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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECC29B it is the complementary color #133D64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECC29B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #ECC29B: #F1C296, #FFD4A9, #FFE6BC, #FFF8CF and #FFFFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECC29B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #ECC29B: #ECC29B, #DBB088, #CA9E75, #B98C62 and #A87A4F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

Complementary color

CMYK 81 / 39 / 0 / 61

HEX #133D64

RGB 19 61 100

HSL 208.89, 0.68%, 0.23%

LAB 24.94, 0.83, -27.09

 

CMYK 0 / 20 / 38 / 5

HEX #F1C296

RGB 241 194 150

HSL 29.01, 0.76%, 0.77%

LAB 81.56, 10.95, 28.49

 

CMYK 0 / 17 / 34 / 0

HEX #FFD4A9

RGB 255 212 169

HSL 30, 1%, 0.83%

LAB 87.59, 9.18, 26.93

 

CMYK 0 / 10 / 26 / 0

HEX #FFE6BC

RGB 255 230 188

HSL 37.61, 1%, 0.87%

LAB 92.35, 2.33, 23.6

 

CMYK 0 / 3 / 19 / 0

HEX #FFF8CF

RGB 255 248 207

HSL 51.25, 1%, 0.91%

LAB 97.19, -4.14, 20.56

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

CMYK 0 / 20 / 38 / 14

HEX #DBB088

RGB 219 176 136

HSL 28.92, 0.54%, 0.7%

LAB 74.75, 10.23, 26.41

 

CMYK 0 / 22 / 42 / 21

HEX #CA9E75

RGB 202 158 117

HSL 28.94, 0.45%, 0.63%

LAB 68.24, 10.96, 27.66

 

CMYK 0 / 24 / 47 / 27

HEX #B98C62

RGB 185 140 98

HSL 28.97, 0.38%, 0.55%

LAB 61.61, 11.81, 29

 

CMYK 0 / 27 / 53 / 34

HEX #A87A4F

RGB 168 122 79

HSL 28.99, 0.36%, 0.48%

LAB 54.87, 12.8, 30.46

 

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

CMYK 0 / 13 / 34 / 7

HEX #ECCE9C

RGB 236 206 156

HSL 37.5, 0.68%, 0.77%

LAB 84.16, 3.45, 28.77

 

CMYK 0 / 7 / 34 / 7

HEX #ECDC9C

RGB 236 220 156

HSL 48, 0.68%, 0.77%

LAB 87.69, -3.75, 33.47

 

CMYK 0 / 1 / 34 / 7

HEX #ECE99C

RGB 236 233 156

HSL 57.75, 0.68%, 0.77%

LAB 91.01, -10.31, 37.85

 

CMYK 5 / 0 / 34 / 7

HEX #E1EC9C

RGB 225 236 156

HSL 68.25, 0.68%, 0.77%

LAB 90.96, -15.95, 37.62

 

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

CMYK 0 / 19 / 34 / 87

HEX #201A15

RGB 32 26 21

HSL 27.27, 0.21%, 0.1%

LAB 9.8, 1.91, 4.54

 

CMYK 0 / 18 / 34 / 67

HEX #534437

RGB 83 68 55

HSL 27.86, 0.2%, 0.27%

LAB 30.03, 4.19, 10.28

 

CMYK 0 / 18 / 34 / 47

HEX #866E58

RGB 134 110 88

HSL 28.7, 0.21%, 0.44%

LAB 48.17, 6.07, 15.83

 

CMYK 0 / 18 / 34 / 27

HEX #B9987A

RGB 185 152 122

HSL 28.57, 0.31%, 0.6%

LAB 65.1, 7.95, 20.41

 

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

CMYK 22 / 0 / 34 / 7

HEX #B7EC9C

RGB 183 236 156

HSL 99.75, 0.68%, 0.77%

LAB 88.19, -31.11, 33.46

 

CMYK 32 / 34 / 0 / 7

HEX #A19CEC

RGB 161 156 236

HSL 243.75, 0.68%, 0.77%

LAB 67.58, 19.74, -39.6

 

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

CMYK 34 / 0 / 18 / 7

HEX #9CECC1

RGB 156 236 193

HSL 147.75, 0.68%, 0.77%

LAB 87.44, -33.47, 13.18

 

CMYK 18 / 34 / 0 / 7

HEX #C19CEC

RGB 193 156 236

HSL 267.75, 0.68%, 0.77%

LAB 70.3, 29.01, -35.17

 

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

CMYK 22 / 0 / 34 / 7

HEX #B7EC9C

RGB 183 236 156

HSL 99.75, 0.68%, 0.77%

LAB 88.19, -31.11, 33.46

 

CMYK 34 / 16 / 0 / 7

HEX #9CC7EC

RGB 156 199 236

HSL 207.75, 0.68%, 0.77%

LAB 78.44, -5.43, -22.88

 

CMYK 11 / 34 / 0 / 7

HEX #D19CEC

RGB 209 156 236

HSL 279.75, 0.68%, 0.77%

LAB 71.82, 33.85, -32.69

 

CMYK 0 / 18 / 34 / 7

HEX #ECC29B

RGB 236 194 155

HSL 28.89, 0.68%, 0.77%

LAB 81.17, 9.6, 25.25

 

CMYK 33 / 0 / 34 / 7

HEX #9FEC9C

RGB 159 236 156

HSL 117.75, 0.68%, 0.77%

LAB 86.88, -39.03, 31.48

 

CMYK 34 / 16 / 0 / 7

HEX #9CC7EC

RGB 156 199 236

HSL 207.75, 0.68%, 0.77%

LAB 78.44, -5.43, -22.88

 

CMYK 1 / 34 / 0 / 7

HEX #E99CEC

RGB 233 156 236

HSL 297.75, 0.68%, 0.77%

LAB 74.29, 41.24, -28.67

 

Description

Color code: HEX #ECC29B | qconv.com Color code: HEX #ECC29B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 194 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 194 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 34 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 34% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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