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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC3A6B it is the complementary color #13C594. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC3A6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC3A6B shade: #F13A66, #FF4C79, #FF5E8C, #FF709F and #FF82B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC3A6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC3A6B shade: #EC3A6B, #DB2858, #CA1645, #B90432 and #A8001F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC3A6B shade: #EC3C6C, #EC3C3D and #EC3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC3A6B shade: #EC3C6C, #EC3C9C, #EC3CCB, #DD3CEC and #AE3CEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC3A6B shade matches the following richer shades: #EC3C6C and #FD2B65

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC3A6B shade: #EC3C6C, #DA4D74, #C95F7C, #B87084 and #A6818C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC3A6B shade: #EC3CCC, #EC3C9D, #EC3C6E, #EC3C3F and #EC683C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC3A6B shade: #C21343, #E81750, #EC3C6C, #EF6289 and #F387A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC3A6B shade: #EC3A6B, #ECDD3C and #3CB4EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC3A6B shade: #EC3A6B, #6EEC3C and #3C6EEC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC3A6B shade: #EC3A6B, #ECDD3C, #3CECBA and #3C4BEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC3A6B shade: #EC3A6B, #C6EC3C, #3CECBA and #623CEC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 55 / 7

HEX #EC3A6B

RGB 236 58 107

HSL 343.48, 0.82%, 0.58%

LAB 53.94, 69.3, 14.84

 

Complementary color

CMYK 90 / 0 / 25 / 23

HEX #13C594

RGB 19 197 148

HSL 163.48, 0.82%, 0.42%

LAB 71.01, -52.25, 13.26

 

CMYK 0 / 76 / 58 / 5

HEX #F13A66

RGB 241 58 102

HSL 345.57, 0.87%, 0.59%

LAB 54.75, 70.33, 19.07

 

CMYK 0 / 70 / 53 / 0

HEX #FF4C79

RGB 255 76 121

HSL 344.92, 1%, 0.65%

LAB 59.72, 69.8, 15.06

 

CMYK 0 / 63 / 45 / 0

HEX #FF5E8C

RGB 255 94 140

HSL 342.86, 1%, 0.68%

LAB 62.64, 64.59, 8.12

 

CMYK 0 / 56 / 38 / 0

HEX #FF709F

RGB 255 112 159

HSL 340.28, 1%, 0.72%

LAB 66.02, 58.76, 2.08

 

CMYK 0 / 49 / 30 / 0

HEX #FF82B2

RGB 255 130 178

HSL 336.96, 1%, 0.75%

LAB 69.78, 52.54, -3.15

 

CMYK 0 / 75 / 55 / 7

HEX #EC3A6B

RGB 236 58 107

HSL 343.48, 0.82%, 0.58%

LAB 53.94, 69.3, 14.84

 

CMYK 0 / 82 / 60 / 14

HEX #DB2858

RGB 219 40 88

HSL 343.91, 0.71%, 0.51%

LAB 48.61, 68.36, 18.55

 

CMYK 0 / 89 / 66 / 21

HEX #CA1645

RGB 202 22 69

HSL 344.33, 0.8%, 0.44%

LAB 43.6, 66.52, 23.04

 

CMYK 0 / 98 / 73 / 27

HEX #B90432

RGB 185 4 50

HSL 344.75, 0.96%, 0.37%

LAB 38.95, 63.6, 28.36

 

CMYK 0 / 100 / 82 / 34

HEX #A8001F

RGB 168 0 31

HSL 348.93, 1%, 0.33%

LAB 34.85, 59.15, 34.4

 

CMYK 0 / 75 / 54 / 7

HEX #EC3C6C

RGB 236 60 108

HSL 343.64, 0.82%, 0.58%

LAB 54.18, 68.76, 14.57

 

CMYK 0 / 75 / 74 / 7

HEX #EC3C3D

RGB 236 60 61

HSL 359.66, 0.82%, 0.58%

LAB 53.39, 66.17, 41.09

 

CMYK 0 / 75 / 75 / 7

HEX #EC3C3C

RGB 236 60 60

HSL 0, 0.82%, 0.58%

LAB 53.37, 66.13, 41.64

 

CMYK 0 / 75 / 54 / 7

HEX #EC3C6C

RGB 236 60 108

HSL 343.64, 0.82%, 0.58%

LAB 54.18, 68.76, 14.57

 

CMYK 0 / 75 / 34 / 7

HEX #EC3C9C

RGB 236 60 156

HSL 327.27, 0.82%, 0.58%

LAB 55.55, 73.07, -12

 

CMYK 0 / 75 / 14 / 7

HEX #EC3CCB

RGB 236 60 203

HSL 311.25, 0.82%, 0.58%

LAB 57.44, 78.8, -36.36

 

CMYK 6 / 75 / 0 / 7

HEX #DD3CEC

RGB 221 60 236

HSL 294.89, 0.82%, 0.58%

LAB 56.74, 80.65, -56.29

 

CMYK 26 / 75 / 0 / 7

HEX #AE3CEC

RGB 174 60 236

HSL 278.86, 0.82%, 0.58%

LAB 49.84, 71.87, -67.76

 

CMYK 0 / 75 / 54 / 7

HEX #EC3C6C

RGB 236 60 108

HSL 343.64, 0.82%, 0.58%

LAB 54.18, 68.76, 14.57

 

CMYK 0 / 83 / 60 / 1

HEX #FD2B65

RGB 253 43 101

HSL 343.43, 0.98%, 0.58%

LAB 55.63, 77.2, 21.25

 

CMYK 0 / 75 / 54 / 7

HEX #EC3C6C

RGB 236 60 108

HSL 343.64, 0.82%, 0.58%

LAB 54.18, 68.76, 14.57

 

CMYK 0 / 65 / 47 / 15

HEX #DA4D74

RGB 218 77 116

HSL 343.4, 0.66%, 0.58%

LAB 53.46, 58.01, 8.32

 

CMYK 0 / 53 / 38 / 21

HEX #C95F7C

RGB 201 95 124

HSL 343.58, 0.5%, 0.58%

LAB 54.09, 45.07, 4.11

 

CMYK 0 / 39 / 28 / 28

HEX #B87084

RGB 184 112 132

HSL 343.33, 0.34%, 0.58%

LAB 55.53, 31.09, 1.2

 

CMYK 0 / 22 / 16 / 35

HEX #A6818C

RGB 166 129 140

HSL 342.16, 0.17%, 0.58%

LAB 57.75, 16.02, -0.45

 

CMYK 0 / 75 / 14 / 7

HEX #EC3CCC

RGB 236 60 204

HSL 310.91, 0.82%, 0.58%

LAB 57.49, 78.94, -36.86

 

CMYK 0 / 75 / 33 / 7

HEX #EC3C9D

RGB 236 60 157

HSL 326.93, 0.82%, 0.58%

LAB 55.58, 73.18, -12.54

 

CMYK 0 / 75 / 53 / 7

HEX #EC3C6E

RGB 236 60 110

HSL 342.95, 0.82%, 0.58%

LAB 54.23, 68.91, 13.43

 

CMYK 0 / 75 / 73 / 7

HEX #EC3C3F

RGB 236 60 63

HSL 358.98, 0.82%, 0.58%

LAB 53.41, 66.25, 40

 

CMYK 0 / 56 / 75 / 7

HEX #EC683C

RGB 236 104 60

HSL 15, 0.82%, 0.58%

LAB 59.94, 48.47, 48.72

 

CMYK 0 / 90 / 65 / 24

HEX #C21343

RGB 194 19 67

HSL 343.54, 0.82%, 0.42%

LAB 41.75, 64.86, 21.59

 

CMYK 0 / 90 / 66 / 9

HEX #E81750

RGB 232 23 80

HSL 343.64, 0.82%, 0.5%

LAB 49.92, 74.38, 25.62

 

CMYK 0 / 75 / 54 / 7

HEX #EC3C6C

RGB 236 60 108

HSL 343.64, 0.82%, 0.58%

LAB 54.18, 68.76, 14.57

 

CMYK 0 / 59 / 43 / 6

HEX #EF6289

RGB 239 98 137

HSL 343.4, 0.82%, 0.66%

LAB 60.69, 57.65, 6.72

 

CMYK 0 / 44 / 32 / 5

HEX #F387A5

RGB 243 135 165

HSL 343.33, 0.82%, 0.74%

LAB 68.82, 44.41, 2.55

 

CMYK 0 / 75 / 55 / 7

HEX #EC3A6B

RGB 236 58 107

HSL 343.48, 0.82%, 0.58%

LAB 53.94, 69.3, 14.84

 

CMYK 0 / 6 / 75 / 7

HEX #ECDD3C

RGB 236 221 60

HSL 54.89, 0.82%, 0.58%

LAB 86.93, -11.77, 75.26

 

CMYK 75 / 24 / 0 / 7

HEX #3CB4EC

RGB 60 180 236

HSL 199.09, 0.82%, 0.58%

LAB 69.23, -14.78, -37.4

 

CMYK 0 / 75 / 55 / 7

HEX #EC3A6B

RGB 236 58 107

HSL 343.48, 0.82%, 0.58%

LAB 53.94, 69.3, 14.84

 

CMYK 53 / 0 / 75 / 7

HEX #6EEC3C

RGB 110 236 60

HSL 102.95, 0.82%, 0.58%

LAB 83.77, -64.18, 69.67

 

CMYK 75 / 53 / 0 / 7

HEX #3C6EEC

RGB 60 110 236

HSL 222.95, 0.82%, 0.58%

LAB 49.7, 26.48, -68.44

 

CMYK 0 / 75 / 55 / 7

HEX #EC3A6B

RGB 236 58 107

HSL 343.48, 0.82%, 0.58%

LAB 53.94, 69.3, 14.84

 

CMYK 0 / 6 / 75 / 7

HEX #ECDD3C

RGB 236 221 60

HSL 54.89, 0.82%, 0.58%

LAB 86.93, -11.77, 75.26

 

CMYK 75 / 0 / 21 / 7

HEX #3CECBA

RGB 60 236 186

HSL 162.95, 0.82%, 0.58%

LAB 84.22, -55.06, 11.84

 

CMYK 75 / 68 / 0 / 7

HEX #3C4BEC

RGB 60 75 236

HSL 234.89, 0.82%, 0.58%

LAB 41.29, 48.04, -82.18

 

CMYK 0 / 75 / 55 / 7

HEX #EC3A6B

RGB 236 58 107

HSL 343.48, 0.82%, 0.58%

LAB 53.94, 69.3, 14.84

 

CMYK 16 / 0 / 75 / 7

HEX #C6EC3C

RGB 198 236 60

HSL 72.95, 0.82%, 0.58%

LAB 88.12, -34.44, 75.36

 

CMYK 75 / 0 / 21 / 7

HEX #3CECBA

RGB 60 236 186

HSL 162.95, 0.82%, 0.58%

LAB 84.22, -55.06, 11.84

 

CMYK 58 / 75 / 0 / 7

HEX #623CEC

RGB 98 60 236

HSL 252.95, 0.82%, 0.58%

LAB 41.03, 60.2, -82.52

 

Description

Color code: HEX #EC3A6B | qconv.com Color code: HEX #EC3A6B | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 58 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 58 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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