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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB83EC it is the complementary color #147C13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB83EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB83EC shade: #F083E7, #FF95FA, #FFA7FF, #FFB9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB83EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB83EC shade: #EB83EC, #DA71D9, #C95FC6, #B84DB3 and #A73BA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB83EC shade: #EB83EC, #EC83D1, #EC83B4, #EC8398 and #EC8383

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB83EC shade: #EB83EC, #CF83EC, #B383EC, #9683EC and #8383EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB83EC shade matches the following richer shades: #EB83EC and #F678F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB83EC shade: #EB83EC, #DF8FE0, #D49BD5, #C9A6C9 and #BDB2BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB83EC shade: #B283EC, #CE83EC, #EA83EC, #EC83D2 and #EC83B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB83EC shade: #DF3CE1, #E560E6, #EB83EC, #F1A7F1 and #F6CBF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB83EC shade: #EB83EC, #EC9783 and #83ECC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB83EC shade: #EB83EC, #ECEA83 and #83ECEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB83EC shade: #EB83EC, #EC9783, #85EC83 and #83D9EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB83EC shade: #EB83EC, #ECB683, #85EC83 and #83B9EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

Complementary color

CMYK 84 / 0 / 85 / 51

HEX #147C13

RGB 20 124 19

HSL 119.43, 0.73%, 0.28%

LAB 45.1, -47.81, 44.7

 

CMYK 0 / 45 / 4 / 6

HEX #F083E7

RGB 240 131 231

HSL 304.95, 0.78%, 0.73%

LAB 69.84, 55.24, -32.72

 

CMYK 0 / 42 / 2 / 0

HEX #FF95FA

RGB 255 149 250

HSL 302.83, 1%, 0.79%

LAB 75.86, 53.96, -33.65

 

CMYK 0 / 35 / 0 / 0

HEX #FFA7FF

RGB 255 167 255

HSL 300, 1%, 0.83%

LAB 79.68, 45.7, -30.46

 

CMYK 0 / 27 / 0 / 0

HEX #FFB9FF

RGB 255 185 255

HSL 300, 1%, 0.86%

LAB 83.54, 36.35, -24.57

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 48 / 0 / 15

HEX #DA71D9

RGB 218 113 217

HSL 300.57, 0.59%, 0.65%

LAB 63.12, 55.33, -35.61

 

CMYK 0 / 53 / 1 / 21

HEX #C95FC6

RGB 201 95 198

HSL 301.7, 0.5%, 0.58%

LAB 56.76, 55.92, -34.95

 

CMYK 0 / 58 / 3 / 28

HEX #B84DB3

RGB 184 77 179

HSL 302.8, 0.43%, 0.51%

LAB 50.4, 56.34, -34.12

 

CMYK 0 / 65 / 4 / 35

HEX #A73BA0

RGB 167 59 160

HSL 303.89, 0.48%, 0.44%

LAB 44.06, 56.46, -33.03

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 44 / 11 / 7

HEX #EC83D1

RGB 236 131 209

HSL 315.43, 0.73%, 0.72%

LAB 68.51, 50.4, -22.63

 

CMYK 0 / 44 / 24 / 7

HEX #EC83B4

RGB 236 131 180

HSL 332, 0.73%, 0.72%

LAB 67.55, 46.04, -7.86

 

CMYK 0 / 44 / 36 / 7

HEX #EC8398

RGB 236 131 152

HSL 348, 0.73%, 0.72%

LAB 66.77, 42.43, 6.8

 

CMYK 0 / 44 / 44 / 7

HEX #EC8383

RGB 236 131 131

HSL 0, 0.73%, 0.72%

LAB 66.29, 40.13, 17.97

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 12 / 44 / 0 / 7

HEX #CF83EC

RGB 207 131 236

HSL 283.43, 0.73%, 0.72%

LAB 66.18, 46.67, -41.48

 

CMYK 24 / 44 / 0 / 7

HEX #B383EC

RGB 179 131 236

HSL 267.43, 0.73%, 0.72%

LAB 63.24, 38.83, -46.31

 

CMYK 36 / 44 / 0 / 7

HEX #9683EC

RGB 150 131 236

HSL 250.86, 0.73%, 0.72%

LAB 60.58, 31.12, -50.68

 

CMYK 44 / 44 / 0 / 7

HEX #8383EC

RGB 131 131 236

HSL 240, 0.73%, 0.72%

LAB 59.08, 26.44, -53.16

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 51 / 0 / 3

HEX #F678F7

RGB 246 120 247

HSL 299.53, 0.89%, 0.72%

LAB 69.28, 64.88, -42.32

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 36 / 0 / 12

HEX #DF8FE0

RGB 223 143 224

HSL 299.26, 0.57%, 0.72%

LAB 69.98, 42.78, -28.83

 

CMYK 0 / 27 / 0 / 16

HEX #D49BD5

RGB 212 155 213

HSL 298.97, 0.41%, 0.72%

LAB 71.04, 30.82, -21.24

 

CMYK 0 / 17 / 0 / 21

HEX #C9A6C9

RGB 201 166 201

HSL 300, 0.24%, 0.72%

LAB 72.17, 18.88, -13.03

 

CMYK 1 / 6 / 0 / 25

HEX #BDB2BE

RGB 189 178 190

HSL 295, 0.08%, 0.72%

LAB 73.79, 6.11, -4.69

 

CMYK 25 / 44 / 0 / 7

HEX #B283EC

RGB 178 131 236

HSL 266.86, 0.73%, 0.72%

LAB 63.14, 38.56, -46.47

 

CMYK 13 / 44 / 0 / 7

HEX #CE83EC

RGB 206 131 236

HSL 282.86, 0.73%, 0.72%

LAB 66.07, 46.39, -41.66

 

CMYK 1 / 44 / 0 / 7

HEX #EA83EC

RGB 234 131 236

HSL 298.86, 0.73%, 0.72%

LAB 69.31, 54.38, -36.35

 

CMYK 0 / 44 / 11 / 7

HEX #EC83D2

RGB 236 131 210

HSL 314.86, 0.73%, 0.72%

LAB 68.55, 50.56, -23.13

 

CMYK 0 / 44 / 23 / 7

HEX #EC83B6

RGB 236 131 182

HSL 330.86, 0.73%, 0.72%

LAB 67.61, 46.32, -8.89

 

CMYK 1 / 73 / 0 / 12

HEX #DF3CE1

RGB 223 60 225

HSL 299.27, 0.73%, 0.56%

LAB 56.44, 79.28, -50.57

 

CMYK 0 / 58 / 0 / 10

HEX #E560E6

RGB 229 96 230

HSL 299.55, 0.73%, 0.64%

LAB 62.28, 68.28, -44.07

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 31 / 0 / 5

HEX #F1A7F1

RGB 241 167 241

HSL 300, 0.73%, 0.8%

LAB 77.69, 38.86, -26.1

 

CMYK 0 / 18 / 0 / 3

HEX #F6CBF7

RGB 246 203 247

HSL 298.64, 0.73%, 0.88%

LAB 86.51, 22.52, -15.9

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 36 / 44 / 7

HEX #EC9783

RGB 236 151 131

HSL 11.43, 0.73%, 0.72%

LAB 70.6, 29.7, 23.84

 

CMYK 44 / 0 / 19 / 7

HEX #83ECC0

RGB 131 236 192

HSL 154.86, 0.73%, 0.72%

LAB 86.32, -40.46, 11.95

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 1 / 44 / 7

HEX #ECEA83

RGB 236 234 131

HSL 58.86, 0.73%, 0.72%

LAB 90.92, -13.45, 50.01

 

CMYK 44 / 0 / 1 / 7

HEX #83ECEA

RGB 131 236 234

HSL 178.86, 0.73%, 0.72%

LAB 87.37, -30.9, -8.53

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 36 / 44 / 7

HEX #EC9783

RGB 236 151 131

HSL 11.43, 0.73%, 0.72%

LAB 70.6, 29.7, 23.84

 

CMYK 44 / 0 / 44 / 7

HEX #85EC83

RGB 133 236 131

HSL 118.86, 0.73%, 0.72%

LAB 85.31, -50.58, 41.67

 

CMYK 44 / 8 / 0 / 7

HEX #83D9EC

RGB 131 217 236

HSL 190.86, 0.73%, 0.72%

LAB 82.11, -21.13, -17.44

 

CMYK 0 / 44 / 0 / 7

HEX #EB83EC

RGB 235 131 236

HSL 299.43, 0.73%, 0.72%

LAB 69.43, 54.67, -36.16

 

CMYK 0 / 23 / 44 / 7

HEX #ECB683

RGB 236 182 131

HSL 29.14, 0.73%, 0.72%

LAB 77.83, 13.26, 33.44

 

CMYK 44 / 0 / 44 / 7

HEX #85EC83

RGB 133 236 131

HSL 118.86, 0.73%, 0.72%

LAB 85.31, -50.58, 41.67

 

CMYK 44 / 22 / 0 / 7

HEX #83B9EC

RGB 131 185 236

HSL 209.14, 0.73%, 0.72%

LAB 73.27, -4.41, -30.92

 

Description

Color code: HEX #EB83EC | qconv.com Color code: HEX #EB83EC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 131 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 131 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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