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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECC2A9 it is the complementary color #133D56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECC2A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECC2A9 shade: #F1C2A4, #FFD4B7, #FFE6CA, #FFF8DD and #FFFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECC2A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECC2A9 shade: #ECC2A9, #DBB096, #CA9E83, #B98C70 and #A87A5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECC2A9 shade: #ECC1A7, #ECAEA7 and #ECA7A7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECC2A9 shade: #ECC1A7, #ECD3A7, #ECE6A7, #DFECA7 and #CDECA7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECC2A9 shade matches the following richer shades: #ECC1A7, #F4BF9F and #FDBC96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECC2A9 shade: #ECC1A7, #E3C3B0, #DAC5B9, #D2C7C1 and #C9CACA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECC2A9 shade: #ECA7B3, #ECAEA7, #ECC0A7, #ECD3A7 and #ECE5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECC2A9 shade: #DD9164, #E4A985, #ECC1A7, #F3D9C9 and #FBF1EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECC2A9 shade: #ECC2A9, #C5ECA7 and #A7A9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECC2A9 shade: #ECC2A9, #A7ECC0 and #C0A7EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECC2A9 shade: #ECC2A9, #C5ECA7, #A7D3EC and #CEA7EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECC2A9 shade: #ECC2A9, #B0ECA7, #A7D3EC and #E3A7EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 28 / 7

HEX #ECC2A9

RGB 236 194 169

HSL 22.39, 0.64%, 0.79%

LAB 81.45, 11.37, 18.2

 

Complementary color

CMYK 78 / 29 / 0 / 66

HEX #133D56

RGB 19 61 86

HSL 202.39, 0.64%, 0.21%

LAB 24.15, -4.9, -19.21

 

CMYK 0 / 20 / 32 / 5

HEX #F1C2A4

RGB 241 194 164

HSL 23.38, 0.73%, 0.79%

LAB 81.82, 12.62, 21.45

 

CMYK 0 / 17 / 28 / 0

HEX #FFD4B7

RGB 255 212 183

HSL 24.17, 1%, 0.86%

LAB 87.86, 10.93, 19.99

 

CMYK 0 / 10 / 21 / 0

HEX #FFE6CA

RGB 255 230 202

HSL 31.7, 1%, 0.9%

LAB 92.63, 4.25, 16.75

 

CMYK 0 / 3 / 13 / 0

HEX #FFF8DD

RGB 255 248 221

HSL 47.65, 1%, 0.93%

LAB 97.48, -2.06, 13.8

 

CMYK 0 / 0 / 6 / 0

HEX #FFFFF0

RGB 255 255 240

HSL 60, 1%, 0.97%

LAB 99.64, -2.55, 7.15

 

CMYK 0 / 18 / 28 / 7

HEX #ECC2A9

RGB 236 194 169

HSL 22.39, 0.64%, 0.79%

LAB 81.45, 11.37, 18.2

 

CMYK 0 / 20 / 32 / 14

HEX #DBB096

RGB 219 176 150

HSL 22.61, 0.49%, 0.72%

LAB 75.02, 11.95, 19.24

 

CMYK 0 / 22 / 35 / 21

HEX #CA9E83

RGB 202 158 131

HSL 22.82, 0.4%, 0.65%

LAB 68.5, 12.6, 20.36

 

CMYK 0 / 24 / 39 / 27

HEX #B98C70

RGB 185 140 112

HSL 23.01, 0.34%, 0.58%

LAB 61.86, 13.35, 21.58

 

CMYK 0 / 27 / 45 / 34

HEX #A87A5D

RGB 168 122 93

HSL 23.2, 0.3%, 0.51%

LAB 55.11, 14.22, 22.92

 

CMYK 0 / 18 / 29 / 7

HEX #ECC1A7

RGB 236 193 167

HSL 22.61, 0.64%, 0.79%

LAB 81.16, 11.63, 18.87

 

CMYK 0 / 26 / 29 / 7

HEX #ECAEA7

RGB 236 174 167

HSL 6.09, 0.64%, 0.79%

LAB 76.62, 21.71, 12.5

 

CMYK 0 / 29 / 29 / 7

HEX #ECA7A7

RGB 236 167 167

HSL 0, 0.64%, 0.79%

LAB 74.99, 25.44, 10.19

 

CMYK 0 / 18 / 29 / 7

HEX #ECC1A7

RGB 236 193 167

HSL 22.61, 0.64%, 0.79%

LAB 81.16, 11.63, 18.87

 

CMYK 0 / 11 / 29 / 7

HEX #ECD3A7

RGB 236 211 167

HSL 38.26, 0.64%, 0.79%

LAB 85.61, 2.23, 25

 

CMYK 0 / 3 / 29 / 7

HEX #ECE6A7

RGB 236 230 167

HSL 54.78, 0.64%, 0.79%

LAB 90.42, -7.47, 31.5

 

CMYK 6 / 0 / 29 / 7

HEX #DFECA7

RGB 223 236 167

HSL 71.3, 0.64%, 0.79%

LAB 90.99, -15.3, 32.1

 

CMYK 13 / 0 / 29 / 7

HEX #CDECA7

RGB 205 236 167

HSL 86.96, 0.64%, 0.79%

LAB 89.75, -21.83, 30.21

 

CMYK 0 / 18 / 29 / 7

HEX #ECC1A7

RGB 236 193 167

HSL 22.61, 0.64%, 0.79%

LAB 81.16, 11.63, 18.87

 

CMYK 0 / 22 / 35 / 4

HEX #F4BF9F

RGB 244 191 159

HSL 22.59, 0.79%, 0.79%

LAB 81.29, 14.74, 23.42

 

CMYK 0 / 26 / 41 / 1

HEX #FDBC96

RGB 253 188 150

HSL 22.14, 0.96%, 0.79%

LAB 81.32, 18.76, 28.38

 

CMYK 0 / 18 / 29 / 7

HEX #ECC1A7

RGB 236 193 167

HSL 22.61, 0.64%, 0.79%

LAB 81.16, 11.63, 18.87

 

CMYK 0 / 14 / 22 / 11

HEX #E3C3B0

RGB 227 195 176

HSL 22.35, 0.48%, 0.79%

LAB 81.01, 8.43, 13.74

 

CMYK 0 / 10 / 15 / 15

HEX #DAC5B9

RGB 218 197 185

HSL 21.82, 0.31%, 0.79%

LAB 80.93, 5.42, 8.69

 

CMYK 0 / 5 / 8 / 18

HEX #D2C7C1

RGB 210 199 193

HSL 21.18, 0.16%, 0.79%

LAB 80.96, 2.8, 4.36

 

CMYK 0 / 0 / 0 / 21

HEX #C9CACA

RGB 201 202 202

HSL 180, 0.01%, 0.79%

LAB 81.25, -0.34, -0.13

 

CMYK 0 / 29 / 24 / 7

HEX #ECA7B3

RGB 236 167 179

HSL 349.57, 0.64%, 0.79%

LAB 75.28, 27.08, 4.04

 

CMYK 0 / 26 / 29 / 7

HEX #ECAEA7

RGB 236 174 167

HSL 6.09, 0.64%, 0.79%

LAB 76.62, 21.71, 12.5

 

CMYK 0 / 19 / 29 / 7

HEX #ECC0A7

RGB 236 192 167

HSL 21.74, 0.64%, 0.79%

LAB 80.92, 12.16, 18.53

 

CMYK 0 / 11 / 29 / 7

HEX #ECD3A7

RGB 236 211 167

HSL 38.26, 0.64%, 0.79%

LAB 85.61, 2.23, 25

 

CMYK 0 / 3 / 29 / 7

HEX #ECE5A7

RGB 236 229 167

HSL 53.91, 0.64%, 0.79%

LAB 90.17, -6.97, 31.16

 

CMYK 0 / 34 / 55 / 13

HEX #DD9164

RGB 221 145 100

HSL 22.31, 0.64%, 0.63%

LAB 66.93, 24.11, 35.54

 

CMYK 0 / 26 / 42 / 11

HEX #E4A985

RGB 228 169 133

HSL 22.74, 0.64%, 0.71%

LAB 73.91, 17.2, 27.05

 

CMYK 0 / 18 / 29 / 7

HEX #ECC1A7

RGB 236 193 167

HSL 22.61, 0.64%, 0.79%

LAB 81.16, 11.63, 18.87

 

CMYK 0 / 11 / 17 / 5

HEX #F3D9C9

RGB 243 217 201

HSL 22.86, 0.64%, 0.87%

LAB 88.4, 6.47, 11.15

 

CMYK 0 / 4 / 6 / 2

HEX #FBF1EB

RGB 251 241 235

HSL 22.5, 0.67%, 0.95%

LAB 95.75, 2.34, 4.08

 

CMYK 0 / 18 / 28 / 7

HEX #ECC2A9

RGB 236 194 169

HSL 22.39, 0.64%, 0.79%

LAB 81.45, 11.37, 18.2

 

CMYK 17 / 0 / 29 / 7

HEX #C5ECA7

RGB 197 236 167

HSL 93.91, 0.64%, 0.79%

LAB 89.23, -24.67, 29.42

 

CMYK 29 / 28 / 0 / 7

HEX #A7A9EC

RGB 167 169 236

HSL 238.26, 0.64%, 0.79%

LAB 71.32, 14.1, -33.76

 

CMYK 0 / 18 / 28 / 7

HEX #ECC2A9

RGB 236 194 169

HSL 22.39, 0.64%, 0.79%

LAB 81.45, 11.37, 18.2

 

CMYK 29 / 0 / 19 / 7

HEX #A7ECC0

RGB 167 236 192

HSL 141.74, 0.64%, 0.79%

LAB 87.97, -30.39, 14.53

 

CMYK 19 / 29 / 0 / 7

HEX #C0A7EC

RGB 192 167 236

HSL 261.74, 0.64%, 0.79%

LAB 72.83, 22.62, -31.26

 

CMYK 0 / 18 / 28 / 7

HEX #ECC2A9

RGB 236 194 169

HSL 22.39, 0.64%, 0.79%

LAB 81.45, 11.37, 18.2

 

CMYK 17 / 0 / 29 / 7

HEX #C5ECA7

RGB 197 236 167

HSL 93.91, 0.64%, 0.79%

LAB 89.23, -24.67, 29.42

 

CMYK 29 / 11 / 0 / 7

HEX #A7D3EC

RGB 167 211 236

HSL 201.74, 0.64%, 0.79%

LAB 82.3, -8.66, -16.98

 

CMYK 13 / 29 / 0 / 7

HEX #CEA7EC

RGB 206 167 236

HSL 273.91, 0.64%, 0.79%

LAB 74.07, 26.93, -29.24

 

CMYK 0 / 18 / 28 / 7

HEX #ECC2A9

RGB 236 194 169

HSL 22.39, 0.64%, 0.79%

LAB 81.45, 11.37, 18.2

 

CMYK 25 / 0 / 29 / 7

HEX #B0ECA7

RGB 176 236 167

HSL 112.17, 0.64%, 0.79%

LAB 87.97, -31.82, 27.51

 

CMYK 29 / 11 / 0 / 7

HEX #A7D3EC

RGB 167 211 236

HSL 201.74, 0.64%, 0.79%

LAB 82.3, -8.66, -16.98

 

CMYK 4 / 29 / 0 / 7

HEX #E3A7EC

RGB 227 167 236

HSL 292.17, 0.64%, 0.79%

LAB 76.08, 33.52, -25.98

 

Description

Color code: HEX #ECC2A9 | qconv.com Color code: HEX #ECC2A9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 194 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 194 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 28 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 28% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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