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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBEC38 it is the complementary color #1413C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBEC38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBEC38 shade: #F0EC33, #FFFE46, #FFFF59, #FFFF6C and #FFFF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBEC38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBEC38 shade: #EBEC38, #DADA25, #C9C812, #B8B600 and #A7A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBEC38 shade: #EBEC36, #ECBC36, #EC8B36, #EC5A36 and #EC3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBEC38 shade: #EBEC36, #BAEC36, #89EC36, #58EC36 and #36EC45

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBEC38 shade matches the following richer shades: #EBEC36 and #FCFE24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBEC38 shade: #EBEC36, #D9DA48, #C8C859, #B6B76B and #A5A57D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBEC38 shade: #EC8B36, #ECBB36, #ECEC36, #BBEC36 and #8BEC36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBEC38 shade: #BDBE11, #E3E415, #EBEC36, #EFEF5C and #F2F381

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBEC38 shade: #EBEC38, #36EC5A and #A336EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBEC38 shade: #EBEC38, #36ECEC and #EC36EC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBEC38 shade: #EBEC38, #36EC5A, #3636EC and #EC36C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBEC38 shade: #EBEC38, #36EC91, #3636EC and #EC3691

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 76 / 7

HEX #EBEC38

RGB 235 236 56

HSL 60.33, 0.83%, 0.57%

LAB 90.75, -19.69, 79.94

 

Complementary color

CMYK 90 / 90 / 0 / 22

HEX #1413C7

RGB 20 19 199

HSL 240.33, 0.83%, 0.43%

LAB 25.97, 61.48, -86.31

 

CMYK 0 / 2 / 79 / 6

HEX #F0EC33

RGB 240 236 51

HSL 58.73, 0.86%, 0.57%

LAB 91.12, -17.8, 81.8

 

CMYK 0 / 0 / 73 / 0

HEX #FFFE46

RGB 255 254 70

HSL 59.68, 1%, 0.64%

LAB 97.06, -19.63, 82.07

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 0 / 58 / 0

HEX #FFFF6C

RGB 255 255 108

HSL 60, 1%, 0.71%

LAB 97.58, -18.05, 68.48

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF7F

RGB 255 255 127

HSL 60, 1%, 0.75%

LAB 97.76, -16.62, 60.42

 

CMYK 0 / 0 / 76 / 7

HEX #EBEC38

RGB 235 236 56

HSL 60.33, 0.83%, 0.57%

LAB 90.75, -19.69, 79.94

 

CMYK 0 / 0 / 83 / 15

HEX #DADA25

RGB 218 218 37

HSL 60, 0.71%, 0.5%

LAB 84.58, -18.59, 78.96

 

CMYK 0 / 0 / 91 / 21

HEX #C9C812

RGB 201 200 18

HSL 59.67, 0.84%, 0.43%

LAB 78.33, -17.32, 76.87

 

CMYK 0 / 1 / 100 / 28

HEX #B8B600

RGB 184 182 0

HSL 59.35, 1%, 0.36%

LAB 71.99, -15.86, 73.54

 

CMYK 0 / 2 / 100 / 35

HEX #A7A400

RGB 167 164 0

HSL 58.92, 1%, 0.33%

LAB 65.57, -14.15, 68.2

 

CMYK 0 / 0 / 77 / 7

HEX #EBEC36

RGB 235 236 54

HSL 60.33, 0.83%, 0.57%

LAB 90.74, -19.76, 80.5

 

CMYK 0 / 20 / 77 / 7

HEX #ECBC36

RGB 236 188 54

HSL 44.18, 0.83%, 0.57%

LAB 78.5, 4.84, 69.45

 

CMYK 0 / 41 / 77 / 7

HEX #EC8B36

RGB 236 139 54

HSL 28.02, 0.83%, 0.57%

LAB 66.95, 30.68, 58.55

 

CMYK 0 / 62 / 77 / 7

HEX #EC5A36

RGB 236 90 54

HSL 11.87, 0.83%, 0.57%

LAB 57.47, 54.57, 49.14

 

CMYK 0 / 77 / 77 / 7

HEX #EC3636

RGB 236 54 54

HSL 0, 0.83%, 0.57%

LAB 52.66, 67.73, 44.16

 

CMYK 0 / 0 / 77 / 7

HEX #EBEC36

RGB 235 236 54

HSL 60.33, 0.83%, 0.57%

LAB 90.74, -19.76, 80.5

 

CMYK 21 / 0 / 77 / 7

HEX #BAEC36

RGB 186 236 54

HSL 76.48, 0.83%, 0.57%

LAB 87.34, -39.36, 76.15

 

CMYK 42 / 0 / 77 / 7

HEX #89EC36

RGB 137 236 54

HSL 92.64, 0.83%, 0.57%

LAB 84.78, -56.67, 72.84

 

CMYK 63 / 0 / 77 / 7

HEX #58EC36

RGB 88 236 54

HSL 108.79, 0.83%, 0.57%

LAB 83.09, -69.8, 70.64

 

CMYK 77 / 0 / 71 / 7

HEX #36EC45

RGB 54 236 69

HSL 124.95, 0.83%, 0.57%

LAB 82.49, -74.56, 64.87

 

CMYK 0 / 0 / 77 / 7

HEX #EBEC36

RGB 235 236 54

HSL 60.33, 0.83%, 0.57%

LAB 90.74, -19.76, 80.5

 

CMYK 1 / 0 / 86 / 0

HEX #FCFE24

RGB 252 254 36

HSL 60.55, 0.99%, 0.57%

LAB 96.7, -21.89, 90.18

 

CMYK 0 / 0 / 77 / 7

HEX #EBEC36

RGB 235 236 54

HSL 60.33, 0.83%, 0.57%

LAB 90.74, -19.76, 80.5

 

CMYK 0 / 0 / 67 / 15

HEX #D9DA48

RGB 217 218 72

HSL 60.41, 0.66%, 0.57%

LAB 84.67, -17.63, 68.35

 

CMYK 0 / 0 / 56 / 22

HEX #C8C859

RGB 200 200 89

HSL 60, 0.5%, 0.57%

LAB 78.64, -14.59, 54.45

 

CMYK 1 / 0 / 42 / 28

HEX #B6B76B

RGB 182 183 107

HSL 60.79, 0.35%, 0.57%

LAB 72.81, -11.64, 38.45

 

CMYK 0 / 0 / 24 / 35

HEX #A5A57D

RGB 165 165 125

HSL 60, 0.18%, 0.57%

LAB 66.82, -6.71, 20.81

 

CMYK 0 / 41 / 77 / 7

HEX #EC8B36

RGB 236 139 54

HSL 28.02, 0.83%, 0.57%

LAB 66.95, 30.68, 58.55

 

CMYK 0 / 21 / 77 / 7

HEX #ECBB36

RGB 236 187 54

HSL 43.85, 0.83%, 0.57%

LAB 78.25, 5.36, 69.22

 

CMYK 0 / 0 / 77 / 7

HEX #ECEC36

RGB 236 236 54

HSL 60, 0.83%, 0.57%

LAB 90.82, -19.35, 80.6

 

CMYK 21 / 0 / 77 / 7

HEX #BBEC36

RGB 187 236 54

HSL 76.15, 0.83%, 0.57%

LAB 87.4, -38.97, 76.23

 

CMYK 41 / 0 / 77 / 7

HEX #8BEC36

RGB 139 236 54

HSL 91.98, 0.83%, 0.57%

LAB 84.87, -56.03, 72.96

 

CMYK 1 / 0 / 91 / 25

HEX #BDBE11

RGB 189 190 17

HSL 60.35, 0.84%, 0.41%

LAB 74.63, -17.5, 73.72

 

CMYK 0 / 0 / 91 / 11

HEX #E3E415

RGB 227 228 21

HSL 60.29, 0.83%, 0.49%

LAB 87.91, -20.01, 84.77

 

CMYK 0 / 0 / 77 / 7

HEX #EBEC36

RGB 235 236 54

HSL 60.33, 0.83%, 0.57%

LAB 90.74, -19.76, 80.5

 

CMYK 0 / 0 / 62 / 6

HEX #EFEF5C

RGB 239 239 92

HSL 60, 0.82%, 0.65%

LAB 92.07, -17.75, 68.74

 

CMYK 0 / 0 / 47 / 5

HEX #F2F381

RGB 242 243 129

HSL 60.53, 0.83%, 0.73%

LAB 93.69, -15.7, 54.43

 

CMYK 0 / 0 / 76 / 7

HEX #EBEC38

RGB 235 236 56

HSL 60.33, 0.83%, 0.57%

LAB 90.75, -19.69, 79.94

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 31 / 77 / 0 / 7

HEX #A336EC

RGB 163 54 236

HSL 275.93, 0.83%, 0.57%

LAB 47.6, 72.11, -71.47

 

CMYK 0 / 0 / 76 / 7

HEX #EBEC38

RGB 235 236 56

HSL 60.33, 0.83%, 0.57%

LAB 90.75, -19.69, 79.94

 

CMYK 77 / 0 / 0 / 7

HEX #36ECEC

RGB 54 236 236

HSL 180, 0.83%, 0.57%

LAB 85.42, -42.73, -12.7

 

CMYK 0 / 77 / 0 / 7

HEX #EC36EC

RGB 236 54 236

HSL 300, 0.83%, 0.57%

LAB 58.53, 85.17, -53.3

 

CMYK 0 / 0 / 76 / 7

HEX #EBEC38

RGB 235 236 56

HSL 60.33, 0.83%, 0.57%

LAB 90.75, -19.69, 79.94

 

CMYK 77 / 0 / 62 / 7

HEX #36EC5A

RGB 54 236 90

HSL 131.87, 0.83%, 0.57%

LAB 82.65, -72.53, 56.81

 

CMYK 77 / 77 / 0 / 7

HEX #3636EC

RGB 54 54 236

HSL 240, 0.83%, 0.57%

LAB 36.89, 59.06, -89.46

 

CMYK 0 / 77 / 16 / 7

HEX #EC36C7

RGB 236 54 199

HSL 312.2, 0.83%, 0.57%

LAB 56.68, 79.92, -35.26

 

CMYK 0 / 0 / 76 / 7

HEX #EBEC38

RGB 235 236 56

HSL 60.33, 0.83%, 0.57%

LAB 90.75, -19.69, 79.94

 

CMYK 77 / 0 / 39 / 7

HEX #36EC91

RGB 54 236 145

HSL 150, 0.83%, 0.57%

LAB 83.35, -64.37, 31.74

 

CMYK 77 / 77 / 0 / 7

HEX #3636EC

RGB 54 54 236

HSL 240, 0.83%, 0.57%

LAB 36.89, 59.06, -89.46

 

CMYK 0 / 77 / 39 / 7

HEX #EC3691

RGB 236 54 145

HSL 330, 0.83%, 0.57%

LAB 54.57, 73.68, -6.97

 

Description

Color code: HEX #EBEC38 | qconv.com Color code: HEX #EBEC38 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 236 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 236 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 76 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 76% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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