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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC9019 it is the complementary color #136FE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC9019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EC9019: #F19014, #FFA227, #FFB43A, #FFC64D and #FFD860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC9019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EC9019: #EC9019, #DB7E06, #CA6C00, #B95A00 and #A84800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

Complementary color

CMYK 92 / 52 / 0 / 10

HEX #136FE6

RGB 19 111 230

HSL 213.84, 0.85%, 0.49%

LAB 48.54, 20.38, -67.01

 

CMYK 0 / 40 / 92 / 5

HEX #F19014

RGB 241 144 20

HSL 33.67, 0.89%, 0.51%

LAB 68.53, 29.27, 70.98

 

CMYK 0 / 36 / 85 / 0

HEX #FFA227

RGB 255 162 39

HSL 34.17, 1%, 0.58%

LAB 74.35, 26.03, 71.43

 

CMYK 0 / 29 / 77 / 0

HEX #FFB43A

RGB 255 180 58

HSL 37.16, 1%, 0.61%

LAB 78.58, 17.2, 68.83

 

CMYK 0 / 22 / 70 / 0

HEX #FFC64D

RGB 255 198 77

HSL 40.79, 1%, 0.65%

LAB 83.01, 8.66, 65.8

 

CMYK 0 / 15 / 62 / 0

HEX #FFD860

RGB 255 216 96

HSL 45.28, 1%, 0.69%

LAB 87.59, 0.48, 62.62

 

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

CMYK 0 / 42 / 97 / 14

HEX #DB7E06

RGB 219 126 6

HSL 33.8, 0.95%, 0.44%

LAB 61.65, 29.42, 67.24

 

CMYK 0 / 47 / 100 / 21

HEX #CA6C00

RGB 202 108 0

HSL 32.08, 1%, 0.4%

LAB 55.36, 31.78, 63.12

 

CMYK 0 / 51 / 100 / 27

HEX #B95A00

RGB 185 90 0

HSL 29.19, 1%, 0.36%

LAB 49.04, 34.2, 58.04

 

CMYK 0 / 57 / 100 / 34

HEX #A84800

RGB 168 72 0

HSL 25.71, 1%, 0.33%

LAB 42.7, 36.56, 52.97

 

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

CMYK 0 / 25 / 90 / 7

HEX #ECB017

RGB 236 176 23

HSL 43.1, 0.85%, 0.51%

LAB 75.42, 10.32, 75.24

 

CMYK 0 / 11 / 90 / 7

HEX #ECD317

RGB 236 211 23

HSL 52.96, 0.85%, 0.51%

LAB 84.22, -7.77, 81.96

 

CMYK 5 / 0 / 90 / 7

HEX #E1EC17

RGB 225 236 23

HSL 63.1, 0.85%, 0.51%

LAB 89.89, -24.65, 85.97

 

CMYK 19 / 0 / 90 / 7

HEX #BEEC17

RGB 190 236 23

HSL 72.96, 0.85%, 0.51%

LAB 87.48, -38.73, 83.05

 

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

CMYK 0 / 38 / 91 / 87

HEX #201403

RGB 32 20 3

HSL 35.17, 0.83%, 0.07%

LAB 7.35, 3.62, 9.85

 

CMYK 0 / 39 / 89 / 67

HEX #533309

RGB 83 51 9

HSL 34.05, 0.8%, 0.18%

LAB 24.41, 10.66, 30.33

 

CMYK 0 / 39 / 90 / 47

HEX #86520E

RGB 134 82 14

HSL 34, 0.81%, 0.29%

LAB 39.81, 16.59, 44.5

 

CMYK 0 / 39 / 89 / 27

HEX #B97114

RGB 185 113 20

HSL 33.82, 0.8%, 0.4%

LAB 54.21, 22.1, 57.05

 

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

CMYK 68 / 0 / 90 / 7

HEX #4CEC17

RGB 76 236 23

HSL 105.07, 0.85%, 0.51%

LAB 82.69, -73.52, 77.15

 

CMYK 77 / 90 / 0 / 7

HEX #3717EC

RGB 55 23 236

HSL 249.01, 0.85%, 0.51%

LAB 32.88, 71.15, -96.13

 

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

CMYK 90 / 0 / 41 / 7

HEX #17EC8C

RGB 23 236 140

HSL 152.96, 0.85%, 0.51%

LAB 82.95, -67.84, 33.67

 

CMYK 41 / 90 / 0 / 7

HEX #8C17EC

RGB 140 23 236

HSL 272.96, 0.85%, 0.51%

LAB 41.6, 77.38, -81.41

 

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

CMYK 68 / 0 / 90 / 7

HEX #4CEC17

RGB 76 236 23

HSL 105.07, 0.85%, 0.51%

LAB 82.69, -73.52, 77.15

 

CMYK 90 / 50 / 0 / 7

HEX #1777EC

RGB 23 119 236

HSL 212.96, 0.85%, 0.51%

LAB 51.19, 17.81, -66.08

 

CMYK 22 / 90 / 0 / 7

HEX #B717EC

RGB 183 23 236

HSL 285.07, 0.85%, 0.51%

LAB 47.93, 82.75, -70.81

 

CMYK 0 / 39 / 89 / 7

HEX #EC9019

RGB 236 144 25

HSL 33.84, 0.85%, 0.51%

LAB 67.91, 27.27, 69.13

 

CMYK 90 / 0 / 86 / 7

HEX #17EC22

RGB 23 236 34

HSL 123.1, 0.85%, 0.51%

LAB 81.99, -79.56, 74.32

 

CMYK 90 / 50 / 0 / 7

HEX #1777EC

RGB 23 119 236

HSL 212.96, 0.85%, 0.51%

LAB 51.19, 17.81, -66.08

 

CMYK 0 / 90 / 5 / 7

HEX #EC17E1

RGB 236 23 225

HSL 303.1, 0.85%, 0.51%

LAB 55.97, 89.31, -51.19

 

Description

Color code: HEX #EC9019 | qconv.com Color code: HEX #EC9019 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 144 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 144 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 89 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 89% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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