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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 48 / 13 it is the complementary color CMYK 76 / 34 / 0 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 48 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 48 / 13: CMYK 0 / 29 / 52 / 11, CMYK 0 / 26 / 47 / 4, CMYK 0 / 22 / 42 / 0, CMYK 0 / 15 / 35 / 0 and CMYK 0 / 8 / 27 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 48 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 48 / 13: CMYK 0 / 27 / 48 / 13, CMYK 0 / 30 / 53 / 20, CMYK 0 / 33 / 59 / 26, CMYK 0 / 37 / 66 / 33 and CMYK 0 / 42 / 75 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

Complementary color

CMYK 76 / 34 / 0 / 45

HEX #215D8C

RGB 33 93 140

HSL 206.36, 0.62%, 0.34%

LAB 37.92, -2.23, -31.52

 

CMYK 0 / 29 / 52 / 11

HEX #E3A26E

RGB 227 162 110

HSL 26.67, 0.68%, 0.66%

LAB 71.76, 18.28, 36.47

 

CMYK 0 / 26 / 47 / 4

HEX #F4B481

RGB 244 180 129

HSL 26.61, 0.84%, 0.73%

LAB 78.15, 17.3, 35.06

 

CMYK 0 / 22 / 42 / 0

HEX #FFC694

RGB 255 198 148

HSL 28.04, 1%, 0.79%

LAB 83.85, 14.09, 32.84

NCS® S0530-Y40R

CMYK 0 / 15 / 35 / 0

HEX #FFD8A7

RGB 255 216 167

HSL 33.41, 1%, 0.83%

LAB 88.52, 6.88, 29.23

 

CMYK 0 / 8 / 27 / 0

HEX #FFEABA

RGB 255 234 186

HSL 41.74, 1%, 0.86%

LAB 93.3, 0.04, 25.94

 

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

CMYK 0 / 30 / 53 / 20

HEX #CD9060

RGB 205 144 96

HSL 26.42, 0.52%, 0.59%

LAB 64.78, 17.75, 34.58

 

CMYK 0 / 33 / 59 / 26

HEX #BC7E4D

RGB 188 126 77

HSL 26.49, 0.45%, 0.52%

LAB 58.18, 18.95, 36.14

 

CMYK 0 / 37 / 66 / 33

HEX #AB6C3A

RGB 171 108 58

HSL 26.55, 0.49%, 0.45%

LAB 51.48, 20.34, 37.81

 

CMYK 0 / 42 / 75 / 40

HEX #9A5A27

RGB 154 90 39

HSL 26.61, 0.6%, 0.38%

LAB 44.7, 21.98, 39.47

 

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

CMYK 0 / 19 / 49 / 13

HEX #DEB372

RGB 222 179 114

HSL 36.11, 0.62%, 0.66%

LAB 75.44, 7.54, 38.93

 

CMYK 0 / 12 / 49 / 13

HEX #DEC472

RGB 222 196 114

HSL 45.56, 0.62%, 0.66%

LAB 79.74, -1.39, 44.29

 

CMYK 0 / 4 / 49 / 13

HEX #DED672

RGB 222 214 114

HSL 55.56, 0.62%, 0.66%

LAB 84.4, -10.6, 49.95

 

CMYK 5 / 0 / 49 / 13

HEX #D3DE72

RGB 211 222 114

HSL 66.11, 0.62%, 0.66%

LAB 85.66, -18.96, 51.26

 

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

CMYK 0 / 28 / 50 / 93

HEX #120D09

RGB 18 13 9

HSL 26.67, 0.33%, 0.05%

LAB 3.94, 1.15, 2.23

 

CMYK 0 / 28 / 48 / 73

HEX #453224

RGB 69 50 36

HSL 25.45, 0.31%, 0.21%

LAB 22.56, 6.44, 12.25

 

CMYK 0 / 27 / 48 / 53

HEX #78583E

RGB 120 88 62

HSL 26.9, 0.32%, 0.36%

LAB 40.11, 9.69, 20.2

 

CMYK 0 / 27 / 48 / 33

HEX #AB7D59

RGB 171 125 89

HSL 26.34, 0.33%, 0.51%

LAB 56.13, 13.37, 26.58

 

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

CMYK 31 / 0 / 49 / 13

HEX #99DE72

RGB 153 222 114

HSL 98.33, 0.62%, 0.66%

LAB 81.96, -40.53, 45.92

 

CMYK 47 / 49 / 0 / 13

HEX #7672DE

RGB 118 114 222

HSL 242.22, 0.62%, 0.66%

LAB 53.12, 29.4, -54.89

 

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

CMYK 49 / 0 / 27 / 13

HEX #72DEA1

RGB 114 222 161

HSL 146.11, 0.62%, 0.66%

LAB 80.96, -44.81, 20.54

 

CMYK 27 / 49 / 0 / 13

HEX #A172DE

RGB 161 114 222

HSL 266.11, 0.62%, 0.66%

LAB 56.96, 40.09, -48.54

 

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

CMYK 31 / 0 / 49 / 13

HEX #99DE72

RGB 153 222 114

HSL 98.33, 0.62%, 0.66%

LAB 81.96, -40.53, 45.92

 

CMYK 49 / 21 / 0 / 13

HEX #72AFDE

RGB 114 175 222

HSL 206.11, 0.62%, 0.66%

LAB 69.12, -6.97, -29.77

 

CMYK 18 / 49 / 0 / 13

HEX #B672DE

RGB 182 114 222

HSL 277.78, 0.62%, 0.66%

LAB 59.21, 45.76, -44.85

 

CMYK 0 / 27 / 48 / 13

HEX #DEA273

RGB 222 162 115

HSL 26.36, 0.62%, 0.66%

LAB 71.29, 16.72, 33.12

 

CMYK 45 / 0 / 49 / 13

HEX #79DE72

RGB 121 222 114

HSL 116.11, 0.62%, 0.66%

LAB 80.47, -50.6, 43.75

 

CMYK 49 / 21 / 0 / 13

HEX #72AFDE

RGB 114 175 222

HSL 206.11, 0.62%, 0.66%

LAB 69.12, -6.97, -29.77

 

CMYK 4 / 49 / 0 / 13

HEX #D672DE

RGB 214 114 222

HSL 295.56, 0.62%, 0.66%

LAB 63.01, 54.62, -38.6

 

Description

Color code: CMYK 0 / 27 / 48 / 13 | qconv.com Color code: CMYK 0 / 27 / 48 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 162 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 162 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 48 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 48% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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