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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC36D1 it is the complementary color #13C92E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC36D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EC36D1: #F136CC, #FF48DF, #FF5AF2, #FF6CFF and #FF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC36D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EC36D1: #EC36D1, #DB24BE, #CA12AB, #B90098 and #A80085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

Complementary color

CMYK 91 / 0 / 77 / 21

HEX #13C92E

RGB 19 201 46

HSL 128.9, 0.83%, 0.43%

LAB 70.95, -69.42, 60.98

 

CMYK 0 / 78 / 15 / 5

HEX #F136CC

RGB 241 54 204

HSL 311.87, 0.87%, 0.58%

LAB 57.75, 81.65, -36.39

 

CMYK 0 / 72 / 13 / 0

HEX #FF48DF

RGB 255 72 223

HSL 310.49, 1%, 0.64%

LAB 62.69, 82.14, -39.24

 

CMYK 0 / 65 / 5 / 0

HEX #FF5AF2

RGB 255 90 242

HSL 304.73, 1%, 0.68%

LAB 65.74, 78.8, -45.05

 

CMYK 0 / 58 / 0 / 0

HEX #FF6CFF

RGB 255 108 255

HSL 300, 1%, 0.71%

LAB 68.9, 73.78, -47.23

 

CMYK 0 / 51 / 0 / 0

HEX #FF7EFF

RGB 255 126 255

HSL 300, 1%, 0.75%

LAB 71.83, 65.87, -42.63

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 0 / 84 / 13 / 14

HEX #DB24BE

RGB 219 36 190

HSL 309.51, 0.72%, 0.5%

LAB 51.88, 79.39, -37.8

 

CMYK 0 / 91 / 15 / 21

HEX #CA12AB

RGB 202 18 171

HSL 310.11, 0.84%, 0.43%

LAB 46.88, 76.52, -34.73

 

CMYK 0 / 100 / 18 / 27

HEX #B90098

RGB 185 0 152

HSL 310.7, 1%, 0.36%

LAB 42.13, 72.68, -31.05

 

CMYK 0 / 100 / 21 / 34

HEX #A80085

RGB 168 0 133

HSL 312.5, 1%, 0.33%

LAB 37.88, 67.06, -26.31

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 0 / 77 / 23 / 7

HEX #EC36B5

RGB 236 54 181

HSL 318.13, 0.83%, 0.57%

LAB 55.89, 77.64, -26.09

 

CMYK 0 / 77 / 36 / 7

HEX #EC3697

RGB 236 54 151

HSL 328.02, 0.83%, 0.57%

LAB 54.77, 74.28, -10.23

 

CMYK 0 / 77 / 49 / 7

HEX #EC3679

RGB 236 54 121

HSL 337.91, 0.83%, 0.57%

LAB 53.87, 71.53, 6.34

 

CMYK 0 / 77 / 62 / 7

HEX #EC365A

RGB 236 54 90

HSL 348.13, 0.83%, 0.57%

LAB 53.18, 69.37, 23.98

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 0 / 78 / 13 / 87

HEX #20071C

RGB 32 7 28

HSL 309.6, 0.64%, 0.08%

LAB 4.9, 14.94, -7.93

 

CMYK 0 / 77 / 11 / 67

HEX #53134A

RGB 83 19 74

HSL 308.44, 0.63%, 0.2%

LAB 19.22, 35.98, -18.44

 

CMYK 0 / 77 / 11 / 47

HEX #861F77

RGB 134 31 119

HSL 308.74, 0.62%, 0.32%

LAB 32.66, 52.12, -26.19

 

CMYK 0 / 77 / 11 / 27

HEX #B92AA4

RGB 185 42 164

HSL 308.81, 0.63%, 0.45%

LAB 45.15, 67.26, -33.5

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 0 / 51 / 77 / 7

HEX #EC7336

RGB 236 115 54

HSL 20.11, 0.83%, 0.57%

LAB 61.96, 42.93, 53.66

 

CMYK 77 / 0 / 21 / 7

HEX #36ECBB

RGB 54 236 187

HSL 163.85, 0.83%, 0.57%

LAB 84.15, -55.49, 11.21

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 10 / 0 / 77 / 7

HEX #D4EC36

RGB 212 236 54

HSL 67.91, 0.83%, 0.57%

LAB 89.04, -29.13, 78.33

 

CMYK 77 / 10 / 0 / 7

HEX #36D4EC

RGB 54 212 236

HSL 187.91, 0.83%, 0.57%

LAB 78.42, -31.65, -23.25

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 0 / 51 / 77 / 7

HEX #EC7336

RGB 236 115 54

HSL 20.11, 0.83%, 0.57%

LAB 61.96, 42.93, 53.66

 

CMYK 77 / 0 / 67 / 7

HEX #36EC4E

RGB 54 236 78

HSL 127.91, 0.83%, 0.57%

LAB 82.55, -73.76, 61.57

 

CMYK 77 / 26 / 0 / 7

HEX #36AFEC

RGB 54 175 236

HSL 200.11, 0.83%, 0.57%

LAB 67.65, -12.76, -39.86

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 0 / 28 / 77 / 7

HEX #ECA936

RGB 236 169 54

HSL 37.91, 0.83%, 0.57%

LAB 73.85, 14.83, 65.12

 

CMYK 77 / 0 / 67 / 7

HEX #36EC4E

RGB 54 236 78

HSL 127.91, 0.83%, 0.57%

LAB 82.55, -73.76, 61.57

 

CMYK 77 / 49 / 0 / 7

HEX #3679EC

RGB 54 121 236

HSL 217.91, 0.83%, 0.57%

LAB 52.41, 18.92, -64.06

 

Description

Color code: HEX #EC36D1 | qconv.com Color code: HEX #EC36D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 54 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 54 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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