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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA49D9 it is the complementary color #25B626. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA49D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA49D9 shade: #DF49D4, #F05BE7, #FF6DFA, #FF7FFF and #FF91FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA49D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA49D9 shade: #DA49D9, #C937C6, #B825B3, #A713A0 and #96018D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA49D9 shade: #DA49D9, #DA49B2, #DA498B, #DA4964 and #DA4949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA49D9 shade: #DA49D9, #B449DA, #8D49DA, #6649DA and #4949DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA49D9 shade matches the following richer shades: #DA49D9, #EB37EA and #FD25FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA49D9 shade: #DA49D9, #C85BC7, #B66CB6, #A47EA4 and #939093

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA49D9 shade: #8D49DA, #B349DA, #DA49DA, #DA49B3 and #DA498D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA49D9 shade: #AD23AC, #CF2ACE, #DA49D9, #E16BE0 and #E88DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA49D9 shade: #DA49D9, #DA6649 and #49DAA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA49D9 shade: #DA49D9, #DADA49 and #49DADA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA49D9 shade: #DA49D9, #DA6649, #49DA49 and #49BDDA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA49D9 shade: #DA49D9, #DA9149, #49DA49 and #4991DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

Complementary color

CMYK 80 / 0 / 79 / 29

HEX #25B626

RGB 37 182 38

HSL 120.41, 0.66%, 0.43%

LAB 64.95, -62.66, 57.76

 

CMYK 0 / 67 / 5 / 13

HEX #DF49D4

RGB 223 73 212

HSL 304.4, 0.7%, 0.58%

LAB 57.28, 72.98, -41.89

 

CMYK 0 / 62 / 4 / 6

HEX #F05BE7

RGB 240 91 231

HSL 303.62, 0.83%, 0.65%

LAB 63.16, 73.17, -43.15

 

CMYK 0 / 57 / 2 / 0

HEX #FF6DFA

RGB 255 109 250

HSL 302.05, 1%, 0.71%

LAB 68.82, 72.55, -44.61

 

CMYK 0 / 50 / 0 / 0

HEX #FF7FFF

RGB 255 127 255

HSL 300, 1%, 0.75%

LAB 72, 65.41, -42.36

 

CMYK 0 / 43 / 0 / 0

HEX #FF91FF

RGB 255 145 255

HSL 300, 1%, 0.78%

LAB 75.28, 56.81, -37.25

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 73 / 1 / 21

HEX #C937C6

RGB 201 55 198

HSL 301.23, 0.57%, 0.5%

LAB 50.95, 71.99, -44.1

 

CMYK 0 / 80 / 3 / 28

HEX #B825B3

RGB 184 37 179

HSL 302.04, 0.67%, 0.43%

LAB 45.32, 70.63, -42.14

 

CMYK 0 / 89 / 4 / 35

HEX #A713A0

RGB 167 19 160

HSL 302.84, 0.8%, 0.36%

LAB 39.95, 68.22, -39.54

 

CMYK 0 / 99 / 6 / 41

HEX #96018D

RGB 150 1 141

HSL 303.62, 0.99%, 0.3%

LAB 34.86, 64.66, -36.24

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B2

RGB 218 73 178

HSL 316.55, 0.66%, 0.57%

LAB 54.95, 66.76, -26.05

 

CMYK 0 / 67 / 36 / 15

HEX #DA498B

RGB 218 73 139

HSL 332.69, 0.66%, 0.57%

LAB 53.53, 61.92, -5.29

 

CMYK 0 / 67 / 54 / 15

HEX #DA4964

RGB 218 73 100

HSL 348.83, 0.66%, 0.57%

LAB 52.5, 58.27, 16.53

 

CMYK 0 / 67 / 67 / 15

HEX #DA4949

RGB 218 73 73

HSL 0, 0.66%, 0.57%

LAB 52.01, 56.49, 31.85

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 17 / 67 / 0 / 15

HEX #B449DA

RGB 180 73 218

HSL 284.28, 0.66%, 0.57%

LAB 51.3, 64.35, -55.18

 

CMYK 35 / 67 / 0 / 15

HEX #8D49DA

RGB 141 73 218

HSL 268.14, 0.66%, 0.57%

LAB 46.3, 56.14, -63.5

 

CMYK 53 / 67 / 0 / 15

HEX #6649DA

RGB 102 73 218

HSL 252, 0.66%, 0.57%

LAB 42.23, 48.93, -70.29

 

CMYK 67 / 67 / 0 / 15

HEX #4949DA

RGB 73 73 218

HSL 240, 0.66%, 0.57%

LAB 39.99, 44.66, -74.06

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 77 / 0 / 8

HEX #EB37EA

RGB 235 55 234

HSL 300.33, 0.82%, 0.57%

LAB 58.35, 84.42, -52.47

 

CMYK 0 / 85 / 0 / 1

HEX #FD25FC

RGB 253 37 252

HSL 300.28, 0.98%, 0.57%

LAB 60.99, 94.05, -58.13

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 55 / 0 / 22

HEX #C85BC7

RGB 200 91 199

HSL 300.55, 0.5%, 0.57%

LAB 55.97, 57.69, -36.76

 

CMYK 0 / 41 / 0 / 29

HEX #B66CB6

RGB 182 108 182

HSL 300, 0.34%, 0.57%

LAB 56.14, 40.84, -26.94

 

CMYK 0 / 23 / 0 / 36

HEX #A47EA4

RGB 164 126 164

HSL 300, 0.17%, 0.57%

LAB 57.55, 21.38, -14.6

 

CMYK 0 / 2 / 0 / 42

HEX #939093

RGB 147 144 147

HSL 300, 0.01%, 0.57%

LAB 60.12, 1.68, -1.2

 

CMYK 35 / 67 / 0 / 15

HEX #8D49DA

RGB 141 73 218

HSL 268.14, 0.66%, 0.57%

LAB 46.3, 56.14, -63.5

 

CMYK 18 / 67 / 0 / 15

HEX #B349DA

RGB 179 73 218

HSL 283.86, 0.66%, 0.57%

LAB 51.16, 64.13, -55.41

 

CMYK 0 / 67 / 0 / 15

HEX #DA49DA

RGB 218 73 218

HSL 300, 0.66%, 0.57%

LAB 56.81, 72.79, -46.07

 

CMYK 0 / 67 / 18 / 15

HEX #DA49B3

RGB 218 73 179

HSL 316.14, 0.66%, 0.57%

LAB 55, 66.9, -26.56

 

CMYK 0 / 67 / 35 / 15

HEX #DA498D

RGB 218 73 141

HSL 331.86, 0.66%, 0.57%

LAB 53.59, 62.14, -6.38

 

CMYK 0 / 80 / 1 / 32

HEX #AD23AC

RGB 173 35 172

HSL 300.43, 0.66%, 0.41%

LAB 42.86, 67.84, -42.02

 

CMYK 0 / 80 / 0 / 19

HEX #CF2ACE

RGB 207 42 206

HSL 300.36, 0.66%, 0.49%

LAB 51.13, 78.04, -48.37

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 52 / 0 / 12

HEX #E16BE0

RGB 225 107 224

HSL 300.51, 0.66%, 0.65%

LAB 63.26, 61.33, -39.22

 

CMYK 0 / 39 / 0 / 9

HEX #E88DE7

RGB 232 141 231

HSL 300.66, 0.66%, 0.73%

LAB 70.85, 47.84, -31.24

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 53 / 67 / 15

HEX #DA6649

RGB 218 102 73

HSL 12, 0.66%, 0.57%

LAB 56.97, 43.41, 37.82

 

CMYK 67 / 0 / 27 / 15

HEX #49DAA0

RGB 73 218 160

HSL 156, 0.66%, 0.57%

LAB 78.52, -51.9, 17.49

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 0 / 67 / 15

HEX #DADA49

RGB 218 218 73

HSL 60, 0.66%, 0.57%

LAB 84.76, -17.16, 68.08

 

CMYK 67 / 0 / 0 / 15

HEX #49DADA

RGB 73 218 218

HSL 180, 0.66%, 0.57%

LAB 79.97, -37.48, -11.27

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 53 / 67 / 15

HEX #DA6649

RGB 218 102 73

HSL 12, 0.66%, 0.57%

LAB 56.97, 43.41, 37.82

 

CMYK 67 / 0 / 67 / 15

HEX #49DA49

RGB 73 218 73

HSL 120, 0.66%, 0.57%

LAB 77.3, -65.49, 58

 

CMYK 67 / 13 / 0 / 15

HEX #49BDDA

RGB 73 189 218

HSL 192, 0.66%, 0.57%

LAB 71.47, -23.48, -24.1

 

CMYK 0 / 67 / 0 / 15

HEX #DA49D9

RGB 218 73 217

HSL 300.41, 0.66%, 0.57%

LAB 56.76, 72.63, -45.59

 

CMYK 0 / 33 / 67 / 15

HEX #DA9149

RGB 218 145 73

HSL 29.79, 0.66%, 0.57%

LAB 66.24, 20.96, 48.48

 

CMYK 67 / 0 / 67 / 15

HEX #49DA49

RGB 73 218 73

HSL 120, 0.66%, 0.57%

LAB 77.3, -65.49, 58

 

CMYK 67 / 33 / 0 / 15

HEX #4991DA

RGB 73 145 218

HSL 210.21, 0.66%, 0.57%

LAB 58.72, 0.52, -43.9

 

Description

Color code: HEX #DA49D9 | qconv.com Color code: HEX #DA49D9 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 73 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 73 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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