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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DBEB33 it is the complementary color #2414CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DBEB33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DBEB33 shade: #E0EB2E, #F1FD41, #FFFF54, #FFFF67 and #FFFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DBEB33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DBEB33 shade: #DBEB33, #CAD920, #B9C70D, #A8B500 and #97A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DBEB33 shade: #DBEB33, #EBC933, #EB9833, #EB6633 and #EB3433

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DBEB33 shade: #DBEB33, #A9EB33, #78EB33, #46EB33 and #33EB51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DBEB33 shade matches the following richer shades: #DBEB33 and #EAFD21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DBEB33 shade: #DBEB33, #CCD945, #BDC657, #AEB469 and #9FA27B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DBEB33 shade: #EB9833, #EBC933, #DBEB33, #AAEB33 and #79EB33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DBEB33 shade: #AAB912, #CDDE16, #DBEB33, #E1EF58 and #E8F27E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DBEB33 shade: #DBEB33, #33EB67 and #B133EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DBEB33 shade: #DBEB33, #33DBEB and #EB33DB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DBEB33 shade: #DBEB33, #33EB67, #4233EB and #EB33B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DBEB33 shade: #DBEB33, #33EB9E, #4233EB and #EB337F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

Complementary color

CMYK 82 / 90 / 0 / 20

HEX #2414CC

RGB 36 20 204

HSL 245.22, 0.82%, 0.44%

LAB 27.39, 62.93, -86.85

 

CMYK 5 / 0 / 80 / 8

HEX #E0EB2E

RGB 224 235 46

HSL 63.49, 0.83%, 0.55%

LAB 89.61, -24.06, 81.29

 

CMYK 5 / 0 / 74 / 1

HEX #F1FD41

RGB 241 253 65

HSL 63.83, 0.98%, 0.62%

LAB 95.72, -25.01, 81.99

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF54

RGB 255 255 84

HSL 60, 1%, 0.66%

LAB 97.4, -19.47, 77.66

 

CMYK 0 / 0 / 60 / 0

HEX #FFFF67

RGB 255 255 103

HSL 60, 1%, 0.7%

LAB 97.53, -18.38, 70.5

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7A

RGB 255 255 122

HSL 60, 1%, 0.74%

LAB 97.71, -17.02, 62.59

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 7 / 0 / 85 / 15

HEX #CAD920

RGB 202 217 32

HSL 64.86, 0.74%, 0.49%

LAB 83.07, -24.92, 78.27

 

CMYK 7 / 0 / 93 / 22

HEX #B9C70D

RGB 185 199 13

HSL 64.52, 0.88%, 0.42%

LAB 76.79, -23.71, 75.78

 

CMYK 7 / 0 / 100 / 29

HEX #A8B500

RGB 168 181 0

HSL 64.31, 1%, 0.35%

LAB 70.44, -22.32, 71.82

 

CMYK 7 / 0 / 100 / 36

HEX #97A300

RGB 151 163 0

HSL 64.42, 1%, 0.32%

LAB 63.98, -20.74, 66.45

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 0 / 14 / 78 / 8

HEX #EBC933

RGB 235 201 51

HSL 48.91, 0.82%, 0.56%

LAB 81.66, -2.42, 73.26

 

CMYK 0 / 35 / 78 / 8

HEX #EB9833

RGB 235 152 51

HSL 32.93, 0.82%, 0.56%

LAB 69.72, 23.31, 62.35

 

CMYK 0 / 57 / 78 / 8

HEX #EB6633

RGB 235 102 51

HSL 16.63, 0.82%, 0.56%

LAB 59.35, 48.7, 52.41

 

CMYK 0 / 78 / 78 / 8

HEX #EB3433

RGB 235 52 51

HSL 0.33, 0.82%, 0.56%

LAB 52.24, 67.92, 45.28

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 28 / 0 / 78 / 8

HEX #A9EB33

RGB 169 235 51

HSL 81.52, 0.82%, 0.56%

LAB 86.05, -45.42, 75.45

 

CMYK 49 / 0 / 78 / 8

HEX #78EB33

RGB 120 235 51

HSL 97.5, 0.82%, 0.56%

LAB 83.78, -61.59, 72.53

 

CMYK 70 / 0 / 78 / 8

HEX #46EB33

RGB 70 235 51

HSL 113.8, 0.82%, 0.56%

LAB 82.36, -73.13, 70.68

 

CMYK 78 / 0 / 66 / 8

HEX #33EB51

RGB 51 235 81

HSL 129.78, 0.82%, 0.56%

LAB 82.23, -73.54, 60.02

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 8 / 0 / 87 / 1

HEX #EAFD21

RGB 234 253 33

HSL 65.18, 0.98%, 0.56%

LAB 95.1, -28.78, 88.85

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 6 / 0 / 68 / 15

HEX #CCD945

RGB 204 217 69

HSL 65.27, 0.66%, 0.56%

LAB 83.39, -22.65, 67.85

 

CMYK 5 / 0 / 56 / 22

HEX #BDC657

RGB 189 198 87

HSL 64.86, 0.49%, 0.56%

LAB 77.22, -18.26, 53.51

 

CMYK 3 / 0 / 42 / 29

HEX #AEB469

RGB 174 180 105

HSL 64.8, 0.33%, 0.56%

LAB 71.32, -13.54, 37.47

 

CMYK 2 / 0 / 24 / 36

HEX #9FA27B

RGB 159 162 123

HSL 64.62, 0.17%, 0.56%

LAB 65.47, -7.75, 19.98

 

CMYK 0 / 35 / 78 / 8

HEX #EB9833

RGB 235 152 51

HSL 32.93, 0.82%, 0.56%

LAB 69.72, 23.31, 62.35

 

CMYK 0 / 14 / 78 / 8

HEX #EBC933

RGB 235 201 51

HSL 48.91, 0.82%, 0.56%

LAB 81.66, -2.42, 73.26

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 28 / 0 / 78 / 8

HEX #AAEB33

RGB 170 235 51

HSL 81.2, 0.82%, 0.56%

LAB 86.11, -45.06, 75.52

 

CMYK 49 / 0 / 78 / 8

HEX #79EB33

RGB 121 235 51

HSL 97.17, 0.82%, 0.56%

LAB 83.82, -61.3, 72.58

 

CMYK 8 / 0 / 90 / 27

HEX #AAB912

RGB 170 185 18

HSL 65.39, 0.82%, 0.4%

LAB 71.75, -23.17, 70.67

 

CMYK 8 / 0 / 90 / 13

HEX #CDDE16

RGB 205 222 22

HSL 65.1, 0.82%, 0.48%

LAB 84.63, -26.27, 81.35

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 6 / 0 / 63 / 6

HEX #E1EF58

RGB 225 239 88

HSL 65.56, 0.83%, 0.64%

LAB 90.98, -23.62, 68.87

 

CMYK 4 / 0 / 48 / 5

HEX #E8F27E

RGB 232 242 126

HSL 65.17, 0.82%, 0.72%

LAB 92.65, -19.38, 54.39

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 78 / 0 / 56 / 8

HEX #33EB67

RGB 51 235 103

HSL 136.96, 0.82%, 0.56%

LAB 82.43, -71.01, 50.84

 

CMYK 25 / 78 / 0 / 8

HEX #B133EB

RGB 177 51 235

HSL 281.09, 0.82%, 0.56%

LAB 49.15, 75.21, -68.31

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 78 / 7 / 0 / 8

HEX #33DBEB

RGB 51 219 235

HSL 185.22, 0.82%, 0.56%

LAB 80.38, -35.54, -19.74

 

CMYK 0 / 78 / 7 / 8

HEX #EB33DB

RGB 235 51 219

HSL 305.22, 0.82%, 0.56%

LAB 57.22, 83.22, -45.83

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 78 / 0 / 56 / 8

HEX #33EB67

RGB 51 235 103

HSL 136.96, 0.82%, 0.56%

LAB 82.43, -71.01, 50.84

 

CMYK 72 / 78 / 0 / 8

HEX #4233EB

RGB 66 51 235

HSL 244.89, 0.82%, 0.56%

LAB 36.97, 61.04, -88.73

 

CMYK 0 / 78 / 22 / 8

HEX #EB33B7

RGB 235 51 183

HSL 316.96, 0.82%, 0.56%

LAB 55.53, 78.44, -27.83

 

CMYK 7 / 0 / 78 / 8

HEX #DBEB33

RGB 219 235 51

HSL 65.22, 0.82%, 0.56%

LAB 89.26, -25.94, 79.55

 

CMYK 78 / 0 / 33 / 8

HEX #33EB9E

RGB 51 235 158

HSL 154.89, 0.82%, 0.56%

LAB 83.23, -61.81, 24.95

 

CMYK 72 / 78 / 0 / 8

HEX #4233EB

RGB 66 51 235

HSL 244.89, 0.82%, 0.56%

LAB 36.97, 61.04, -88.73

 

CMYK 0 / 78 / 46 / 8

HEX #EB337F

RGB 235 51 127

HSL 335.22, 0.82%, 0.56%

LAB 53.56, 72.59, 2.27

 

Description

Color code: HEX #DBEB33 | qconv.com Color code: HEX #DBEB33 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 235 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 235 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 78 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 78% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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