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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5BEC it is the complementary color #14A413. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5BEC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5BEC shade: #F05BE7, #FF6DFA, #FF7FFF, #FF91FF and #FFA3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5BEC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5BEC shade: #EB5BEC, #DA49D9, #C937C6, #B825B3 and #A713A0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5BEC shade: #EB5BEC, #EC5BC6, #EC5B9E, #EC5B77 and #EC5B5B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5BEC shade: #EB5BEC, #C45BEC, #9D5BEC, #755BEC and #5B5BEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5BEC shade matches the following richer shades: #EB5BEC and #F94CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5BEC shade: #EB5BEC, #DC6ADD, #CD78CE, #BF87BF and #B096B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5BEC shade: #9C5BEC, #C35BEC, #E95BEC, #EC5BC7 and #EC5BA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5BEC shade: #D91ADA, #E636E7, #EB5BEC, #EF80F0 and #F4A5F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5BEC shade: #EB5BEC, #EC755B and #5BECAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5BEC shade: #EB5BEC, #ECE95B and #5BECE9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5BEC shade: #EB5BEC, #EC755B, #5DEC5B and #5BD1EC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5BEC shade: #EB5BEC, #ECA15B, #5DEC5B and #5BA6EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

Complementary color

CMYK 88 / 0 / 88 / 36

HEX #14A413

RGB 20 164 19

HSL 119.59, 0.79%, 0.36%

LAB 58.74, -60.11, 56.97

 

CMYK 0 / 62 / 4 / 6

HEX #F05BE7

RGB 240 91 231

HSL 303.62, 0.83%, 0.65%

LAB 63.16, 73.17, -43.15

 

CMYK 0 / 57 / 2 / 0

HEX #FF6DFA

RGB 255 109 250

HSL 302.05, 1%, 0.71%

LAB 68.82, 72.55, -44.61

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 36 / 0 / 0

HEX #FFA3FF

RGB 255 163 255

HSL 300, 1%, 0.82%

LAB 78.85, 47.76, -31.73

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 73 / 1 / 21

HEX #C937C6

RGB 201 55 198

HSL 301.23, 0.57%, 0.5%

LAB 50.95, 71.99, -44.1

 

CMYK 0 / 80 / 3 / 28

HEX #B825B3

RGB 184 37 179

HSL 302.04, 0.67%, 0.43%

LAB 45.32, 70.63, -42.14

 

CMYK 0 / 89 / 4 / 35

HEX #A713A0

RGB 167 19 160

HSL 302.84, 0.8%, 0.36%

LAB 39.95, 68.22, -39.54

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 61 / 16 / 7

HEX #EC5BC6

RGB 236 91 198

HSL 315.72, 0.79%, 0.64%

LAB 61.13, 67.18, -27.78

 

CMYK 0 / 61 / 33 / 7

HEX #EC5B9E

RGB 236 91 158

HSL 332.28, 0.79%, 0.64%

LAB 59.69, 62, -6.97

 

CMYK 0 / 61 / 50 / 7

HEX #EC5B77

RGB 236 91 119

HSL 348.41, 0.79%, 0.64%

LAB 58.65, 58.07, 14.26

 

CMYK 0 / 61 / 61 / 7

HEX #EC5B5B

RGB 236 91 91

HSL 0, 0.79%, 0.64%

LAB 58.1, 55.97, 29.77

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 17 / 61 / 0 / 7

HEX #C45BEC

RGB 196 91 236

HSL 283.45, 0.79%, 0.64%

LAB 57.34, 63.64, -55.54

 

CMYK 33 / 61 / 0 / 7

HEX #9D5BEC

RGB 157 91 236

HSL 267.31, 0.79%, 0.64%

LAB 52.63, 54.86, -63.36

 

CMYK 50 / 61 / 0 / 7

HEX #755BEC

RGB 117 91 236

HSL 250.76, 0.79%, 0.64%

LAB 48.66, 46.77, -69.97

 

CMYK 61 / 61 / 0 / 7

HEX #5B5BEC

RGB 91 91 236

HSL 240, 0.79%, 0.64%

LAB 46.66, 42.37, -73.31

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 1 / 70 / 0 / 2

HEX #F94CFB

RGB 249 76 251

HSL 299.31, 0.96%, 0.64%

LAB 63.57, 83.71, -53.51

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 52 / 0 / 13

HEX #DC6ADD

RGB 220 106 221

HSL 299.48, 0.63%, 0.64%

LAB 62.29, 59.94, -39.12

 

CMYK 0 / 42 / 0 / 19

HEX #CD78CE

RGB 205 120 206

HSL 299.3, 0.47%, 0.64%

LAB 62.4, 46.02, -30.68

 

CMYK 0 / 29 / 0 / 25

HEX #BF87BF

RGB 191 135 191

HSL 300, 0.3%, 0.64%

LAB 63.48, 30.71, -20.7

 

CMYK 0 / 15 / 0 / 31

HEX #B096B0

RGB 176 150 176

HSL 300, 0.14%, 0.64%

LAB 65.1, 14.34, -9.95

 

CMYK 34 / 61 / 0 / 7

HEX #9C5BEC

RGB 156 91 236

HSL 266.9, 0.79%, 0.64%

LAB 52.52, 54.64, -63.55

 

CMYK 17 / 61 / 0 / 7

HEX #C35BEC

RGB 195 91 236

HSL 283.03, 0.79%, 0.64%

LAB 57.21, 63.41, -55.76

 

CMYK 1 / 61 / 0 / 7

HEX #E95BEC

RGB 233 91 236

HSL 298.76, 0.79%, 0.64%

LAB 62.39, 72.32, -47.21

 

CMYK 0 / 61 / 16 / 7

HEX #EC5BC7

RGB 236 91 199

HSL 315.31, 0.79%, 0.64%

LAB 61.17, 67.32, -28.29

 

CMYK 0 / 61 / 32 / 7

HEX #EC5BA1

RGB 236 91 161

HSL 331.03, 0.79%, 0.64%

LAB 59.79, 62.35, -8.57

 

CMYK 0 / 88 / 0 / 15

HEX #D91ADA

RGB 217 26 218

HSL 299.69, 0.79%, 0.48%

LAB 52.46, 84.68, -53.01

 

CMYK 0 / 77 / 0 / 9

HEX #E636E7

RGB 230 54 231

HSL 299.66, 0.79%, 0.56%

LAB 57.3, 83.26, -52.52

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 47 / 0 / 6

HEX #EF80F0

RGB 239 128 240

HSL 299.46, 0.79%, 0.72%

LAB 69.53, 57.98, -38.17

 

CMYK 0 / 32 / 0 / 4

HEX #F4A5F4

RGB 244 165 244

HSL 300, 0.78%, 0.8%

LAB 77.68, 41.39, -27.71

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 50 / 61 / 7

HEX #EC755B

RGB 236 117 91

HSL 10.76, 0.79%, 0.64%

LAB 62.77, 43.84, 35.63

 

CMYK 61 / 0 / 26 / 7

HEX #5BECAF

RGB 91 236 175

HSL 154.76, 0.79%, 0.64%

LAB 84.64, -52.83, 18.25

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 1 / 61 / 7

HEX #ECE95B

RGB 236 233 91

HSL 58.76, 0.79%, 0.64%

LAB 90.26, -16.11, 67.15

 

CMYK 61 / 0 / 1 / 7

HEX #5BECE9

RGB 91 236 233

HSL 178.76, 0.79%, 0.64%

LAB 86.06, -38.93, -10.09

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 50 / 61 / 7

HEX #EC755B

RGB 236 117 91

HSL 10.76, 0.79%, 0.64%

LAB 62.77, 43.84, 35.63

 

CMYK 61 / 0 / 61 / 7

HEX #5DEC5B

RGB 93 236 91

HSL 119.17, 0.79%, 0.64%

LAB 83.48, -65.71, 57.54

 

CMYK 61 / 11 / 0 / 7

HEX #5BD1EC

RGB 91 209 236

HSL 191.17, 0.79%, 0.64%

LAB 78.39, -25.26, -23.22

 

CMYK 0 / 61 / 0 / 7

HEX #EB5BEC

RGB 235 91 236

HSL 299.59, 0.79%, 0.64%

LAB 62.68, 72.79, -46.74

 

CMYK 0 / 32 / 61 / 7

HEX #ECA15B

RGB 236 161 91

HSL 28.97, 0.79%, 0.64%

LAB 72.28, 21.01, 47.09

 

CMYK 61 / 0 / 61 / 7

HEX #5DEC5B

RGB 93 236 91

HSL 119.17, 0.79%, 0.64%

LAB 83.48, -65.71, 57.54

 

CMYK 61 / 30 / 0 / 7

HEX #5BA6EC

RGB 91 166 236

HSL 208.97, 0.79%, 0.64%

LAB 66.18, -2.47, -42.09

 

Description

Color code: HEX #EB5BEC | qconv.com Color code: HEX #EB5BEC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 91 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 91 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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