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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9F66 it is the complementary color #146099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9F66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9F66 shade: #F09F61, #FFB174, #FFC387, #FFD59A and #FFE7AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9F66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9F66 shade: #EB9F66, #DA8D53, #C97B40, #B8692D and #A7571A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9F66 shade: #EB9F66, #EB7B66 and #EB6666

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9F66 shade: #EB9F66, #EBC366, #EBE766, #CBEB66 and #A7EB66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9F66 shade matches the following richer shades: #EB9F66 and #F99D58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9F66 shade: #EB9F66, #DDA174, #CFA382, #C1A590 and #B3A79E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9F66 shade: #EB6675, #EB7A66, #EB9D66, #EBC166 and #EBE466

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9F66 shade: #E1711D, #E68841, #EB9F66, #F0B68A and #F5CDAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9F66 shade: #EB9F66, #99EB66 and #6866EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9F66 shade: #EB9F66, #66EB9D and #9D66EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9F66 shade: #EB9F66, #99EB66, #66B3EB and #B866EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9F66 shade: #EB9F66, #71EB66, #66B3EB and #E066EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

Complementary color

CMYK 87 / 37 / 0 / 40

HEX #146099

RGB 20 96 153

HSL 205.71, 0.77%, 0.34%

LAB 39.27, -0.45, -37.25

 

CMYK 0 / 34 / 60 / 6

HEX #F09F61

RGB 240 159 97

HSL 26.01, 0.83%, 0.66%

LAB 72.35, 24.12, 44.26

 

CMYK 0 / 31 / 55 / 0

HEX #FFB174

RGB 255 177 116

HSL 26.33, 1%, 0.73%

LAB 78.44, 22.12, 42.4

 

CMYK 0 / 24 / 47 / 0

HEX #FFC387

RGB 255 195 135

HSL 30, 1%, 0.76%

LAB 82.93, 14.36, 38.35

 

CMYK 0 / 16 / 40 / 0

HEX #FFD59A

RGB 255 213 154

HSL 35.05, 1%, 0.8%

LAB 87.57, 6.95, 34.65

 

CMYK 0 / 9 / 32 / 0

HEX #FFE7AD

RGB 255 231 173

HSL 42.44, 1%, 0.84%

LAB 92.32, -0.07, 31.26

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 0 / 35 / 62 / 15

HEX #DA8D53

RGB 218 141 83

HSL 25.78, 0.65%, 0.59%

LAB 65.42, 23.74, 42.53

 

CMYK 0 / 39 / 68 / 21

HEX #C97B40

RGB 201 123 64

HSL 25.84, 0.56%, 0.52%

LAB 58.93, 25.2, 44.18

 

CMYK 0 / 43 / 76 / 28

HEX #B8692D

RGB 184 105 45

HSL 25.9, 0.61%, 0.45%

LAB 52.38, 26.87, 45.79

 

CMYK 0 / 48 / 84 / 35

HEX #A7571A

RGB 167 87 26

HSL 25.96, 0.73%, 0.38%

LAB 45.78, 28.76, 47.04

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 0 / 48 / 57 / 8

HEX #EB7B66

RGB 235 123 102

HSL 9.47, 0.77%, 0.66%

LAB 63.99, 41.26, 31.08

 

CMYK 0 / 57 / 57 / 8

HEX #EB6666

RGB 235 102 102

HSL 0, 0.77%, 0.66%

LAB 60, 51.46, 25.9

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 0 / 17 / 57 / 8

HEX #EBC366

RGB 235 195 102

HSL 41.95, 0.77%, 0.66%

LAB 80.54, 3.46, 51.39

 

CMYK 0 / 2 / 57 / 8

HEX #EBE766

RGB 235 231 102

HSL 58.2, 0.77%, 0.66%

LAB 89.75, -14.79, 61.93

 

CMYK 14 / 0 / 57 / 8

HEX #CBEB66

RGB 203 235 102

HSL 74.44, 0.77%, 0.66%

LAB 88.48, -29.36, 59.86

 

CMYK 29 / 0 / 57 / 8

HEX #A7EB66

RGB 167 235 102

HSL 90.68, 0.77%, 0.66%

LAB 86.3, -42.66, 56.79

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 0 / 37 / 65 / 2

HEX #F99D58

RGB 249 157 88

HSL 25.71, 0.93%, 0.66%

LAB 72.86, 28.21, 49.64

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 0 / 27 / 48 / 13

HEX #DDA174

RGB 221 161 116

HSL 25.71, 0.61%, 0.66%

LAB 70.96, 16.95, 32.13

 

CMYK 0 / 21 / 37 / 19

HEX #CFA382

RGB 207 163 130

HSL 25.71, 0.45%, 0.66%

LAB 70.23, 11.75, 23.34

 

CMYK 0 / 15 / 25 / 24

HEX #C1A590

RGB 193 165 144

HSL 25.71, 0.28%, 0.66%

LAB 69.66, 6.99, 14.68

 

CMYK 0 / 7 / 12 / 30

HEX #B3A79E

RGB 179 167 158

HSL 25.71, 0.12%, 0.66%

LAB 69.25, 2.76, 6.2

 

CMYK 0 / 57 / 50 / 8

HEX #EB6675

RGB 235 102 117

HSL 353.23, 0.77%, 0.66%

LAB 60.29, 52.66, 17.67

 

CMYK 0 / 48 / 57 / 8

HEX #EB7A66

RGB 235 122 102

HSL 9.02, 0.77%, 0.66%

LAB 63.79, 41.76, 30.82

 

CMYK 0 / 33 / 57 / 8

HEX #EB9D66

RGB 235 157 102

HSL 24.81, 0.77%, 0.66%

LAB 71.38, 23.53, 40.37

 

CMYK 0 / 18 / 57 / 8

HEX #EBC166

RGB 235 193 102

HSL 41.05, 0.77%, 0.66%

LAB 80.05, 4.5, 50.8

 

CMYK 0 / 3 / 57 / 8

HEX #EBE466

RGB 235 228 102

HSL 56.84, 0.77%, 0.66%

LAB 88.97, -13.31, 61.05

 

CMYK 0 / 50 / 87 / 12

HEX #E1711D

RGB 225 113 29

HSL 25.71, 0.77%, 0.5%

LAB 59.8, 38.93, 61.09

 

CMYK 0 / 41 / 72 / 10

HEX #E68841

RGB 230 136 65

HSL 25.82, 0.77%, 0.58%

LAB 65.6, 30.28, 52.03

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 0 / 24 / 43 / 6

HEX #F0B68A

RGB 240 182 138

HSL 25.88, 0.77%, 0.74%

LAB 78.35, 15.56, 30.52

 

CMYK 0 / 16 / 29 / 4

HEX #F5CDAF

RGB 245 205 175

HSL 25.71, 0.78%, 0.82%

LAB 85.08, 9.78, 20.2

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 35 / 0 / 57 / 8

HEX #99EB66

RGB 153 235 102

HSL 96.99, 0.77%, 0.66%

LAB 85.58, -47.44, 55.77

 

CMYK 56 / 57 / 0 / 8

HEX #6866EB

RGB 104 102 235

HSL 240.9, 0.77%, 0.66%

LAB 50.03, 37.68, -67.24

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 57 / 0 / 33 / 8

HEX #66EB9D

RGB 102 235 157

HSL 144.81, 0.77%, 0.66%

LAB 84.32, -53.77, 27.13

 

CMYK 33 / 57 / 0 / 8

HEX #9D66EB

RGB 157 102 235

HSL 264.81, 0.77%, 0.66%

LAB 54.73, 48.85, -59.42

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 35 / 0 / 57 / 8

HEX #99EB66

RGB 153 235 102

HSL 96.99, 0.77%, 0.66%

LAB 85.58, -47.44, 55.77

 

CMYK 57 / 24 / 0 / 8

HEX #66B3EB

RGB 102 179 235

HSL 205.26, 0.77%, 0.66%

LAB 70.22, -7.89, -35.21

 

CMYK 22 / 57 / 0 / 8

HEX #B866EB

RGB 184 102 235

HSL 276.99, 0.77%, 0.66%

LAB 57.74, 55.31, -54.43

 

CMYK 0 / 32 / 57 / 8

HEX #EB9F66

RGB 235 159 102

HSL 25.71, 0.77%, 0.66%

LAB 71.84, 22.46, 40.94

 

CMYK 52 / 0 / 57 / 8

HEX #71EB66

RGB 113 235 102

HSL 115.04, 0.77%, 0.66%

LAB 83.91, -59.35, 53.4

 

CMYK 57 / 24 / 0 / 8

HEX #66B3EB

RGB 102 179 235

HSL 205.26, 0.77%, 0.66%

LAB 70.22, -7.89, -35.21

 

CMYK 5 / 57 / 0 / 8

HEX #E066EB

RGB 224 102 235

HSL 295.04, 0.77%, 0.66%

LAB 62.8, 65.28, -46.09

 

Description

Color code: HEX #EB9F66 | qconv.com Color code: HEX #EB9F66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 159 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 159 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 57 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 57% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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