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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EBAFC4 it is the complementary color #14503B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EBAFC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EBAFC4 shade: #F0AFBF, #FFC1D2, #FFD3E5, #FFE5F8 and #FFF7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EBAFC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EBAFC4 shade: #EBAFC4, #DA9DB1, #C98B9E, #B8798B and #A76778

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EBAFC4 shade: #EBADC3, #EBADB2 and #EBADAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EBAFC4 shade: #EBADC3, #EBADD3, #EBADE4, #E1ADEB and #D0ADEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EBAFC4 shade matches the following richer shades: #EBADC3, #F3A5C0 and #FB9DBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EBAFC4 shade: #EBADC3, #E2B6C5, #DABEC8, #D2C6CA and #CACECD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EBAFC4 shade: #EBADE3, #EBADD3, #EBADC3, #EBADB3 and #EBB9AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EBAFC4 shade: #DA6B92, #E28CAA, #EBADC3, #F3CEDB and #FBEFF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EBAFC4 shade: #EBAFC4, #EBE1AD and #ADDBEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EBAFC4 shade: #EBAFC4, #C3EBAD and #ADC3EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EBAFC4 shade: #EBAFC4, #EBE1AD, #ADEBD5 and #ADB7EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EBAFC4 shade: #EBAFC4, #E1EBAD, #ADEBD5 and #B7ADEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 17 / 8

HEX #EBAFC4

RGB 235 175 196

HSL 339, 0.6%, 0.8%

LAB 77.46, 24.99, -2.07

 

Complementary color

CMYK 75 / 0 / 26 / 69

HEX #14503B

RGB 20 80 59

HSL 159, 0.6%, 0.2%

LAB 29.92, -24.77, 6.95

 

CMYK 0 / 27 / 20 / 6

HEX #F0AFBF

RGB 240 175 191

HSL 345.23, 0.68%, 0.81%

LAB 77.84, 26.01, 1.26

 

CMYK 0 / 24 / 18 / 0

HEX #FFC1D2

RGB 255 193 210

HSL 343.55, 1%, 0.88%

LAB 83.99, 24.67, 0.16

 

CMYK 0 / 17 / 10 / 0

HEX #FFD3E5

RGB 255 211 229

HSL 335.45, 1%, 0.91%

LAB 88.69, 18.23, -3.06

 

CMYK 0 / 10 / 3 / 0

HEX #FFE5F8

RGB 255 229 248

HSL 316.15, 1%, 0.95%

LAB 93.48, 12.07, -5.96

 

CMYK 0 / 3 / 0 / 0

HEX #FFF7FF

RGB 255 247 255

HSL 300, 1%, 0.98%

LAB 98.03, 4.06, -2.89

 

CMYK 0 / 26 / 17 / 8

HEX #EBAFC4

RGB 235 175 196

HSL 339, 0.6%, 0.8%

LAB 77.46, 24.99, -2.07

 

CMYK 0 / 28 / 19 / 15

HEX #DA9DB1

RGB 218 157 177

HSL 340.33, 0.45%, 0.74%

LAB 71, 25.64, -1.32

 

CMYK 0 / 31 / 21 / 21

HEX #C98B9E

RGB 201 139 158

HSL 341.61, 0.36%, 0.67%

LAB 64.44, 26.36, -0.49

 

CMYK 0 / 34 / 24 / 28

HEX #B8798B

RGB 184 121 139

HSL 342.86, 0.31%, 0.6%

LAB 57.78, 27.14, 0.41

 

CMYK 0 / 38 / 28 / 35

HEX #A76778

RGB 167 103 120

HSL 344.06, 0.27%, 0.53%

LAB 51, 27.99, 1.43

 

CMYK 0 / 26 / 17 / 8

HEX #EBADC3

RGB 235 173 195

HSL 338.71, 0.61%, 0.8%

LAB 76.97, 25.9, -2.25

 

CMYK 0 / 26 / 24 / 8

HEX #EBADB2

RGB 235 173 178

HSL 355.16, 0.61%, 0.8%

LAB 76.54, 23.38, 6.38

 

CMYK 0 / 26 / 26 / 8

HEX #EBADAD

RGB 235 173 173

HSL 0, 0.61%, 0.8%

LAB 76.42, 22.68, 8.94

 

CMYK 0 / 26 / 17 / 8

HEX #EBADC3

RGB 235 173 195

HSL 338.71, 0.61%, 0.8%

LAB 76.97, 25.9, -2.25

 

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

CMYK 0 / 26 / 3 / 8

HEX #EBADE4

RGB 235 173 228

HSL 306.77, 0.61%, 0.8%

LAB 77.96, 31.41, -18.71

 

CMYK 4 / 26 / 0 / 8

HEX #E1ADEB

RGB 225 173 235

HSL 290.32, 0.61%, 0.8%

LAB 77.22, 29.47, -23.72

 

CMYK 11 / 26 / 0 / 8

HEX #D0ADEB

RGB 208 173 235

HSL 273.87, 0.61%, 0.8%

LAB 75.63, 24.07, -26.28

 

CMYK 0 / 26 / 17 / 8

HEX #EBADC3

RGB 235 173 195

HSL 338.71, 0.61%, 0.8%

LAB 76.97, 25.9, -2.25

 

CMYK 0 / 32 / 21 / 5

HEX #F3A5C0

RGB 243 165 192

HSL 339.23, 0.76%, 0.8%

LAB 75.93, 32.51, -2.05

 

CMYK 0 / 37 / 24 / 2

HEX #FB9DBE

RGB 251 157 190

HSL 338.94, 0.92%, 0.8%

LAB 75.04, 39.19, -2.15

 

CMYK 0 / 26 / 17 / 8

HEX #EBADC3

RGB 235 173 195

HSL 338.71, 0.61%, 0.8%

LAB 76.97, 25.9, -2.25

 

CMYK 0 / 19 / 13 / 11

HEX #E2B6C5

RGB 226 182 197

HSL 339.55, 0.43%, 0.8%

LAB 78.26, 18.22, -1.55

 

CMYK 0 / 13 / 8 / 15

HEX #DABEC8

RGB 218 190 200

HSL 338.57, 0.27%, 0.8%

LAB 79.56, 11.6, -1.36

 

CMYK 0 / 6 / 4 / 18

HEX #D2C6CA

RGB 210 198 202

HSL 340, 0.12%, 0.8%

LAB 80.94, 4.89, -0.5

 

CMYK 2 / 0 / 0 / 19

HEX #CACECD

RGB 202 206 205

HSL 165, 0.04%, 0.8%

LAB 82.44, -1.55, 0.01

 

CMYK 0 / 26 / 3 / 8

HEX #EBADE3

RGB 235 173 227

HSL 307.74, 0.61%, 0.8%

LAB 77.93, 31.24, -18.22

 

CMYK 0 / 26 / 10 / 8

HEX #EBADD3

RGB 235 173 211

HSL 323.23, 0.61%, 0.8%

LAB 77.43, 28.48, -10.28

 

CMYK 0 / 26 / 17 / 8

HEX #EBADC3

RGB 235 173 195

HSL 338.71, 0.61%, 0.8%

LAB 76.97, 25.9, -2.25

 

CMYK 0 / 26 / 24 / 8

HEX #EBADB3

RGB 235 173 179

HSL 354.19, 0.61%, 0.8%

LAB 76.56, 23.52, 5.87

 

CMYK 0 / 21 / 26 / 8

HEX #EBB9AD

RGB 235 185 173

HSL 11.61, 0.61%, 0.8%

LAB 79.26, 16.29, 12.97

 

CMYK 0 / 51 / 33 / 15

HEX #DA6B92

RGB 218 107 146

HSL 338.92, 0.6%, 0.64%

LAB 59.43, 47.55, -0.7

 

CMYK 0 / 38 / 25 / 11

HEX #E28CAA

RGB 226 140 170

HSL 339.07, 0.6%, 0.72%

LAB 67.89, 36.56, -1.87

 

CMYK 0 / 26 / 17 / 8

HEX #EBADC3

RGB 235 173 195

HSL 338.71, 0.61%, 0.8%

LAB 76.97, 25.9, -2.25

 

CMYK 0 / 15 / 10 / 5

HEX #F3CEDB

RGB 243 206 219

HSL 338.92, 0.61%, 0.88%

LAB 86.16, 15.06, -1.59

 

CMYK 0 / 5 / 3 / 2

HEX #FBEFF4

RGB 251 239 244

HSL 335, 0.6%, 0.96%

LAB 95.49, 4.89, -0.98

 

CMYK 0 / 26 / 17 / 8

HEX #EBAFC4

RGB 235 175 196

HSL 339, 0.6%, 0.8%

LAB 77.46, 24.99, -2.07

 

CMYK 0 / 4 / 26 / 8

HEX #EBE1AD

RGB 235 225 173

HSL 50.32, 0.61%, 0.8%

LAB 89.17, -4.54, 26.72

 

CMYK 26 / 7 / 0 / 8

HEX #ADDBEB

RGB 173 219 235

HSL 195.48, 0.61%, 0.8%

LAB 84.76, -11.3, -12.72

 

CMYK 0 / 26 / 17 / 8

HEX #EBAFC4

RGB 235 175 196

HSL 339, 0.6%, 0.8%

LAB 77.46, 24.99, -2.07

 

CMYK 17 / 0 / 26 / 8

HEX #C3EBAD

RGB 195 235 173

HSL 98.71, 0.61%, 0.8%

LAB 88.94, -23.99, 25.94

 

CMYK 26 / 17 / 0 / 8

HEX #ADC3EB

RGB 173 195 235

HSL 218.71, 0.61%, 0.8%

LAB 78.41, 1.32, -22.29

 

CMYK 0 / 26 / 17 / 8

HEX #EBAFC4

RGB 235 175 196

HSL 339, 0.6%, 0.8%

LAB 77.46, 24.99, -2.07

 

CMYK 0 / 4 / 26 / 8

HEX #EBE1AD

RGB 235 225 173

HSL 50.32, 0.61%, 0.8%

LAB 89.17, -4.54, 26.72

 

CMYK 26 / 0 / 9 / 8

HEX #ADEBD5

RGB 173 235 213

HSL 158.71, 0.61%, 0.8%

LAB 88.5, -24.01, 4.36

 

CMYK 26 / 22 / 0 / 8

HEX #ADB7EB

RGB 173 183 235

HSL 230.32, 0.61%, 0.8%

LAB 75.3, 7.85, -27.05

 

CMYK 0 / 26 / 17 / 8

HEX #EBAFC4

RGB 235 175 196

HSL 339, 0.6%, 0.8%

LAB 77.46, 24.99, -2.07

 

CMYK 4 / 0 / 26 / 8

HEX #E1EBAD

RGB 225 235 173

HSL 69.68, 0.61%, 0.8%

LAB 90.98, -13.27, 29.05

 

CMYK 26 / 0 / 9 / 8

HEX #ADEBD5

RGB 173 235 213

HSL 158.71, 0.61%, 0.8%

LAB 88.5, -24.01, 4.36

 

CMYK 22 / 26 / 0 / 8

HEX #B7ADEB

RGB 183 173 235

HSL 249.68, 0.61%, 0.8%

LAB 73.51, 16.35, -29.72

 

Description

Color code: HEX #EBAFC4 | qconv.com Color code: HEX #EBAFC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 175 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 175 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 17 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 17% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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