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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB6A56 it is the complementary color #1495A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB6A56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB6A56 shade: #F06A51, #FF7C64, #FF8E77, #FFA08A and #FFB29D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB6A56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB6A56 shade: #EB6A56, #DA5843, #C94630, #B8341D and #A7220A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB6A56 shade: #EB6A56 and #EB5656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB6A56 shade: #EB6A56, #EB9256, #EBBB56, #EBE356 and #CBEB56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB6A56 shade matches the following richer shades: #EB6A56 and #FA5F47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB6A56 shade: #EB6A56, #DC7565, #CD8075, #BD8C84 and #AE9793

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB6A56 shade: #EB5692, #EB566A, #EB6A56, #EB9256 and #EBB956

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB6A56 shade: #D63219, #E74A31, #EB6A56, #F08B7B and #F4ABA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB6A56 shade: #EB6A56, #B9EB56 and #567EEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB6A56 shade: #EB6A56, #56EB6A and #6A56EB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB6A56 shade: #EB6A56, #B9EB56, #56D7EB and #8856EB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB6A56 shade: #EB6A56, #8DEB56, #56D7EB and #B556EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

Complementary color

CMYK 88 / 12 / 0 / 34

HEX #1495A9

RGB 20 149 169

HSL 188.05, 0.79%, 0.37%

LAB 56.59, -24.72, -19.62

 

CMYK 0 / 56 / 66 / 6

HEX #F06A51

RGB 240 106 81

HSL 9.43, 0.84%, 0.63%

LAB 61.16, 49.99, 39.26

 

CMYK 0 / 51 / 61 / 0

HEX #FF7C64

RGB 255 124 100

HSL 9.29, 1%, 0.7%

LAB 66.97, 47.99, 36.55

 

CMYK 0 / 44 / 53 / 0

HEX #FF8E77

RGB 255 142 119

HSL 10.15, 1%, 0.73%

LAB 70.83, 40.48, 31.13

 

CMYK 0 / 37 / 46 / 0

HEX #FFA08A

RGB 255 160 138

HSL 11.28, 1%, 0.77%

LAB 74.97, 32.94, 26.31

 

CMYK 0 / 30 / 38 / 0

HEX #FFB29D

RGB 255 178 157

HSL 12.86, 1%, 0.81%

LAB 79.35, 25.53, 22.01

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 60 / 69 / 15

HEX #DA5843

RGB 218 88 67

HSL 8.34, 0.67%, 0.56%

LAB 54.33, 49.73, 38.02

 

CMYK 0 / 65 / 76 / 21

HEX #C94630

RGB 201 70 48

HSL 8.63, 0.61%, 0.49%

LAB 48.27, 50.87, 40.83

 

CMYK 0 / 72 / 84 / 28

HEX #B8341D

RGB 184 52 29

HSL 8.9, 0.73%, 0.42%

LAB 42.36, 51.75, 43.76

 

CMYK 0 / 80 / 94 / 35

HEX #A7220A

RGB 167 34 10

HSL 9.17, 0.89%, 0.35%

LAB 36.71, 52.09, 46.06

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 63 / 63 / 8

HEX #EB5656

RGB 235 86 86

HSL 0, 0.79%, 0.63%

LAB 57.07, 57.46, 31.28

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 38 / 63 / 8

HEX #EB9256

RGB 235 146 86

HSL 24.16, 0.79%, 0.63%

LAB 68.67, 28.22, 45.34

 

CMYK 0 / 20 / 63 / 8

HEX #EBBB56

RGB 235 187 86

HSL 40.67, 0.79%, 0.63%

LAB 78.39, 6.53, 56.39

 

CMYK 0 / 3 / 63 / 8

HEX #EBE356

RGB 235 227 86

HSL 56.78, 0.79%, 0.63%

LAB 88.58, -13.87, 67.37

 

CMYK 14 / 0 / 63 / 8

HEX #CBEB56

RGB 203 235 86

HSL 72.89, 0.79%, 0.63%

LAB 88.35, -30.56, 66.4

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 62 / 72 / 2

HEX #FA5F47

RGB 250 95 71

HSL 8.04, 0.95%, 0.63%

LAB 60.75, 57.88, 44.57

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 47 / 54 / 14

HEX #DC7565

RGB 220 117 101

HSL 8.07, 0.63%, 0.63%

LAB 60.67, 38.58, 26.94

 

CMYK 0 / 38 / 43 / 20

HEX #CD8075

RGB 205 128 117

HSL 7.5, 0.47%, 0.63%

LAB 61.4, 28.52, 18.52

 

CMYK 0 / 26 / 30 / 26

HEX #BD8C84

RGB 189 140 132

HSL 8.42, 0.3%, 0.63%

LAB 62.71, 17.5, 11.56

 

CMYK 0 / 13 / 16 / 32

HEX #AE9793

RGB 174 151 147

HSL 8.89, 0.14%, 0.63%

LAB 64.35, 7.85, 5.24

 

CMYK 0 / 63 / 38 / 8

HEX #EB5692

RGB 235 86 146

HSL 335.84, 0.79%, 0.63%

LAB 58.41, 62.45, -1.9

 

CMYK 0 / 63 / 55 / 8

HEX #EB566A

RGB 235 86 106

HSL 351.95, 0.79%, 0.63%

LAB 57.42, 58.81, 20.15

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 38 / 63 / 8

HEX #EB9256

RGB 235 146 86

HSL 24.16, 0.79%, 0.63%

LAB 68.67, 28.22, 45.34

 

CMYK 0 / 21 / 63 / 8

HEX #EBB956

RGB 235 185 86

HSL 39.87, 0.79%, 0.63%

LAB 77.89, 7.58, 55.84

 

CMYK 0 / 77 / 88 / 16

HEX #D63219

RGB 214 50 25

HSL 7.94, 0.79%, 0.47%

LAB 47.81, 61.74, 52.41

 

CMYK 0 / 68 / 79 / 9

HEX #E74A31

RGB 231 74 49

HSL 8.24, 0.79%, 0.55%

LAB 54.14, 59.29, 48.01

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 0 / 42 / 49 / 6

HEX #F08B7B

RGB 240 139 123

HSL 8.21, 0.8%, 0.71%

LAB 68.33, 36.73, 25.28

 

CMYK 0 / 30 / 34 / 4

HEX #F4ABA0

RGB 244 171 160

HSL 7.86, 0.79%, 0.79%

LAB 76.62, 25.42, 16.43

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 21 / 0 / 63 / 8

HEX #B9EB56

RGB 185 235 86

HSL 80.13, 0.79%, 0.63%

LAB 87.19, -37.45, 64.83

 

CMYK 63 / 46 / 0 / 8

HEX #567EEB

RGB 86 126 235

HSL 223.89, 0.79%, 0.63%

LAB 54.97, 19.9, -59.33

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 63 / 0 / 55 / 8

HEX #56EB6A

RGB 86 235 106

HSL 128.05, 0.79%, 0.63%

LAB 83.14, -65.09, 50.49

 

CMYK 55 / 63 / 0 / 8

HEX #6A56EB

RGB 106 86 235

HSL 248.05, 0.79%, 0.63%

LAB 46.6, 47.36, -72.8

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 21 / 0 / 63 / 8

HEX #B9EB56

RGB 185 235 86

HSL 80.13, 0.79%, 0.63%

LAB 87.19, -37.45, 64.83

 

CMYK 63 / 9 / 0 / 8

HEX #56D7EB

RGB 86 215 235

HSL 188.05, 0.79%, 0.63%

LAB 79.94, -29.31, -20.35

 

CMYK 42 / 63 / 0 / 8

HEX #8856EB

RGB 136 86 235

HSL 260.13, 0.79%, 0.63%

LAB 49.36, 52.85, -68.19

 

CMYK 0 / 55 / 63 / 8

HEX #EB6A56

RGB 235 106 86

HSL 8.05, 0.79%, 0.63%

LAB 60.46, 48.49, 35.5

 

CMYK 40 / 0 / 63 / 8

HEX #8DEB56

RGB 141 235 86

HSL 97.85, 0.79%, 0.63%

LAB 84.87, -52.82, 61.64

 

CMYK 63 / 9 / 0 / 8

HEX #56D7EB

RGB 86 215 235

HSL 188.05, 0.79%, 0.63%

LAB 79.94, -29.31, -20.35

 

CMYK 23 / 63 / 0 / 8

HEX #B556EB

RGB 181 86 235

HSL 278.26, 0.79%, 0.63%

LAB 54.53, 62.32, -59.59

 

Description

Color code: HEX #EB6A56 | qconv.com Color code: HEX #EB6A56 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 106 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 106 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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