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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 52 / 61 / 8 it is the complementary color CMYK 88 / 13 / 0 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 52 / 61 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 52 / 61 / 8: CMYK 0 / 53 / 64 / 6, CMYK 0 / 49 / 59 / 0, CMYK 0 / 42 / 51 / 0, CMYK 0 / 35 / 44 / 0 and CMYK 0 / 27 / 36 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 52 / 61 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 52 / 61 / 8: CMYK 0 / 52 / 61 / 8, CMYK 0 / 56 / 67 / 15, CMYK 0 / 62 / 74 / 21, CMYK 0 / 68 / 82 / 28 and CMYK 0 / 75 / 91 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

Complementary color

CMYK 88 / 13 / 0 / 36

HEX #148EA4

RGB 20 142 164

HSL 189.17, 0.78%, 0.36%

LAB 54.21, -22.8, -20.4

 

CMYK 0 / 53 / 64 / 6

HEX #F07156

RGB 240 113 86

HSL 10.52, 0.84%, 0.64%

LAB 62.51, 46.96, 38.18

 

CMYK 0 / 49 / 59 / 0

HEX #FF8369

RGB 255 131 105

HSL 10.4, 1%, 0.71%

LAB 68.4, 44.91, 35.62

 

CMYK 0 / 42 / 51 / 0

HEX #FF957C

RGB 255 149 124

HSL 11.45, 1%, 0.74%

LAB 72.37, 37.33, 30.43

 

CMYK 0 / 35 / 44 / 0

HEX #FFA78F

RGB 255 167 143

HSL 12.86, 1%, 0.78%

LAB 76.61, 29.79, 25.81

 

CMYK 0 / 27 / 36 / 0

HEX #FFB9A2

RGB 255 185 162

HSL 14.84, 1%, 0.82%

LAB 81.05, 22.43, 21.68

 

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

CMYK 0 / 56 / 67 / 15

HEX #DA5F48

RGB 218 95 72

HSL 9.45, 0.66%, 0.57%

LAB 55.64, 46.74, 36.8

 

CMYK 0 / 62 / 74 / 21

HEX #C94D35

RGB 201 77 53

HSL 9.73, 0.58%, 0.5%

LAB 49.47, 48.02, 39.43

 

CMYK 0 / 68 / 82 / 28

HEX #B83B22

RGB 184 59 34

HSL 10, 0.69%, 0.43%

LAB 43.41, 49.14, 42.25

 

CMYK 0 / 75 / 91 / 35

HEX #A7290F

RGB 167 41 15

HSL 10.26, 0.84%, 0.36%

LAB 37.55, 49.89, 44.76

 

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

CMYK 0 / 42 / 61 / 8

HEX #EA885B

RGB 234 136 91

HSL 18.88, 0.77%, 0.64%

LAB 66.41, 33.4, 40.03

 

CMYK 0 / 32 / 61 / 8

HEX #EAA05B

RGB 234 160 91

HSL 28.95, 0.77%, 0.64%

LAB 71.82, 20.72, 46.49

 

CMYK 0 / 21 / 61 / 8

HEX #EAB85B

RGB 234 184 91

HSL 39.02, 0.77%, 0.64%

LAB 77.6, 8.01, 53.16

 

CMYK 0 / 11 / 61 / 8

HEX #EAD05B

RGB 234 208 91

HSL 49.09, 0.77%, 0.64%

LAB 83.63, -4.43, 59.92

 

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

CMYK 0 / 52 / 61 / 88

HEX #1F0F0C

RGB 31 15 12

HSL 9.47, 0.44%, 0.08%

LAB 5.96, 7.19, 4.08

 

CMYK 0 / 52 / 61 / 68

HEX #522720

RGB 82 39 32

HSL 8.4, 0.44%, 0.22%

LAB 21.39, 19.25, 13.73

 

CMYK 0 / 52 / 61 / 48

HEX #854034

RGB 133 64 52

HSL 8.89, 0.44%, 0.36%

LAB 35.79, 28.46, 21.04

 

CMYK 0 / 52 / 61 / 28

HEX #B85847

RGB 184 88 71

HSL 9.03, 0.44%, 0.5%

LAB 49.04, 37.42, 28.1

 

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

CMYK 21 / 0 / 61 / 8

HEX #B8EA5B

RGB 184 234 91

HSL 80.98, 0.77%, 0.64%

LAB 86.89, -37, 62.45

 

CMYK 61 / 46 / 0 / 8

HEX #5B7FEA

RGB 91 127 234

HSL 224.9, 0.77%, 0.64%

LAB 55.42, 19.82, -58.03

 

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

CMYK 61 / 0 / 52 / 8

HEX #5BEA71

RGB 91 234 113

HSL 129.23, 0.77%, 0.64%

LAB 83.05, -62.8, 47.17

 

CMYK 52 / 61 / 0 / 8

HEX #715BEA

RGB 113 91 234

HSL 249.23, 0.77%, 0.64%

LAB 48.18, 45.45, -69.65

 

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

CMYK 21 / 0 / 61 / 8

HEX #B8EA5B

RGB 184 234 91

HSL 80.98, 0.77%, 0.64%

LAB 86.89, -37, 62.45

 

CMYK 61 / 9 / 0 / 8

HEX #5BD5EA

RGB 91 213 234

HSL 188.81, 0.77%, 0.64%

LAB 79.47, -27.8, -20.51

 

CMYK 40 / 61 / 0 / 8

HEX #8D5BEA

RGB 141 91 234

HSL 260.98, 0.77%, 0.64%

LAB 50.79, 50.95, -65.3

 

CMYK 0 / 52 / 61 / 8

HEX #EB715B

RGB 235 113 91

HSL 9.17, 0.78%, 0.64%

LAB 61.85, 45.44, 34.46

 

CMYK 40 / 0 / 61 / 8

HEX #8DEA5B

RGB 141 234 91

HSL 99.02, 0.77%, 0.64%

LAB 84.62, -51.97, 59.29

 

CMYK 61 / 9 / 0 / 8

HEX #5BD5EA

RGB 91 213 234

HSL 188.81, 0.77%, 0.64%

LAB 79.47, -27.8, -20.51

 

CMYK 21 / 61 / 0 / 8

HEX #B85BEA

RGB 184 91 234

HSL 279.02, 0.77%, 0.64%

LAB 55.7, 60.46, -57.14

 

Description

Color code: CMYK 0 / 52 / 61 / 8 | qconv.com Color code: CMYK 0 / 52 / 61 / 8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 113 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 113 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 61 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 61% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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