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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC8656 it is the complementary color #1379A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC8656. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EC8656: #F18651, #FF9864, #FFAA77, #FFBC8A and #FFCE9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC8656. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EC8656: #EC8656, #DB7443, #CA6230, #B9501D and #A83E0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

Complementary color

CMYK 89 / 28 / 0 / 34

HEX #1379A9

RGB 19 121 169

HSL 199.2, 0.8%, 0.37%

LAB 47.85, -9.49, -33.15

 

CMYK 0 / 44 / 66 / 5

HEX #F18651

RGB 241 134 81

HSL 19.88, 0.85%, 0.63%

LAB 66.78, 36.55, 45.89

 

CMYK 0 / 40 / 61 / 0

HEX #FF9864

RGB 255 152 100

HSL 20.13, 1%, 0.7%

LAB 72.65, 33.95, 43.52

 

CMYK 0 / 33 / 53 / 0

HEX #FFAA77

RGB 255 170 119

HSL 22.5, 1%, 0.73%

LAB 76.89, 26.02, 38.91

 

CMYK 0 / 26 / 46 / 0

HEX #FFBC8A

RGB 255 188 138

HSL 25.64, 1%, 0.77%

LAB 81.33, 18.31, 34.72

 

CMYK 0 / 19 / 38 / 0

HEX #FFCE9D

RGB 255 206 157

HSL 30, 1%, 0.81%

LAB 85.92, 10.9, 30.92

 

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

CMYK 0 / 47 / 69 / 14

HEX #DB7443

RGB 219 116 67

HSL 19.34, 0.68%, 0.56%

LAB 59.85, 36.4, 44.36

 

CMYK 0 / 51 / 76 / 21

HEX #CA6230

RGB 202 98 48

HSL 19.48, 0.62%, 0.49%

LAB 53.5, 38.04, 46.32

 

CMYK 0 / 57 / 84 / 27

HEX #B9501D

RGB 185 80 29

HSL 19.62, 0.73%, 0.42%

LAB 47.16, 39.79, 48.08

 

CMYK 0 / 63 / 94 / 34

HEX #A83E0A

RGB 168 62 10

HSL 19.75, 0.89%, 0.35%

LAB 40.88, 41.55, 48.9

 

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

CMYK 0 / 33 / 64 / 7

HEX #EC9E55

RGB 236 158 85

HSL 29.01, 0.8%, 0.63%

LAB 71.52, 22.21, 49.16

 

CMYK 0 / 22 / 64 / 7

HEX #ECB755

RGB 236 183 85

HSL 38.94, 0.8%, 0.63%

LAB 77.49, 8.98, 55.88

 

CMYK 0 / 12 / 64 / 7

HEX #ECD055

RGB 236 208 85

HSL 48.87, 0.8%, 0.63%

LAB 83.76, -3.98, 62.69

 

CMYK 0 / 1 / 64 / 7

HEX #ECE955

RGB 236 233 85

HSL 58.81, 0.8%, 0.63%

LAB 90.21, -16.47, 69.5

 

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

CMYK 0 / 44 / 63 / 87

HEX #20120C

RGB 32 18 12

HSL 18, 0.45%, 0.09%

LAB 6.92, 6.13, 5.5

 

CMYK 0 / 43 / 64 / 67

HEX #532F1E

RGB 83 47 30

HSL 19.25, 0.47%, 0.22%

LAB 23.56, 14.54, 17.83

 

CMYK 0 / 43 / 63 / 47

HEX #864C31

RGB 134 76 49

HSL 19.06, 0.46%, 0.36%

LAB 38.65, 21.84, 26.44

 

CMYK 0 / 43 / 64 / 27

HEX #B96943

RGB 185 105 67

HSL 19.32, 0.47%, 0.49%

LAB 52.75, 28.52, 34.93

 

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

CMYK 33 / 0 / 64 / 7

HEX #9EEC55

RGB 158 236 85

HSL 90.99, 0.8%, 0.63%

LAB 85.96, -47.69, 63.47

 

CMYK 64 / 59 / 0 / 7

HEX #5561EC

RGB 85 97 236

HSL 235.23, 0.8%, 0.63%

LAB 47.67, 37.86, -71.69

 

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

CMYK 64 / 0 / 44 / 7

HEX #55EC84

RGB 85 236 132

HSL 138.68, 0.8%, 0.63%

LAB 83.75, -61.92, 38.87

 

CMYK 44 / 64 / 0 / 7

HEX #8455EC

RGB 132 85 236

HSL 258.68, 0.8%, 0.63%

LAB 48.83, 52.86, -69.63

 

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

CMYK 33 / 0 / 64 / 7

HEX #9EEC55

RGB 158 236 85

HSL 90.99, 0.8%, 0.63%

LAB 85.96, -47.69, 63.47

 

CMYK 64 / 20 / 0 / 7

HEX #55BCEC

RGB 85 188 236

HSL 199.07, 0.8%, 0.63%

LAB 72.2, -15.51, -32.74

 

CMYK 31 / 64 / 0 / 7

HEX #A355EC

RGB 163 85 236

HSL 270.99, 0.8%, 0.63%

LAB 52.22, 59.12, -63.99

 

CMYK 0 / 43 / 64 / 7

HEX #EC8656

RGB 236 134 86

HSL 19.2, 0.8%, 0.63%

LAB 66.18, 34.89, 42.44

 

CMYK 53 / 0 / 64 / 7

HEX #70EC55

RGB 112 236 85

HSL 109.27, 0.8%, 0.63%

LAB 84.01, -61.73, 60.78

 

CMYK 64 / 20 / 0 / 7

HEX #55BCEC

RGB 85 188 236

HSL 199.07, 0.8%, 0.63%

LAB 72.2, -15.51, -32.74

 

CMYK 12 / 64 / 0 / 7

HEX #D055EC

RGB 208 85 236

HSL 288.87, 0.8%, 0.63%

LAB 58, 68.99, -54.39

 

Description

Color code: HEX #EC8656 | qconv.com Color code: HEX #EC8656 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 134 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 134 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 64% 7% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - euPago - Instituição...
Link: http://www.eupago.pt

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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