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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C6EEC it is the complementary color #C39113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C6EEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C6EEC shade: #416EE7, #5280FA, #6392FF, #74A4FF and #85B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C6EEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C6EEC shade: #3C6EEC, #2B5CD9, #1A4AC6, #0938B3 and #0026A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C6EEC shade: #3C6DEB, #3C3EEB, #683CEB, #983CEB and #C73CEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C6EEC shade: #3C6DEB, #3C3EEB and #3C3CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C6EEC shade matches the following richer shades: #3C6DEB and #2A66FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C6EEC shade: #3C6DEB, #4D75DA, #5E7CC9, #7084B7 and #818BA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C6EEC shade: #3CCEEB, #3C9FEB, #3C70EB, #3C41EB and #653CEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C6EEC shade: #1344C2, #1652E7, #3C6DEB, #6189EF and #87A5F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C6EEC shade: #3C6EEC, #DA3CEB and #B7EB3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C6EEC shade: #3C6EEC, #EB3C70 and #70EB3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C6EEC shade: #3C6EEC, #DA3CEB, #EBB73C and #4DEB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C6EEC shade: #3C6EEC, #EB3CC8, #EBB73C and #3CEB5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 53 / 0 / 7

HEX #3C6EEC

RGB 60 110 236

HSL 222.95, 0.82%, 0.58%

LAB 49.7, 26.48, -68.44

 

Complementary color

CMYK 0 / 26 / 90 / 24

HEX #C39113

RGB 195 145 19

HSL 42.95, 0.82%, 0.42%

LAB 63.26, 8.89, 64.81

 

CMYK 72 / 52 / 0 / 9

HEX #416EE7

RGB 65 110 231

HSL 223.73, 0.78%, 0.58%

LAB 49.55, 25.28, -65.87

 

CMYK 67 / 49 / 0 / 2

HEX #5280FA

RGB 82 128 250

HSL 223.57, 0.94%, 0.65%

LAB 56.22, 23.18, -65.65

 

CMYK 61 / 43 / 0 / 0

HEX #6392FF

RGB 99 146 255

HSL 221.92, 1%, 0.69%

LAB 62.02, 16.79, -59.05

 

CMYK 55 / 36 / 0 / 0

HEX #74A4FF

RGB 116 164 255

HSL 219.28, 1%, 0.73%

LAB 67.64, 9.53, -50.08

 

CMYK 48 / 29 / 0 / 0

HEX #85B6FF

RGB 133 182 255

HSL 215.9, 1%, 0.76%

LAB 73.33, 3.08, -41.09

 

CMYK 75 / 53 / 0 / 7

HEX #3C6EEC

RGB 60 110 236

HSL 222.95, 0.82%, 0.58%

LAB 49.7, 26.48, -68.44

 

CMYK 80 / 58 / 0 / 15

HEX #2B5CD9

RGB 43 92 217

HSL 223.1, 0.7%, 0.51%

LAB 43.03, 29.18, -68.57

 

CMYK 87 / 63 / 0 / 22

HEX #1A4AC6

RGB 26 74 198

HSL 223.26, 0.77%, 0.44%

LAB 36.36, 32.39, -68.54

 

CMYK 95 / 69 / 0 / 30

HEX #0938B3

RGB 9 56 179

HSL 223.41, 0.9%, 0.37%

LAB 29.77, 36.1, -68.2

 

CMYK 100 / 76 / 0 / 37

HEX #0026A0

RGB 0 38 160

HSL 225.75, 1%, 0.31%

LAB 23.42, 40.05, -67.25

 

CMYK 74 / 54 / 0 / 8

HEX #3C6DEB

RGB 60 109 235

HSL 223.2, 0.81%, 0.58%

LAB 49.37, 26.74, -68.42

 

CMYK 74 / 74 / 0 / 8

HEX #3C3EEB

RGB 60 62 235

HSL 239.31, 0.81%, 0.58%

LAB 38.56, 55.03, -86.12

 

CMYK 56 / 74 / 0 / 8

HEX #683CEB

RGB 104 60 235

HSL 255.09, 0.81%, 0.58%

LAB 41.49, 60.68, -81.18

 

CMYK 35 / 74 / 0 / 8

HEX #983CEB

RGB 152 60 235

HSL 271.54, 0.81%, 0.58%

LAB 46.85, 67.86, -72.19

 

CMYK 15 / 74 / 0 / 8

HEX #C73CEB

RGB 199 60 235

HSL 287.66, 0.81%, 0.58%

LAB 53.35, 76.27, -61.35

 

CMYK 74 / 54 / 0 / 8

HEX #3C6DEB

RGB 60 109 235

HSL 223.2, 0.81%, 0.58%

LAB 49.37, 26.74, -68.42

 

CMYK 74 / 74 / 0 / 8

HEX #3C3EEB

RGB 60 62 235

HSL 239.31, 0.81%, 0.58%

LAB 38.56, 55.03, -86.12

 

CMYK 74 / 74 / 0 / 8

HEX #3C3CEB

RGB 60 60 235

HSL 240, 0.81%, 0.58%

LAB 38.18, 56.09, -86.74

 

CMYK 74 / 54 / 0 / 8

HEX #3C6DEB

RGB 60 109 235

HSL 223.2, 0.81%, 0.58%

LAB 49.37, 26.74, -68.42

 

CMYK 83 / 60 / 0 / 1

HEX #2A66FD

RGB 42 102 253

HSL 222.94, 0.98%, 0.58%

LAB 48.37, 36.08, -80.12

 

CMYK 74 / 54 / 0 / 8

HEX #3C6DEB

RGB 60 109 235

HSL 223.2, 0.81%, 0.58%

LAB 49.37, 26.74, -68.42

 

CMYK 65 / 46 / 0 / 15

HEX #4D75DA

RGB 77 117 218

HSL 222.98, 0.66%, 0.58%

LAB 51.11, 18.09, -56

 

CMYK 53 / 38 / 0 / 21

HEX #5E7CC9

RGB 94 124 201

HSL 223.18, 0.5%, 0.58%

LAB 52.96, 11.44, -43.35

 

CMYK 39 / 28 / 0 / 28

HEX #7084B7

RGB 112 132 183

HSL 223.1, 0.33%, 0.58%

LAB 55.45, 5.77, -29.11

 

CMYK 22 / 16 / 0 / 35

HEX #818BA6

RGB 129 139 166

HSL 223.78, 0.17%, 0.58%

LAB 57.93, 2.42, -15.47

 

CMYK 74 / 12 / 0 / 8

HEX #3CCEEB

RGB 60 206 235

HSL 189.94, 0.81%, 0.58%

LAB 76.74, -28.42, -25.27

 

CMYK 74 / 32 / 0 / 8

HEX #3C9FEB

RGB 60 159 235

HSL 206.06, 0.81%, 0.58%

LAB 63.14, -3.52, -46.39

 

CMYK 74 / 52 / 0 / 8

HEX #3C70EB

RGB 60 112 235

HSL 222.17, 0.81%, 0.58%

LAB 50.15, 24.86, -67.15

 

CMYK 74 / 72 / 0 / 8

HEX #3C41EB

RGB 60 65 235

HSL 238.29, 0.81%, 0.58%

LAB 39.14, 53.4, -85.17

 

CMYK 57 / 74 / 0 / 8

HEX #653CEB

RGB 101 60 235

HSL 254.06, 0.81%, 0.58%

LAB 41.21, 60.3, -81.65

 

CMYK 90 / 65 / 0 / 24

HEX #1344C2

RGB 19 68 194

HSL 223.2, 0.82%, 0.42%

LAB 34.33, 34.4, -69.53

 

CMYK 90 / 65 / 0 / 9

HEX #1652E7

RGB 22 82 231

HSL 222.78, 0.83%, 0.5%

LAB 41.18, 39.47, -79.59

 

CMYK 74 / 54 / 0 / 8

HEX #3C6DEB

RGB 60 109 235

HSL 223.2, 0.81%, 0.58%

LAB 49.37, 26.74, -68.42

 

CMYK 59 / 43 / 0 / 6

HEX #6189EF

RGB 97 137 239

HSL 223.1, 0.82%, 0.66%

LAB 58.66, 16.54, -55.61

 

CMYK 44 / 32 / 0 / 5

HEX #87A5F3

RGB 135 165 243

HSL 223.33, 0.82%, 0.74%

LAB 68.41, 9.68, -42.26

 

CMYK 75 / 53 / 0 / 7

HEX #3C6EEC

RGB 60 110 236

HSL 222.95, 0.82%, 0.58%

LAB 49.7, 26.48, -68.44

 

CMYK 7 / 74 / 0 / 8

HEX #DA3CEB

RGB 218 60 235

HSL 294.17, 0.81%, 0.58%

LAB 56.22, 79.9, -56.59

 

CMYK 22 / 0 / 74 / 8

HEX #B7EB3C

RGB 183 235 60

HSL 77.83, 0.81%, 0.58%

LAB 86.9, -39.78, 73.87

 

CMYK 75 / 53 / 0 / 7

HEX #3C6EEC

RGB 60 110 236

HSL 222.95, 0.82%, 0.58%

LAB 49.7, 26.48, -68.44

 

CMYK 0 / 74 / 52 / 8

HEX #EB3C70

RGB 235 60 112

HSL 342.17, 0.81%, 0.58%

LAB 54.09, 68.78, 12.02

 

CMYK 52 / 0 / 74 / 8

HEX #70EB3C

RGB 112 235 60

HSL 102.17, 0.81%, 0.58%

LAB 83.54, -63.3, 69.46

 

CMYK 75 / 53 / 0 / 7

HEX #3C6EEC

RGB 60 110 236

HSL 222.95, 0.82%, 0.58%

LAB 49.7, 26.48, -68.44

 

CMYK 7 / 74 / 0 / 8

HEX #DA3CEB

RGB 218 60 235

HSL 294.17, 0.81%, 0.58%

LAB 56.22, 79.9, -56.59

 

CMYK 0 / 22 / 74 / 8

HEX #EBB73C

RGB 235 183 60

HSL 42.17, 0.81%, 0.58%

LAB 77.19, 7.27, 66.02

 

CMYK 67 / 0 / 74 / 8

HEX #4DEB3C

RGB 77 235 60

HSL 114.17, 0.81%, 0.58%

LAB 82.55, -71.3, 68.16

 

CMYK 75 / 53 / 0 / 7

HEX #3C6EEC

RGB 60 110 236

HSL 222.95, 0.82%, 0.58%

LAB 49.7, 26.48, -68.44

 

CMYK 0 / 74 / 15 / 8

HEX #EB3CC8

RGB 235 60 200

HSL 312, 0.81%, 0.58%

LAB 57.14, 78.17, -35.13

 

CMYK 0 / 22 / 74 / 8

HEX #EBB73C

RGB 235 183 60

HSL 42.17, 0.81%, 0.58%

LAB 77.19, 7.27, 66.02

 

CMYK 74 / 0 / 60 / 8

HEX #3CEB5F

RGB 60 235 95

HSL 132, 0.81%, 0.58%

LAB 82.49, -70.85, 54.5

 

Description

Color code: HEX #3C6EEC | qconv.com Color code: HEX #3C6EEC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 110 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 110 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 53 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 53% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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