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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB9C35 it is the complementary color #1463CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB9C35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB9C35 shade: #F09C30, #FFAE43, #FFC056, #FFD269 and #FFE47C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB9C35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB9C35 shade: #EB9C35, #DA8A22, #C9780F, #B86600 and #A75400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB9C35 shade: #EB9B33, #EB6933, #EB3833 and #EB3333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB9C35 shade: #EB9B33, #EBCD33, #D7EB33, #A6EB33 and #74EB33

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB9C35 shade matches the following richer shades: #EB9B33 and #FD9D21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB9C35 shade: #EB9B33, #D99945, #C69657, #B49469 and #A2917B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB9C35 shade: #EB3633, #EB6733, #EB9833, #EBC933 and #DBEB33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB9C35 shade: #B97112, #DE8716, #EB9B33, #EFAD58 and #F2C07E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB9C35 shade: #EB9C35, #61EB33 and #4E33EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB9C35 shade: #EB9C35, #33EB98 and #9833EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB9C35 shade: #EB9C35, #61EB33, #3386EB and #BD33EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB9C35 shade: #EB9C35, #33EB3C, #3386EB and #EB33E2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 77 / 8

HEX #EB9C35

RGB 235 156 53

HSL 33.96, 0.82%, 0.56%

LAB 70.66, 21.27, 62.46

 

Complementary color

CMYK 90 / 51 / 0 / 21

HEX #1463CA

RGB 20 99 202

HSL 213.96, 0.82%, 0.44%

LAB 43.27, 17.19, -59.61

 

CMYK 0 / 35 / 80 / 6

HEX #F09C30

RGB 240 156 48

HSL 33.75, 0.86%, 0.56%

LAB 71.22, 23.19, 65.07

 

CMYK 0 / 32 / 74 / 0

HEX #FFAE43

RGB 255 174 67

HSL 34.15, 1%, 0.63%

LAB 77.24, 20.69, 64.06

 

CMYK 0 / 25 / 66 / 0

HEX #FFC056

RGB 255 192 86

HSL 37.63, 1%, 0.67%

LAB 81.64, 12.24, 60.52

 

CMYK 0 / 18 / 59 / 0

HEX #FFD269

RGB 255 210 105

HSL 42, 1%, 0.71%

LAB 86.19, 4.14, 57.02

 

CMYK 0 / 11 / 51 / 0

HEX #FFE47C

RGB 255 228 124

HSL 47.63, 1%, 0.74%

LAB 90.87, -3.55, 53.64

 

CMYK 0 / 34 / 77 / 8

HEX #EB9C35

RGB 235 156 53

HSL 33.96, 0.82%, 0.56%

LAB 70.66, 21.27, 62.46

 

CMYK 0 / 37 / 84 / 15

HEX #DA8A22

RGB 218 138 34

HSL 33.91, 0.73%, 0.49%

LAB 64.32, 23.07, 62.79

 

CMYK 0 / 40 / 93 / 21

HEX #C9780F

RGB 201 120 15

HSL 33.87, 0.86%, 0.42%

LAB 57.93, 25.11, 61.99

 

CMYK 0 / 45 / 100 / 28

HEX #B86600

RGB 184 102 0

HSL 33.26, 1%, 0.36%

LAB 51.49, 27.39, 59.45

 

CMYK 0 / 50 / 100 / 35

HEX #A75400

RGB 167 84 0

HSL 30.18, 1%, 0.33%

LAB 45.02, 29.88, 54.23

 

CMYK 0 / 34 / 78 / 8

HEX #EB9B33

RGB 235 155 51

HSL 33.91, 0.82%, 0.56%

LAB 70.42, 21.72, 62.99

 

CMYK 0 / 55 / 78 / 8

HEX #EB6933

RGB 235 105 51

HSL 17.61, 0.82%, 0.56%

LAB 59.89, 47.29, 52.95

 

CMYK 0 / 76 / 78 / 8

HEX #EB3833

RGB 235 56 51

HSL 1.63, 0.82%, 0.56%

LAB 52.65, 66.76, 45.7

 

CMYK 0 / 78 / 78 / 8

HEX #EB3333

RGB 235 51 51

HSL 0, 0.82%, 0.56%

LAB 52.14, 68.2, 45.18

 

CMYK 0 / 34 / 78 / 8

HEX #EB9B33

RGB 235 155 51

HSL 33.91, 0.82%, 0.56%

LAB 70.42, 21.72, 62.99

 

CMYK 0 / 13 / 78 / 8

HEX #EBCD33

RGB 235 205 51

HSL 50.22, 0.82%, 0.56%

LAB 82.68, -4.47, 74.18

 

CMYK 9 / 0 / 78 / 8

HEX #D7EB33

RGB 215 235 51

HSL 66.52, 0.82%, 0.56%

LAB 88.97, -27.56, 79.18

 

CMYK 29 / 0 / 78 / 8

HEX #A6EB33

RGB 166 235 51

HSL 82.5, 0.82%, 0.56%

LAB 85.89, -46.52, 75.24

 

CMYK 51 / 0 / 78 / 8

HEX #74EB33

RGB 116 235 51

HSL 98.8, 0.82%, 0.56%

LAB 83.64, -62.72, 72.34

 

CMYK 0 / 34 / 78 / 8

HEX #EB9B33

RGB 235 155 51

HSL 33.91, 0.82%, 0.56%

LAB 70.42, 21.72, 62.99

 

CMYK 0 / 38 / 87 / 1

HEX #FD9D21

RGB 253 157 33

HSL 33.82, 0.98%, 0.56%

LAB 72.96, 27.67, 71.91

 

CMYK 0 / 34 / 78 / 8

HEX #EB9B33

RGB 235 155 51

HSL 33.91, 0.82%, 0.56%

LAB 70.42, 21.72, 62.99

 

CMYK 0 / 29 / 68 / 15

HEX #D99945

RGB 217 153 69

HSL 34.05, 0.66%, 0.56%

LAB 67.99, 16, 52.26

 

CMYK 0 / 24 / 56 / 22

HEX #C69657

RGB 198 150 87

HSL 34.05, 0.49%, 0.56%

LAB 65.36, 10.78, 39.86

 

CMYK 0 / 18 / 42 / 29

HEX #B49469

RGB 180 148 105

HSL 34.4, 0.33%, 0.56%

LAB 63.26, 6.05, 27.22

 

CMYK 0 / 10 / 24 / 36

HEX #A2917B

RGB 162 145 123

HSL 33.85, 0.17%, 0.56%

LAB 61.1, 2.73, 13.99

 

CMYK 0 / 77 / 78 / 8

HEX #EB3633

RGB 235 54 51

HSL 0.98, 0.82%, 0.56%

LAB 52.44, 67.35, 45.49

 

CMYK 0 / 56 / 78 / 8

HEX #EB6733

RGB 235 103 51

HSL 16.96, 0.82%, 0.56%

LAB 59.53, 48.23, 52.59

 

CMYK 0 / 35 / 78 / 8

HEX #EB9833

RGB 235 152 51

HSL 32.93, 0.82%, 0.56%

LAB 69.72, 23.31, 62.35

 

CMYK 0 / 14 / 78 / 8

HEX #EBC933

RGB 235 201 51

HSL 48.91, 0.82%, 0.56%

LAB 81.66, -2.42, 73.26

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 0 / 39 / 90 / 27

HEX #B97112

RGB 185 113 18

HSL 34.13, 0.82%, 0.4%

LAB 54.21, 22.06, 57.58

 

CMYK 0 / 39 / 90 / 13

HEX #DE8716

RGB 222 135 22

HSL 33.9, 0.82%, 0.48%

LAB 64.09, 26.11, 66.18

 

CMYK 0 / 34 / 78 / 8

HEX #EB9B33

RGB 235 155 51

HSL 33.91, 0.82%, 0.56%

LAB 70.42, 21.72, 62.99

 

CMYK 0 / 28 / 63 / 6

HEX #EFAD58

RGB 239 173 88

HSL 33.77, 0.83%, 0.64%

LAB 75.42, 15.7, 52.24

 

CMYK 0 / 21 / 48 / 5

HEX #F2C07E

RGB 242 192 126

HSL 34.14, 0.82%, 0.72%

LAB 80.78, 9.91, 39.95

 

CMYK 0 / 34 / 77 / 8

HEX #EB9C35

RGB 235 156 53

HSL 33.96, 0.82%, 0.56%

LAB 70.66, 21.27, 62.46

 

CMYK 59 / 0 / 78 / 8

HEX #61EB33

RGB 97 235 51

HSL 105, 0.82%, 0.56%

LAB 83.02, -67.62, 71.54

 

CMYK 67 / 78 / 0 / 8

HEX #4E33EB

RGB 78 51 235

HSL 248.8, 0.82%, 0.56%

LAB 37.82, 62.02, -87.31

 

CMYK 0 / 34 / 77 / 8

HEX #EB9C35

RGB 235 156 53

HSL 33.96, 0.82%, 0.56%

LAB 70.66, 21.27, 62.46

 

CMYK 78 / 0 / 35 / 8

HEX #33EB98

RGB 51 235 152

HSL 152.93, 0.82%, 0.56%

LAB 83.12, -63.01, 27.88

 

CMYK 35 / 78 / 0 / 8

HEX #9833EB

RGB 152 51 235

HSL 272.93, 0.82%, 0.56%

LAB 45.69, 71.19, -74.08

 

CMYK 0 / 34 / 77 / 8

HEX #EB9C35

RGB 235 156 53

HSL 33.96, 0.82%, 0.56%

LAB 70.66, 21.27, 62.46

 

CMYK 59 / 0 / 78 / 8

HEX #61EB33

RGB 97 235 51

HSL 105, 0.82%, 0.56%

LAB 83.02, -67.62, 71.54

 

CMYK 78 / 43 / 0 / 8

HEX #3386EB

RGB 51 134 235

HSL 212.93, 0.82%, 0.56%

LAB 55.84, 10.22, -58.01

 

CMYK 20 / 78 / 0 / 8

HEX #BD33EB

RGB 189 51 235

HSL 285, 0.82%, 0.56%

LAB 50.9, 77.25, -65.38

 

CMYK 0 / 34 / 77 / 8

HEX #EB9C35

RGB 235 156 53

HSL 33.96, 0.82%, 0.56%

LAB 70.66, 21.27, 62.46

 

CMYK 78 / 0 / 74 / 8

HEX #33EB3C

RGB 51 235 60

HSL 122.93, 0.82%, 0.56%

LAB 82.08, -75.33, 67.53

 

CMYK 78 / 43 / 0 / 8

HEX #3386EB

RGB 51 134 235

HSL 212.93, 0.82%, 0.56%

LAB 55.84, 10.22, -58.01

 

CMYK 0 / 78 / 4 / 8

HEX #EB33E2

RGB 235 51 226

HSL 302.93, 0.82%, 0.56%

LAB 57.58, 84.24, -49.21

 

Description

Color code: HEX #EB9C35 | qconv.com Color code: HEX #EB9C35 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 156 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 156 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 77% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - トナーの専門店 COPITTO - Ya...
Link: http://store.shopping.yahoo.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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