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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC356D it is the complementary color #13CA92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC356D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EC356D shade: #F13568, #FF477B, #FF598E, #FF6BA1 and #FF7DB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC356D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EC356D shade: #EC356D, #DB235A, #CA1147, #B90034 and #A80021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EC356D shade: #EC366E, #EC363D and #EC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EC356D shade: #EC366E, #EC369F, #EC36D0, #D736EC and #A636EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EC356D shade matches the following richer shades: #EC366E and #FE2567

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EC356D shade: #EC366E, #DB4875, #C95A7C, #B76C83 and #A57D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EC356D shade: #EC36D1, #EC36A1, #EC3670, #EC363F and #EC5E36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EC356D shade: #BE1247, #E41555, #EC366E, #F05C89 and #F382A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EC356D shade: #EC356D, #ECD736 and #36B9EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EC356D shade: #EC356D, #70EC36 and #3670EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EC356D shade: #EC356D, #ECD736, #36ECB3 and #364CEC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EC356D shade: #EC356D, #CBEC36, #36ECB3 and #5836EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 54 / 7

HEX #EC356D

RGB 236 53 109

HSL 341.64, 0.83%, 0.57%

LAB 53.47, 70.89, 12.99

 

Complementary color

CMYK 91 / 0 / 28 / 21

HEX #13CA92

RGB 19 202 146

HSL 161.64, 0.83%, 0.43%

LAB 72.53, -54.64, 16.46

 

CMYK 0 / 78 / 57 / 5

HEX #F13568

RGB 241 53 104

HSL 343.72, 0.87%, 0.58%

LAB 54.29, 71.88, 17.25

 

CMYK 0 / 72 / 52 / 0

HEX #FF477B

RGB 255 71 123

HSL 343.04, 1%, 0.64%

LAB 59.16, 71.63, 13.1

 

CMYK 0 / 65 / 44 / 0

HEX #FF598E

RGB 255 89 142

HSL 340.84, 1%, 0.67%

LAB 61.96, 66.76, 5.99

 

CMYK 0 / 58 / 37 / 0

HEX #FF6BA1

RGB 255 107 161

HSL 338.11, 1%, 0.71%

LAB 65.24, 61.2, -0.2

 

CMYK 0 / 51 / 29 / 0

HEX #FF7DB4

RGB 255 125 180

HSL 334.62, 1%, 0.75%

LAB 68.91, 55.18, -5.56

 

CMYK 0 / 78 / 54 / 7

HEX #EC356D

RGB 236 53 109

HSL 341.64, 0.83%, 0.57%

LAB 53.47, 70.89, 12.99

 

CMYK 0 / 84 / 59 / 14

HEX #DB235A

RGB 219 35 90

HSL 342.07, 0.72%, 0.5%

LAB 48.26, 69.61, 16.85

 

CMYK 0 / 92 / 65 / 21

HEX #CA1147

RGB 202 17 71

HSL 342.49, 0.84%, 0.43%

LAB 43.38, 67.36, 21.52

 

CMYK 0 / 100 / 72 / 27

HEX #B90034

RGB 185 0 52

HSL 343.14, 1%, 0.36%

LAB 38.83, 64.12, 26.96

 

CMYK 0 / 100 / 80 / 34

HEX #A80021

RGB 168 0 33

HSL 348.21, 1%, 0.33%

LAB 34.87, 59.21, 33.23

 

CMYK 0 / 77 / 53 / 7

HEX #EC366E

RGB 236 54 110

HSL 341.54, 0.83%, 0.57%

LAB 53.6, 70.69, 12.56

 

CMYK 0 / 77 / 74 / 7

HEX #EC363D

RGB 236 54 61

HSL 357.69, 0.83%, 0.57%

LAB 52.74, 67.98, 40.37

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 77 / 53 / 7

HEX #EC366E

RGB 236 54 110

HSL 341.54, 0.83%, 0.57%

LAB 53.6, 70.69, 12.56

 

CMYK 0 / 77 / 33 / 7

HEX #EC369F

RGB 236 54 159

HSL 325.38, 0.83%, 0.57%

LAB 55.05, 75.12, -14.53

 

CMYK 0 / 77 / 12 / 7

HEX #EC36D0

RGB 236 54 208

HSL 309.23, 0.83%, 0.57%

LAB 57.1, 81.13, -39.75

 

CMYK 9 / 77 / 0 / 7

HEX #D736EC

RGB 215 54 236

HSL 293.08, 0.83%, 0.57%

LAB 55.22, 81.23, -58.79

 

CMYK 30 / 77 / 0 / 7

HEX #A636EC

RGB 166 54 236

HSL 276.92, 0.83%, 0.57%

LAB 48.01, 72.61, -70.79

 

CMYK 0 / 77 / 53 / 7

HEX #EC366E

RGB 236 54 110

HSL 341.54, 0.83%, 0.57%

LAB 53.6, 70.69, 12.56

 

CMYK 0 / 85 / 59 / 0

HEX #FE2567

RGB 254 37 103

HSL 341.75, 0.99%, 0.57%

LAB 55.45, 78.74, 19.85

 

CMYK 0 / 77 / 53 / 7

HEX #EC366E

RGB 236 54 110

HSL 341.54, 0.83%, 0.57%

LAB 53.6, 70.69, 12.56

 

CMYK 0 / 67 / 47 / 14

HEX #DB4875

RGB 219 72 117

HSL 341.63, 0.67%, 0.57%

LAB 52.93, 60.4, 6.98

 

CMYK 0 / 55 / 38 / 21

HEX #C95A7C

RGB 201 90 124

HSL 341.62, 0.51%, 0.57%

LAB 53.15, 47.51, 2.76

 

CMYK 0 / 41 / 28 / 28

HEX #B76C83

RGB 183 108 131

HSL 341.6, 0.34%, 0.57%

LAB 54.48, 32.76, 0.25

 

CMYK 0 / 24 / 16 / 35

HEX #A57D8A

RGB 165 125 138

HSL 340.5, 0.18%, 0.57%

LAB 56.59, 17.58, -1.01

 

CMYK 0 / 77 / 11 / 7

HEX #EC36D1

RGB 236 54 209

HSL 308.9, 0.83%, 0.57%

LAB 57.15, 81.27, -40.24

 

CMYK 0 / 77 / 32 / 7

HEX #EC36A1

RGB 236 54 161

HSL 324.73, 0.83%, 0.57%

LAB 55.12, 75.33, -15.6

 

CMYK 0 / 77 / 53 / 7

HEX #EC3670

RGB 236 54 112

HSL 340.88, 0.83%, 0.57%

LAB 53.64, 70.83, 11.42

 

CMYK 0 / 77 / 73 / 7

HEX #EC363F

RGB 236 54 63

HSL 357.03, 0.83%, 0.57%

LAB 52.76, 68.06, 39.27

 

CMYK 0 / 60 / 77 / 7

HEX #EC5E36

RGB 236 94 54

HSL 13.19, 0.83%, 0.57%

LAB 58.14, 52.82, 49.82

 

CMYK 0 / 91 / 63 / 25

HEX #BE1247

RGB 190 18 71

HSL 341.51, 0.83%, 0.41%

LAB 40.95, 64.23, 17.86

 

CMYK 0 / 91 / 63 / 11

HEX #E41555

RGB 228 21 85

HSL 341.45, 0.83%, 0.49%

LAB 49.11, 73.94, 21.37

 

CMYK 0 / 77 / 53 / 7

HEX #EC366E

RGB 236 54 110

HSL 341.54, 0.83%, 0.57%

LAB 53.6, 70.69, 12.56

 

CMYK 0 / 62 / 43 / 6

HEX #F05C89

RGB 240 92 137

HSL 341.76, 0.83%, 0.65%

LAB 59.88, 60.55, 5.58

 

CMYK 0 / 47 / 32 / 5

HEX #F382A5

RGB 243 130 165

HSL 341.42, 0.82%, 0.73%

LAB 67.83, 46.93, 1.1

 

CMYK 0 / 78 / 54 / 7

HEX #EC356D

RGB 236 53 109

HSL 341.64, 0.83%, 0.57%

LAB 53.47, 70.89, 12.99

 

CMYK 0 / 9 / 77 / 7

HEX #ECD736

RGB 236 215 54

HSL 53.08, 0.83%, 0.57%

LAB 85.35, -9, 75.7

 

CMYK 77 / 22 / 0 / 7

HEX #36B9EC

RGB 54 185 236

HSL 196.81, 0.83%, 0.57%

LAB 70.55, -18.09, -35.35

 

CMYK 0 / 78 / 54 / 7

HEX #EC356D

RGB 236 53 109

HSL 341.64, 0.83%, 0.57%

LAB 53.47, 70.89, 12.99

 

CMYK 53 / 0 / 77 / 7

HEX #70EC36

RGB 112 236 54

HSL 100.88, 0.83%, 0.57%

LAB 83.81, -64.01, 71.58

 

CMYK 77 / 53 / 0 / 7

HEX #3670EC

RGB 54 112 236

HSL 220.88, 0.83%, 0.57%

LAB 50.01, 24.57, -67.95

 

CMYK 0 / 78 / 54 / 7

HEX #EC356D

RGB 236 53 109

HSL 341.64, 0.83%, 0.57%

LAB 53.47, 70.89, 12.99

 

CMYK 0 / 9 / 77 / 7

HEX #ECD736

RGB 236 215 54

HSL 53.08, 0.83%, 0.57%

LAB 85.35, -9, 75.7

 

CMYK 77 / 0 / 24 / 7

HEX #36ECB3

RGB 54 236 179

HSL 161.21, 0.83%, 0.57%

LAB 83.98, -57.34, 15.14

 

CMYK 77 / 68 / 0 / 7

HEX #364CEC

RGB 54 76 236

HSL 232.75, 0.83%, 0.57%

LAB 41.23, 46.93, -82.29

 

CMYK 0 / 78 / 54 / 7

HEX #EC356D

RGB 236 53 109

HSL 341.64, 0.83%, 0.57%

LAB 53.47, 70.89, 12.99

 

CMYK 14 / 0 / 77 / 7

HEX #CBEC36

RGB 203 236 54

HSL 70.88, 0.83%, 0.57%

LAB 88.43, -32.72, 77.54

 

CMYK 77 / 0 / 24 / 7

HEX #36ECB3

RGB 54 236 179

HSL 161.21, 0.83%, 0.57%

LAB 83.98, -57.34, 15.14

 

CMYK 63 / 77 / 0 / 7

HEX #5836EC

RGB 88 54 236

HSL 251.21, 0.83%, 0.57%

LAB 39.19, 61.89, -85.58

 

Description

Color code: HEX #EC356D | qconv.com Color code: HEX #EC356D | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 53 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 53 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 54 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 54% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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