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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB975C it is the complementary color #1468A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB975C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB975C shade: #F09757, #FFA96A, #FFBB7D, #FFCD90 and #FFDFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB975C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB975C shade: #EB975C, #DA8549, #C97336, #B86123 and #A74F10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB975C shade: #EB975C, #EB705C and #EB5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB975C shade: #EB975C, #EBBD5C, #EBE45C, #CBEB5C and #A4EB5C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB975C shade matches the following richer shades: #EB975C and #FA944D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB975C shade: #EB975C, #DC996A, #CD9C79, #BE9E88 and #AFA197

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB975C shade: #EB5C6F, #EB6F5C, #EB955C, #EBBB5C and #EBE15C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB975C shade: #D9691B, #E67F37, #EB975C, #EFAE80 and #F4C6A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB975C shade: #EB975C, #95EB5C and #5C5CEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB975C shade: #EB975C, #5CEB95 and #955CEB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB975C shade: #EB975C, #95EB5C, #5CB2EB and #B25CEB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB975C shade: #EB975C, #6AEB5C, #5CB2EB and #DC5CEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

Complementary color

CMYK 88 / 36 / 0 / 36

HEX #1468A3

RGB 20 104 163

HSL 204.76, 0.78%, 0.36%

LAB 42.3, -1.5, -38.39

 

CMYK 0 / 37 / 64 / 6

HEX #F09757

RGB 240 151 87

HSL 25.1, 0.84%, 0.64%

LAB 70.42, 27.67, 47.03

 

CMYK 0 / 34 / 58 / 0

HEX #FFA96A

RGB 255 169 106

HSL 25.37, 1%, 0.71%

LAB 76.48, 25.54, 45.09

 

CMYK 0 / 27 / 51 / 0

HEX #FFBB7D

RGB 255 187 125

HSL 28.62, 1%, 0.75%

LAB 80.89, 17.63, 40.87

 

CMYK 0 / 20 / 44 / 0

HEX #FFCD90

RGB 255 205 144

HSL 32.97, 1%, 0.78%

LAB 85.47, 10.04, 37.02

 

CMYK 0 / 13 / 36 / 0

HEX #FFDFA3

RGB 255 223 163

HSL 39.13, 1%, 0.82%

LAB 90.17, 2.82, 33.49

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 0 / 39 / 67 / 15

HEX #DA8549

RGB 218 133 73

HSL 24.83, 0.66%, 0.57%

LAB 63.48, 27.39, 45.37

 

CMYK 0 / 43 / 73 / 21

HEX #C97336

RGB 201 115 54

HSL 24.9, 0.58%, 0.5%

LAB 57.02, 28.99, 47.03

 

CMYK 0 / 47 / 81 / 28

HEX #B86123

RGB 184 97 35

HSL 24.97, 0.68%, 0.43%

LAB 50.52, 30.8, 48.5

 

CMYK 0 / 53 / 90 / 35

HEX #A74F10

RGB 167 79 16

HSL 25.03, 0.83%, 0.36%

LAB 44.01, 32.8, 49.24

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 0 / 52 / 61 / 8

HEX #EB705C

RGB 235 112 92

HSL 8.39, 0.78%, 0.64%

LAB 61.67, 46, 33.68

 

CMYK 0 / 61 / 61 / 8

HEX #EB5C5C

RGB 235 92 92

HSL 0, 0.78%, 0.64%

LAB 58.12, 55.27, 29.18

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 0 / 20 / 61 / 8

HEX #EBBD5C

RGB 235 189 92

HSL 40.7, 0.78%, 0.64%

LAB 78.94, 5.87, 54.25

 

CMYK 0 / 3 / 61 / 8

HEX #EBE45C

RGB 235 228 92

HSL 57.06, 0.78%, 0.64%

LAB 88.89, -13.99, 65.24

 

CMYK 14 / 0 / 61 / 8

HEX #CBEB5C

RGB 203 235 92

HSL 73.43, 0.78%, 0.64%

LAB 88.39, -30.14, 64.02

 

CMYK 30 / 0 / 61 / 8

HEX #A4EB5C

RGB 164 235 92

HSL 89.79, 0.78%, 0.64%

LAB 86.05, -44.61, 60.77

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 0 / 41 / 69 / 2

HEX #FA944D

RGB 250 148 77

HSL 24.62, 0.95%, 0.64%

LAB 70.9, 32.68, 52.81

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 0 / 30 / 52 / 14

HEX #DC996A

RGB 220 153 106

HSL 24.74, 0.62%, 0.64%

LAB 68.78, 19.91, 34.65

 

CMYK 0 / 24 / 41 / 20

HEX #CD9C79

RGB 205 156 121

HSL 25, 0.46%, 0.64%

LAB 68.12, 13.71, 25.38

 

CMYK 0 / 17 / 28 / 25

HEX #BE9E88

RGB 190 158 136

HSL 24.44, 0.29%, 0.64%

LAB 67.41, 8.51, 15.92

 

CMYK 0 / 8 / 14 / 31

HEX #AFA197

RGB 175 161 151

HSL 25, 0.13%, 0.64%

LAB 67.16, 3.37, 7.04

 

CMYK 0 / 61 / 53 / 8

HEX #EB5C6F

RGB 235 92 111

HSL 352.03, 0.78%, 0.64%

LAB 58.48, 56.65, 18.66

 

CMYK 0 / 53 / 61 / 8

HEX #EB6F5C

RGB 235 111 92

HSL 7.97, 0.78%, 0.64%

LAB 61.48, 46.48, 33.45

 

CMYK 0 / 37 / 61 / 8

HEX #EB955C

RGB 235 149 92

HSL 23.92, 0.78%, 0.64%

LAB 69.42, 27.03, 43.17

 

CMYK 0 / 20 / 61 / 8

HEX #EBBB5C

RGB 235 187 92

HSL 39.86, 0.78%, 0.64%

LAB 78.45, 6.92, 53.69

 

CMYK 0 / 4 / 61 / 8

HEX #EBE15C

RGB 235 225 92

HSL 55.8, 0.78%, 0.64%

LAB 88.11, -12.51, 64.4

 

CMYK 0 / 52 / 88 / 15

HEX #D9691B

RGB 217 105 27

HSL 24.63, 0.78%, 0.48%

LAB 57.01, 39.76, 59.04

 

CMYK 0 / 45 / 76 / 10

HEX #E67F37

RGB 230 127 55

HSL 24.69, 0.78%, 0.56%

LAB 63.57, 34.54, 54.53

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 0 / 27 / 46 / 6

HEX #EFAE80

RGB 239 174 128

HSL 24.86, 0.78%, 0.72%

LAB 76.18, 18.39, 32.93

 

CMYK 0 / 19 / 32 / 4

HEX #F4C6A5

RGB 244 198 165

HSL 25.06, 0.78%, 0.8%

LAB 83.09, 11.79, 22.72

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 37 / 0 / 61 / 8

HEX #95EB5C

RGB 149 235 92

HSL 96.08, 0.78%, 0.64%

LAB 85.29, -49.71, 59.72

 

CMYK 61 / 61 / 0 / 8

HEX #5C5CEB

RGB 92 92 235

HSL 240, 0.78%, 0.64%

LAB 46.88, 41.61, -72.39

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 61 / 0 / 37 / 8

HEX #5CEB95

RGB 92 235 149

HSL 143.92, 0.78%, 0.64%

LAB 83.89, -57.3, 30.59

 

CMYK 37 / 61 / 0 / 8

HEX #955CEB

RGB 149 92 235

HSL 263.92, 0.78%, 0.64%

LAB 51.88, 52.37, -64.04

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 37 / 0 / 61 / 8

HEX #95EB5C

RGB 149 235 92

HSL 96.08, 0.78%, 0.64%

LAB 85.29, -49.71, 59.72

 

CMYK 61 / 24 / 0 / 8

HEX #5CB2EB

RGB 92 178 235

HSL 203.92, 0.78%, 0.64%

LAB 69.55, -9.25, -36.28

 

CMYK 24 / 61 / 0 / 8

HEX #B25CEB

RGB 178 92 235

HSL 276.08, 0.78%, 0.64%

LAB 55.19, 58.82, -58.55

 

CMYK 0 / 36 / 61 / 8

HEX #EB975C

RGB 235 151 92

HSL 24.76, 0.78%, 0.64%

LAB 69.87, 25.97, 43.71

 

CMYK 55 / 0 / 61 / 8

HEX #6AEB5C

RGB 106 235 92

HSL 114.13, 0.78%, 0.64%

LAB 83.58, -62.21, 57.33

 

CMYK 61 / 24 / 0 / 8

HEX #5CB2EB

RGB 92 178 235

HSL 203.92, 0.78%, 0.64%

LAB 69.55, -9.25, -36.28

 

CMYK 6 / 61 / 0 / 8

HEX #DC5CEB

RGB 220 92 235

HSL 293.71, 0.78%, 0.64%

LAB 60.67, 68.65, -49.5

 

Description

Color code: HEX #EB975C | qconv.com Color code: HEX #EB975C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 151 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 151 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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