
237 57 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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