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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC47A5 it is the complementary color #13B85A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC47A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EC47A5: #F147A0, #FF59B3, #FF6BC6, #FF7DD9 and #FF8FEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC47A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EC47A5: #EC47A5, #DB3592, #CA237F, #B9116C and #A80059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

Complementary color

CMYK 90 / 0 / 51 / 28

HEX #13B85A

RGB 19 184 90

HSL 145.82, 0.81%, 0.4%

LAB 65.87, -59.24, 36.85

 

CMYK 0 / 71 / 34 / 5

HEX #F147A0

RGB 241 71 160

HSL 328.59, 0.86%, 0.61%

LAB 57.79, 71.25, -10.89

 

CMYK 0 / 65 / 30 / 0

HEX #FF59B3

RGB 255 89 179

HSL 327.47, 1%, 0.67%

LAB 63.06, 70.63, -13.72

 

CMYK 0 / 58 / 22 / 0

HEX #FF6BC6

RGB 255 107 198

HSL 323.11, 1%, 0.71%

LAB 66.41, 65.68, -19.44

 

CMYK 0 / 51 / 15 / 0

HEX #FF7DD9

RGB 255 125 217

HSL 317.54, 1%, 0.75%

LAB 70.13, 60.26, -24.38

 

CMYK 0 / 44 / 7 / 0

HEX #FF8FEC

RGB 255 143 236

HSL 310.18, 1%, 0.78%

LAB 74.16, 54.57, -28.65

 

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

CMYK 0 / 76 / 33 / 14

HEX #DB3592

RGB 219 53 146

HSL 326.39, 0.7%, 0.53%

LAB 51.48, 69.83, -12.51

 

CMYK 0 / 83 / 37 / 21

HEX #CA237F

RGB 202 35 127

HSL 326.95, 0.7%, 0.46%

LAB 46.03, 68.42, -9.54

 

CMYK 0 / 91 / 42 / 27

HEX #B9116C

RGB 185 17 108

HSL 327.5, 0.83%, 0.4%

LAB 40.89, 65.96, -5.79

 

CMYK 0 / 100 / 47 / 34

HEX #A80059

RGB 168 0 89

HSL 328.21, 1%, 0.33%

LAB 36.07, 62.42, -1.2

 

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

CMYK 0 / 70 / 41 / 8

HEX #EB468B

RGB 235 70 139

HSL 334.91, 0.8%, 0.6%

LAB 55.99, 67.81, -1.33

 

CMYK 0 / 70 / 53 / 8

HEX #EB466F

RGB 235 70 111

HSL 345.09, 0.8%, 0.6%

LAB 55.27, 65.37, 14.25

 

CMYK 0 / 70 / 64 / 8

HEX #EB4654

RGB 235 70 84

HSL 354.91, 0.8%, 0.6%

LAB 54.74, 63.58, 29.51

 

CMYK 0 / 64 / 70 / 8

HEX #EB5446

RGB 235 84 70

HSL 5.09, 0.8%, 0.6%

LAB 56.53, 57.44, 39.64

 

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

CMYK 0 / 69 / 31 / 87

HEX #200A16

RGB 32 10 22

HSL 327.27, 0.52%, 0.08%

LAB 5.26, 12.12, -2.76

 

CMYK 0 / 70 / 30 / 67

HEX #53193A

RGB 83 25 58

HSL 325.86, 0.54%, 0.21%

LAB 19.39, 30.7, -7.11

 

CMYK 0 / 70 / 30 / 47

HEX #86285E

RGB 134 40 94

HSL 325.53, 0.54%, 0.34%

LAB 32.69, 45.16, -10.19

 

CMYK 0 / 70 / 30 / 27

HEX #B93881

RGB 185 56 129

HSL 326.05, 0.54%, 0.47%

LAB 45.26, 57.95, -12.23

 

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

CMYK 0 / 27 / 70 / 8

HEX #EBAC46

RGB 235 172 70

HSL 37.09, 0.8%, 0.6%

LAB 74.58, 13.53, 59.38

 

CMYK 70 / 1 / 0 / 8

HEX #46E8EB

RGB 70 232 235

HSL 181.09, 0.8%, 0.6%

LAB 84.49, -39.51, -13.53

 

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

CMYK 29 / 0 / 70 / 8

HEX #A6EB46

RGB 166 235 70

HSL 85.09, 0.8%, 0.6%

LAB 85.99, -45.52, 69.3

 

CMYK 70 / 29 / 0 / 8

HEX #46A6EB

RGB 70 166 235

HSL 205.09, 0.8%, 0.6%

LAB 65.41, -6.17, -42.79

 

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

CMYK 0 / 27 / 70 / 8

HEX #EBAC46

RGB 235 172 70

HSL 37.09, 0.8%, 0.6%

LAB 74.58, 13.53, 59.38

 

CMYK 70 / 0 / 41 / 8

HEX #46EB8B

RGB 70 235 139

HSL 145.09, 0.8%, 0.6%

LAB 83.22, -62.95, 34.64

 

CMYK 70 / 43 / 0 / 8

HEX #4685EB

RGB 70 133 235

HSL 217.09, 0.8%, 0.6%

LAB 56.16, 13.15, -57.45

 

CMYK 0 / 70 / 30 / 7

HEX #EC47A5

RGB 236 71 165

HSL 325.82, 0.81%, 0.6%

LAB 57.13, 70.51, -14.89

 

CMYK 0 / 6 / 70 / 8

HEX #EBDD46

RGB 235 221 70

HSL 54.91, 0.8%, 0.6%

LAB 86.91, -11.75, 71.79

 

CMYK 70 / 0 / 41 / 8

HEX #46EB8B

RGB 70 235 139

HSL 145.09, 0.8%, 0.6%

LAB 83.22, -62.95, 34.64

 

CMYK 70 / 64 / 0 / 8

HEX #4654EB

RGB 70 84 235

HSL 234.91, 0.8%, 0.6%

LAB 43.71, 43.4, -77.62

 

Description

Color code: HEX #EC47A5 | qconv.com Color code: HEX #EC47A5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 71 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 71 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 30 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 30% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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