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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EC0DCE it is the complementary color #13F231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EC0DCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EC0DCE: #F10DC9, #FF1FDC, #FF31EF, #FF43FF and #FF55FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EC0DCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EC0DCE: #EC0DCE, #DB00BB, #CA00A8, #B90095 and #A80082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

Complementary color

CMYK 92 / 0 / 80 / 5

HEX #13F231

RGB 19 242 49

HSL 128.07, 0.9%, 0.51%

LAB 83.9, -80.68, 72.46

 

CMYK 0 / 95 / 17 / 5

HEX #F10DC9

RGB 241 13 201

HSL 310.53, 0.9%, 0.5%

LAB 55.28, 88.02, -38.53

 

CMYK 0 / 88 / 14 / 0

HEX #FF1FDC

RGB 255 31 220

HSL 309.38, 1%, 0.56%

LAB 59.35, 90.98, -42.8

 

CMYK 0 / 81 / 6 / 0

HEX #FF31EF

RGB 255 49 239

HSL 304.66, 1%, 0.6%

LAB 61.38, 90.34, -50.25

 

CMYK 0 / 74 / 0 / 0

HEX #FF43FF

RGB 255 67 255

HSL 300, 1%, 0.63%

LAB 63.75, 88.24, -55.37

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

CMYK 0 / 100 / 15 / 14

HEX #DB00BB

RGB 219 0 187

HSL 308.77, 1%, 0.43%

LAB 50.27, 83.27, -38.58

 

CMYK 0 / 100 / 17 / 21

HEX #CA00A8

RGB 202 0 168

HSL 310.1, 1%, 0.4%

LAB 46.16, 77.83, -34.09

 

CMYK 0 / 100 / 19 / 27

HEX #B90095

RGB 185 0 149

HSL 311.68, 1%, 0.36%

LAB 41.98, 72.3, -29.46

 

CMYK 0 / 100 / 23 / 34

HEX #A80082

RGB 168 0 130

HSL 313.57, 1%, 0.33%

LAB 37.73, 66.69, -24.68

 

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

CMYK 0 / 95 / 29 / 7

HEX #ED0CA9

RGB 237 12 169

HSL 318.13, 0.9%, 0.49%

LAB 53.09, 83.68, -23.38

 

CMYK 0 / 95 / 44 / 7

HEX #ED0C84

RGB 237 12 132

HSL 328, 0.9%, 0.49%

LAB 51.76, 80.17, -3.32

 

CMYK 0 / 95 / 60 / 7

HEX #ED0C5E

RGB 237 12 94

HSL 338.13, 0.9%, 0.49%

LAB 50.78, 77.51, 18.4

 

CMYK 0 / 95 / 76 / 7

HEX #ED0C39

RGB 237 12 57

HSL 348, 0.9%, 0.49%

LAB 50.17, 75.85, 39.86

 

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

CMYK 0 / 94 / 13 / 87

HEX #20021C

RGB 32 2 28

HSL 308, 0.88%, 0.07%

LAB 3.92, 16.97, -9.39

 

CMYK 0 / 94 / 13 / 67

HEX #530548

RGB 83 5 72

HSL 308.46, 0.89%, 0.17%

LAB 17.53, 40.17, -19.72

 

CMYK 0 / 95 / 13 / 47

HEX #860775

RGB 134 7 117

HSL 308.03, 0.9%, 0.28%

LAB 30.65, 57.31, -28.09

 

CMYK 0 / 95 / 13 / 27

HEX #B90AA1

RGB 185 10 161

HSL 308.23, 0.9%, 0.38%

LAB 42.92, 72.88, -35.22

 

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

CMYK 0 / 63 / 95 / 7

HEX #ED570C

RGB 237 87 12

HSL 20, 0.9%, 0.49%

LAB 56.93, 55.29, 64.53

 

CMYK 95 / 0 / 25 / 7

HEX #0CEDB1

RGB 12 237 177

HSL 164, 0.9%, 0.49%

LAB 83.87, -60.95, 15.97

 

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

CMYK 13 / 0 / 95 / 7

HEX #CFED0C

RGB 207 237 12

HSL 68, 0.9%, 0.49%

LAB 88.86, -32.59, 85.84

 

CMYK 95 / 13 / 0 / 7

HEX #0CCFED

RGB 12 207 237

HSL 188, 0.9%, 0.49%

LAB 76.57, -31.47, -26.65

 

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

CMYK 0 / 63 / 95 / 7

HEX #ED570C

RGB 237 87 12

HSL 20, 0.9%, 0.49%

LAB 56.93, 55.29, 64.53

 

CMYK 95 / 0 / 82 / 7

HEX #0CED2A

RGB 12 237 42

HSL 128, 0.9%, 0.49%

LAB 82.28, -79.98, 72.76

 

CMYK 95 / 32 / 0 / 7

HEX #0CA2ED

RGB 12 162 237

HSL 200, 0.9%, 0.49%

LAB 63.37, -8.01, -47.17

 

CMYK 0 / 94 / 13 / 7

HEX #EC0DCE

RGB 236 13 206

HSL 308.07, 0.9%, 0.49%

LAB 54.63, 87.76, -42.49

 

CMYK 0 / 35 / 95 / 7

HEX #ED9A0C

RGB 237 154 12

HSL 37.87, 0.9%, 0.49%

LAB 70.28, 22.24, 73.34

 

CMYK 95 / 0 / 82 / 7

HEX #0CED2A

RGB 12 237 42

HSL 128, 0.9%, 0.49%

LAB 82.28, -79.98, 72.76

 

CMYK 95 / 60 / 0 / 7

HEX #0C5EED

RGB 12 94 237

HSL 218.13, 0.9%, 0.49%

LAB 44.52, 33.75, -77.5

 

Description

Color code: HEX #EC0DCE | qconv.com Color code: HEX #EC0DCE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 236 red, 13 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
236 13 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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