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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB5591 it is the complementary color #14AA6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB5591. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB5591 shade: #F0558C, #FF679F, #FF79B2, #FF8BC5 and #FF9DD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB5591. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB5591 shade: #EB5591, #DA437E, #C9316B, #B81F58 and #A70D45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB5591 shade: #EB5692, #EB566A and #EB5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB5591 shade: #EB5692, #EB56BA, #EB56E2, #CC56EB and #A456EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB5591 shade matches the following richer shades: #EB5692 and #FA478F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB5591 shade: #EB5692, #DC6595, #CD7598, #BD849B and #AE939E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB5591 shade: #EB56E1, #EB56B9, #EB5692, #EB566A and #EB6A56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB5591 shade: #D61965, #E7317A, #EB5692, #F07BAA and #F4A0C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB5591 shade: #EB5591, #EBCD56 and #56CDEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB5591 shade: #EB5591, #92EB56 and #5692EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB5591 shade: #EB5591, #EBCD56, #56EBB0 and #5674EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB5591 shade: #EB5591, #DCEB56, #56EBB0 and #6556EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 64 / 38 / 8

HEX #EB5591

RGB 235 85 145

HSL 336, 0.79%, 0.63%

LAB 58.23, 62.75, -1.58

 

Complementary color

CMYK 88 / 0 / 35 / 33

HEX #14AA6E

RGB 20 170 110

HSL 156, 0.79%, 0.37%

LAB 61.67, -50.48, 20.95

 

CMYK 0 / 65 / 42 / 6

HEX #F0558C

RGB 240 85 140

HSL 338.71, 0.84%, 0.64%

LAB 58.9, 63.72, 2.42

 

CMYK 0 / 60 / 38 / 0

HEX #FF679F

RGB 255 103 159

HSL 337.89, 1%, 0.7%

LAB 64.53, 62.72, -0.08

 

CMYK 0 / 53 / 30 / 0

HEX #FF79B2

RGB 255 121 178

HSL 334.48, 1%, 0.74%

LAB 68.13, 56.82, -5.59

 

CMYK 0 / 45 / 23 / 0

HEX #FF8BC5

RGB 255 139 197

HSL 330, 1%, 0.77%

LAB 72.07, 50.63, -10.36

 

CMYK 0 / 38 / 15 / 0

HEX #FF9DD8

RGB 255 157 216

HSL 323.88, 1%, 0.81%

LAB 76.27, 44.35, -14.52

 

CMYK 0 / 64 / 38 / 8

HEX #EB5591

RGB 235 85 145

HSL 336, 0.79%, 0.63%

LAB 58.23, 62.75, -1.58

 

CMYK 0 / 69 / 42 / 15

HEX #DA437E

RGB 218 67 126

HSL 336.56, 0.67%, 0.56%

LAB 52.32, 62.85, 0.69

 

CMYK 0 / 76 / 47 / 21

HEX #C9316B

RGB 201 49 107

HSL 337.11, 0.61%, 0.49%

LAB 46.55, 62.46, 3.48

 

CMYK 0 / 83 / 52 / 28

HEX #B81F58

RGB 184 31 88

HSL 337.65, 0.71%, 0.42%

LAB 41.02, 61.32, 6.99

 

CMYK 0 / 92 / 59 / 35

HEX #A70D45

RGB 167 13 69

HSL 338.18, 0.86%, 0.35%

LAB 35.85, 59.05, 11.44

 

CMYK 0 / 63 / 38 / 8

HEX #EB5692

RGB 235 86 146

HSL 335.84, 0.79%, 0.63%

LAB 58.41, 62.45, -1.9

 

CMYK 0 / 63 / 55 / 8

HEX #EB566A

RGB 235 86 106

HSL 351.95, 0.79%, 0.63%

LAB 57.42, 58.81, 20.15

 

CMYK 0 / 63 / 63 / 8

HEX #EB5656

RGB 235 86 86

HSL 0, 0.79%, 0.63%

LAB 57.07, 57.46, 31.28

 

CMYK 0 / 63 / 38 / 8

HEX #EB5692

RGB 235 86 146

HSL 335.84, 0.79%, 0.63%

LAB 58.41, 62.45, -1.9

 

CMYK 0 / 63 / 21 / 8

HEX #EB56BA

RGB 235 86 186

HSL 319.73, 0.79%, 0.63%

LAB 59.76, 67.27, -23.04

 

CMYK 0 / 63 / 4 / 8

HEX #EB56E2

RGB 235 86 226

HSL 303.62, 0.79%, 0.63%

LAB 61.49, 73.13, -43.03

 

CMYK 13 / 63 / 0 / 8

HEX #CC56EB

RGB 204 86 235

HSL 287.52, 0.79%, 0.63%

LAB 57.55, 67.48, -54.59

 

CMYK 30 / 63 / 0 / 8

HEX #A456EB

RGB 164 86 235

HSL 271.41, 0.79%, 0.63%

LAB 52.45, 58.61, -63.05

 

CMYK 0 / 63 / 38 / 8

HEX #EB5692

RGB 235 86 146

HSL 335.84, 0.79%, 0.63%

LAB 58.41, 62.45, -1.9

 

CMYK 0 / 72 / 43 / 2

HEX #FA478F

RGB 250 71 143

HSL 335.87, 0.95%, 0.63%

LAB 58.8, 71.94, 0.73

 

CMYK 0 / 63 / 38 / 8

HEX #EB5692

RGB 235 86 146

HSL 335.84, 0.79%, 0.63%

LAB 58.41, 62.45, -1.9

 

CMYK 0 / 54 / 32 / 14

HEX #DC6595

RGB 220 101 149

HSL 335.8, 0.63%, 0.63%

LAB 58.69, 51.49, -3.5

 

CMYK 0 / 43 / 26 / 20

HEX #CD7598

RGB 205 117 152

HSL 336.14, 0.47%, 0.63%

LAB 59.86, 38.77, -3.74

 

CMYK 0 / 30 / 18 / 26

HEX #BD849B

RGB 189 132 155

HSL 335.79, 0.3%, 0.63%

LAB 61.38, 25.36, -3.44

 

CMYK 0 / 16 / 9 / 32

HEX #AE939E

RGB 174 147 158

HSL 335.56, 0.14%, 0.63%

LAB 63.62, 11.96, -2.03

 

CMYK 0 / 63 / 4 / 8

HEX #EB56E1

RGB 235 86 225

HSL 304.03, 0.79%, 0.63%

LAB 61.44, 72.98, -42.54

 

CMYK 0 / 63 / 21 / 8

HEX #EB56B9

RGB 235 86 185

HSL 320.13, 0.79%, 0.63%

LAB 59.73, 67.14, -22.52

 

CMYK 0 / 63 / 38 / 8

HEX #EB5692

RGB 235 86 146

HSL 335.84, 0.79%, 0.63%

LAB 58.41, 62.45, -1.9

 

CMYK 0 / 63 / 55 / 8

HEX #EB566A

RGB 235 86 106

HSL 351.95, 0.79%, 0.63%

LAB 57.42, 58.81, 20.15

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 88 / 53 / 16

HEX #D61965

RGB 214 25 101

HSL 335.87, 0.79%, 0.47%

LAB 46.88, 70.99, 8

 

CMYK 0 / 79 / 47 / 9

HEX #E7317A

RGB 231 49 122

HSL 335.93, 0.79%, 0.55%

LAB 52.5, 71.68, 3.65

 

CMYK 0 / 63 / 38 / 8

HEX #EB5692

RGB 235 86 146

HSL 335.84, 0.79%, 0.63%

LAB 58.41, 62.45, -1.9

 

CMYK 0 / 49 / 29 / 6

HEX #F07BAA

RGB 240 123 170

HSL 335.9, 0.8%, 0.71%

LAB 66.21, 50.02, -4.14

 

CMYK 0 / 34 / 20 / 4

HEX #F4A0C2

RGB 244 160 194

HSL 335.71, 0.79%, 0.79%

LAB 74.99, 35.78, -4.5

 

CMYK 0 / 64 / 38 / 8

HEX #EB5591

RGB 235 85 145

HSL 336, 0.79%, 0.63%

LAB 58.23, 62.75, -1.58

 

CMYK 0 / 13 / 63 / 8

HEX #EBCD56

RGB 235 205 86

HSL 47.92, 0.79%, 0.63%

LAB 82.91, -2.8, 61.33

 

CMYK 63 / 13 / 0 / 8

HEX #56CDEB

RGB 86 205 235

HSL 192.08, 0.79%, 0.63%

LAB 77.06, -24.38, -24.72

 

CMYK 0 / 64 / 38 / 8

HEX #EB5591

RGB 235 85 145

HSL 336, 0.79%, 0.63%

LAB 58.23, 62.75, -1.58

 

CMYK 38 / 0 / 63 / 8

HEX #92EB56

RGB 146 235 86

HSL 95.84, 0.79%, 0.63%

LAB 85.1, -51.21, 61.95

 

CMYK 63 / 38 / 0 / 8

HEX #5692EB

RGB 86 146 235

HSL 215.84, 0.79%, 0.63%

LAB 60.37, 7.87, -50.71

 

CMYK 0 / 64 / 38 / 8

HEX #EB5591

RGB 235 85 145

HSL 336, 0.79%, 0.63%

LAB 58.23, 62.75, -1.58

 

CMYK 0 / 13 / 63 / 8

HEX #EBCD56

RGB 235 205 86

HSL 47.92, 0.79%, 0.63%

LAB 82.91, -2.8, 61.33

 

CMYK 63 / 0 / 25 / 8

HEX #56EBB0

RGB 86 235 176

HSL 156.24, 0.79%, 0.63%

LAB 84.24, -53.11, 17.15

 

CMYK 63 / 51 / 0 / 8

HEX #5674EB

RGB 86 116 235

HSL 227.92, 0.79%, 0.63%

LAB 52.36, 26.03, -63.52

 

CMYK 0 / 64 / 38 / 8

HEX #EB5591

RGB 235 85 145

HSL 336, 0.79%, 0.63%

LAB 58.23, 62.75, -1.58

 

CMYK 6 / 0 / 63 / 8

HEX #DCEB56

RGB 220 235 86

HSL 66.04, 0.79%, 0.63%

LAB 89.54, -23.83, 68.02

 

CMYK 63 / 0 / 25 / 8

HEX #56EBB0

RGB 86 235 176

HSL 156.24, 0.79%, 0.63%

LAB 84.24, -53.11, 17.15

 

CMYK 57 / 63 / 0 / 8

HEX #6556EB

RGB 101 86 235

HSL 246.04, 0.79%, 0.63%

LAB 46.2, 46.54, -73.47

 

Description

Color code: HEX #EB5591 | qconv.com Color code: HEX #EB5591 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 85 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 85 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 64 magenta, 38 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 64% 38% 8% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - 知ってる?不動産査定・売却の評判 | 会...
Link: http://www.merkur-volkslauf-wildon.com

77% - 神奈川県の宝くじ高額当選売場
Link: http://xn--y8js4m457md1a90jc3hxp4i.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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