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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC5740 it is the complementary color #13A8BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC5740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EC5740: #F1573B, #FF694E, #FF7B61, #FF8D74 and #FF9F87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC5740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EC5740: #EC5740, #DB452D, #CA331A, #B92107 and #A80F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

Complementary color

CMYK 90 / 12 / 0 / 25

HEX #13A8BF

RGB 19 168 191

HSL 188.02, 0.82%, 0.41%

LAB 63.26, -27.06, -21.84

 

CMYK 0 / 64 / 76 / 5

HEX #F1573B

RGB 241 87 59

HSL 9.23, 0.87%, 0.59%

LAB 57.88, 57.73, 47.29

 

CMYK 0 / 59 / 69 / 0

HEX #FF694E

RGB 255 105 78

HSL 9.15, 1%, 0.65%

LAB 63.27, 55.56, 43.94

 

CMYK 0 / 52 / 62 / 0

HEX #FF7B61

RGB 255 123 97

HSL 9.87, 1%, 0.69%

LAB 66.74, 48.28, 37.88

 

CMYK 0 / 45 / 55 / 0

HEX #FF8D74

RGB 255 141 116

HSL 10.79, 1%, 0.73%

LAB 70.57, 40.74, 32.43

 

CMYK 0 / 38 / 47 / 0

HEX #FF9F87

RGB 255 159 135

HSL 12, 1%, 0.76%

LAB 74.7, 33.17, 27.57

 

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

CMYK 0 / 68 / 79 / 14

HEX #DB452D

RGB 219 69 45

HSL 8.28, 0.71%, 0.52%

LAB 51.27, 57.19, 46.48

 

CMYK 0 / 75 / 87 / 21

HEX #CA331A

RGB 202 51 26

HSL 8.52, 0.77%, 0.45%

LAB 45.63, 57.78, 49.29

 

CMYK 0 / 82 / 96 / 27

HEX #B92107

RGB 185 33 7

HSL 8.76, 0.93%, 0.38%

LAB 40.27, 57.73, 51.09

 

CMYK 0 / 91 / 100 / 34

HEX #A80F00

RGB 168 15 0

HSL 5.36, 1%, 0.33%

LAB 35.33, 56.63, 49.3

 

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

CMYK 0 / 51 / 73 / 7

HEX #EC7440

RGB 236 116 64

HSL 18.14, 0.82%, 0.59%

LAB 62.25, 42.84, 49.19

 

CMYK 0 / 39 / 73 / 7

HEX #EC9040

RGB 236 144 64

HSL 27.91, 0.82%, 0.59%

LAB 68.13, 28.48, 55.37

 

CMYK 0 / 27 / 73 / 7

HEX #ECAD40

RGB 236 173 64

HSL 38.02, 0.82%, 0.59%

LAB 74.88, 13.13, 62.23

 

CMYK 0 / 15 / 73 / 7

HEX #ECC940

RGB 236 201 64

HSL 47.79, 0.82%, 0.59%

LAB 81.83, -1.49, 69.05

 

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

CMYK 0 / 63 / 72 / 87

HEX #200C09

RGB 32 12 9

HSL 7.83, 0.56%, 0.08%

LAB 5.33, 8.84, 4.45

 

CMYK 0 / 63 / 72 / 67

HEX #531F17

RGB 83 31 23

HSL 8, 0.57%, 0.21%

LAB 19.56, 23.66, 17.5

 

CMYK 0 / 63 / 73 / 47

HEX #863124

RGB 134 49 36

HSL 7.96, 0.58%, 0.33%

LAB 32.68, 35.64, 27.07

 

CMYK 0 / 63 / 73 / 27

HEX #B94432

RGB 185 68 50

HSL 8, 0.57%, 0.46%

LAB 45.19, 46.24, 35.56

 

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

CMYK 24 / 0 / 73 / 7

HEX #B3EC40

RGB 179 236 64

HSL 79.88, 0.82%, 0.59%

LAB 86.97, -41.53, 72.57

 

CMYK 73 / 53 / 0 / 7

HEX #406EEC

RGB 64 110 236

HSL 223.95, 0.82%, 0.59%

LAB 49.86, 26.95, -68.19

 

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

CMYK 73 / 0 / 63 / 7

HEX #40EC57

RGB 64 236 87

HSL 128.02, 0.82%, 0.59%

LAB 82.79, -71.48, 58.26

 

CMYK 63 / 73 / 0 / 7

HEX #5740EC

RGB 87 64 236

HSL 248.02, 0.82%, 0.59%

LAB 40.81, 56.92, -82.91

 

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

CMYK 24 / 0 / 73 / 7

HEX #B3EC40

RGB 179 236 64

HSL 79.88, 0.82%, 0.59%

LAB 86.97, -41.53, 72.57

 

CMYK 73 / 10 / 0 / 7

HEX #40D5EC

RGB 64 213 236

HSL 188.02, 0.82%, 0.59%

LAB 78.89, -31.06, -22.53

 

CMYK 49 / 73 / 0 / 7

HEX #7940EC

RGB 121 64 236

HSL 259.88, 0.82%, 0.59%

LAB 43.93, 61.45, -77.68

 

CMYK 0 / 63 / 73 / 7

HEX #EC5740

RGB 236 87 64

HSL 8.02, 0.82%, 0.59%

LAB 57.09, 56.25, 43.58

 

CMYK 46 / 0 / 73 / 7

HEX #7FEC40

RGB 127 236 64

HSL 98.02, 0.82%, 0.59%

LAB 84.42, -59.17, 69.2

 

CMYK 73 / 10 / 0 / 7

HEX #40D5EC

RGB 64 213 236

HSL 188.02, 0.82%, 0.59%

LAB 78.89, -31.06, -22.53

 

CMYK 27 / 73 / 0 / 7

HEX #AD40EC

RGB 173 64 236

HSL 278.02, 0.82%, 0.59%

LAB 50.22, 70.21, -67.15

 

Description

Color code: HEX #EC5740 | qconv.com Color code: HEX #EC5740 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 87 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 87 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 73 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 73% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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