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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ECB581 it is the complementary color #134A7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ECB581. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ECB581 shade: #F1B57C, #FFC78F, #FFD9A2, #FFEBB5 and #FFFDC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ECB581. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ECB581 shade: #ECB581, #DBA36E, #CA915B, #B97F48 and #A86D35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ECB581 shade: #ECB683, #EC9A83 and #EC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ECB581 shade: #ECB683, #ECD383, #EAEC83, #CDEC83 and #B1EC83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ECB581 shade matches the following richer shades: #ECB683 and #F8B677

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ECB581 shade: #ECB683, #E1B68E, #D5B79A, #CAB7A5 and #BEB7B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ECB581 shade: #EC8388, #EC9A83, #ECB683, #ECD283 and #EBEC83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ECB581 shade: #E28C3B, #E7A15F, #ECB683, #F2CBA7 and #F7E0CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ECB581 shade: #ECB581, #A4EC83 and #8C83EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ECB581 shade: #ECB581, #83ECB6 and #B683EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ECB581 shade: #ECB581, #A4EC83, #83B9EC and #CB83EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ECB581 shade: #ECB581, #85EC83, #83B9EC and #EB83EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 45 / 7

HEX #ECB581

RGB 236 181 129

HSL 29.16, 0.74%, 0.72%

LAB 77.56, 13.59, 34.14

 

Complementary color

CMYK 85 / 41 / 0 / 51

HEX #134A7E

RGB 19 74 126

HSL 209.16, 0.74%, 0.28%

LAB 30.74, 2.82, -34.34

 

CMYK 0 / 25 / 49 / 5

HEX #F1B57C

RGB 241 181 124

HSL 29.23, 0.81%, 0.72%

LAB 78, 15.1, 37.41

 

CMYK 0 / 22 / 44 / 0

HEX #FFC78F

RGB 255 199 143

HSL 30, 1%, 0.78%

LAB 84.01, 13.06, 35.63

 

CMYK 0 / 15 / 36 / 0

HEX #FFD9A2

RGB 255 217 162

HSL 35.48, 1%, 0.82%

LAB 88.68, 5.78, 32.02

 

CMYK 0 / 8 / 29 / 0

HEX #FFEBB5

RGB 255 235 181

HSL 43.78, 1%, 0.85%

LAB 93.46, -1.11, 28.71

 

CMYK 0 / 1 / 22 / 0

HEX #FFFDC8

RGB 255 253 200

HSL 57.82, 1%, 0.89%

LAB 98.31, -7.61, 25.67

 

CMYK 0 / 23 / 45 / 7

HEX #ECB581

RGB 236 181 129

HSL 29.16, 0.74%, 0.72%

LAB 77.56, 13.59, 34.14

 

CMYK 0 / 26 / 50 / 14

HEX #DBA36E

RGB 219 163 110

HSL 29.17, 0.6%, 0.65%

LAB 71.13, 14.49, 35.5

 

CMYK 0 / 28 / 55 / 21

HEX #CA915B

RGB 202 145 91

HSL 29.19, 0.51%, 0.57%

LAB 64.61, 15.53, 36.95

 

CMYK 0 / 31 / 61 / 27

HEX #B97F48

RGB 185 127 72

HSL 29.2, 0.45%, 0.5%

LAB 58, 16.74, 38.49

 

CMYK 0 / 35 / 68 / 34

HEX #A86D35

RGB 168 109 53

HSL 29.22, 0.52%, 0.43%

LAB 51.29, 18.16, 40.07

 

CMYK 0 / 23 / 44 / 7

HEX #ECB683

RGB 236 182 131

HSL 29.14, 0.73%, 0.72%

LAB 77.83, 13.26, 33.44

 

CMYK 0 / 35 / 44 / 7

HEX #EC9A83

RGB 236 154 131

HSL 13.14, 0.73%, 0.72%

LAB 71.27, 28.12, 24.75

 

CMYK 0 / 44 / 44 / 7

HEX #EC8383

RGB 236 131 131

HSL 0, 0.73%, 0.72%

LAB 66.29, 40.13, 17.97

 

CMYK 0 / 23 / 44 / 7

HEX #ECB683

RGB 236 182 131

HSL 29.14, 0.73%, 0.72%

LAB 77.83, 13.26, 33.44

 

CMYK 0 / 11 / 44 / 7

HEX #ECD383

RGB 236 211 131

HSL 45.71, 0.73%, 0.72%

LAB 85.03, -1.87, 42.67

 

CMYK 1 / 0 / 44 / 7

HEX #EAEC83

RGB 234 236 131

HSL 61.14, 0.73%, 0.72%

LAB 91.29, -15.21, 50.42

 

CMYK 13 / 0 / 44 / 7

HEX #CDEC83

RGB 205 236 131

HSL 77.71, 0.73%, 0.72%

LAB 89.21, -26.32, 47.39

 

CMYK 25 / 0 / 44 / 7

HEX #B1EC83

RGB 177 236 131

HSL 93.71, 0.73%, 0.72%

LAB 87.47, -36.48, 44.85

 

CMYK 0 / 23 / 44 / 7

HEX #ECB683

RGB 236 182 131

HSL 29.14, 0.73%, 0.72%

LAB 77.83, 13.26, 33.44

 

CMYK 0 / 27 / 52 / 3

HEX #F8B677

RGB 248 182 119

HSL 29.3, 0.9%, 0.72%

LAB 78.89, 16.94, 41.27

 

CMYK 0 / 23 / 44 / 7

HEX #ECB683

RGB 236 182 131

HSL 29.14, 0.73%, 0.72%

LAB 77.83, 13.26, 33.44

 

CMYK 0 / 19 / 37 / 12

HEX #E1B68E

RGB 225 182 142

HSL 28.92, 0.58%, 0.72%

LAB 76.93, 10.1, 26.24

 

CMYK 0 / 14 / 28 / 16

HEX #D5B79A

RGB 213 183 154

HSL 29.49, 0.41%, 0.72%

LAB 76.28, 6.42, 18.74

 

CMYK 0 / 9 / 18 / 21

HEX #CAB7A5

RGB 202 183 165

HSL 29.19, 0.26%, 0.72%

LAB 75.54, 3.84, 11.61

 

CMYK 0 / 4 / 7 / 25

HEX #BEB7B1

RGB 190 183 177

HSL 27.69, 0.09%, 0.72%

LAB 74.82, 1.41, 3.92

 

CMYK 0 / 44 / 42 / 7

HEX #EC8388

RGB 236 131 136

HSL 357.14, 0.73%, 0.72%

LAB 66.4, 40.64, 15.3

 

CMYK 0 / 35 / 44 / 7

HEX #EC9A83

RGB 236 154 131

HSL 13.14, 0.73%, 0.72%

LAB 71.27, 28.12, 24.75

 

CMYK 0 / 23 / 44 / 7

HEX #ECB683

RGB 236 182 131

HSL 29.14, 0.73%, 0.72%

LAB 77.83, 13.26, 33.44

 

CMYK 0 / 11 / 44 / 7

HEX #ECD283

RGB 236 210 131

HSL 45.14, 0.73%, 0.72%

LAB 84.77, -1.36, 42.35

 

CMYK 0 / 0 / 44 / 7

HEX #EBEC83

RGB 235 236 131

HSL 60.57, 0.73%, 0.72%

LAB 91.37, -14.82, 50.53

 

CMYK 0 / 38 / 74 / 11

HEX #E28C3B

RGB 226 140 59

HSL 29.1, 0.74%, 0.56%

LAB 65.94, 26.25, 54.96

 

CMYK 0 / 30 / 59 / 9

HEX #E7A15F

RGB 231 161 95

HSL 29.12, 0.74%, 0.64%

LAB 71.76, 19.24, 44.32

 

CMYK 0 / 23 / 44 / 7

HEX #ECB683

RGB 236 182 131

HSL 29.14, 0.73%, 0.72%

LAB 77.83, 13.26, 33.44

 

CMYK 0 / 16 / 31 / 5

HEX #F2CBA7

RGB 242 203 167

HSL 28.8, 0.74%, 0.8%

LAB 84.16, 8.66, 23.1

 

CMYK 0 / 9 / 18 / 3

HEX #F7E0CB

RGB 247 224 203

HSL 28.64, 0.73%, 0.88%

LAB 90.5, 4.59, 13.14

 

CMYK 0 / 23 / 45 / 7

HEX #ECB581

RGB 236 181 129

HSL 29.16, 0.74%, 0.72%

LAB 77.56, 13.59, 34.14

 

CMYK 31 / 0 / 44 / 7

HEX #A4EC83

RGB 164 236 131

HSL 101.14, 0.73%, 0.72%

LAB 86.76, -40.93, 43.81

 

CMYK 41 / 44 / 0 / 7

HEX #8C83EC

RGB 140 131 236

HSL 245.14, 0.73%, 0.72%

LAB 59.77, 28.61, -52.02

 

CMYK 0 / 23 / 45 / 7

HEX #ECB581

RGB 236 181 129

HSL 29.16, 0.74%, 0.72%

LAB 77.56, 13.59, 34.14

 

CMYK 44 / 0 / 23 / 7

HEX #83ECB6

RGB 131 236 182

HSL 149.14, 0.73%, 0.72%

LAB 86.1, -42.48, 16.86

 

CMYK 23 / 44 / 0 / 7

HEX #B683EC

RGB 182 131 236

HSL 269.14, 0.73%, 0.72%

LAB 63.54, 39.66, -45.81

 

CMYK 0 / 23 / 45 / 7

HEX #ECB581

RGB 236 181 129

HSL 29.16, 0.74%, 0.72%

LAB 77.56, 13.59, 34.14

 

CMYK 31 / 0 / 44 / 7

HEX #A4EC83

RGB 164 236 131

HSL 101.14, 0.73%, 0.72%

LAB 86.76, -40.93, 43.81

 

CMYK 44 / 22 / 0 / 7

HEX #83B9EC

RGB 131 185 236

HSL 209.14, 0.73%, 0.72%

LAB 73.27, -4.41, -30.92

 

CMYK 14 / 44 / 0 / 7

HEX #CB83EC

RGB 203 131 236

HSL 281.14, 0.73%, 0.72%

LAB 65.74, 45.54, -42.2

 

CMYK 0 / 23 / 45 / 7

HEX #ECB581

RGB 236 181 129

HSL 29.16, 0.74%, 0.72%

LAB 77.56, 13.59, 34.14

 

CMYK 44 / 0 / 44 / 7

HEX #85EC83

RGB 133 236 131

HSL 118.86, 0.73%, 0.72%

LAB 85.31, -50.58, 41.67

 

CMYK 44 / 22 / 0 / 7

HEX #83B9EC

RGB 131 185 236

HSL 209.14, 0.73%, 0.72%

LAB 73.27, -4.41, -30.92

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

Description

Color code: HEX #ECB581 | qconv.com Color code: HEX #ECB581 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 181 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 181 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 45 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 45% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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