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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EB0EEF it is the complementary color #14F110. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EB0EEF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EB0EEF shade: #F00EEA, #FF20FD, #FF32FF, #FF44FF and #FF56FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EB0EEF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EB0EEF shade: #EB0EEF, #DA00DC, #C900C9, #B800B6 and #A700A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EB0EEF shade: #ED0EF1, #F10EB8, #F10E7B, #F10E3D and #F10E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EB0EEF shade: #ED0EF1, #B00EF1, #730EF1, #350EF1 and #0E0EF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EB0EEF shade matches the following richer shades: #ED0EF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EB0EEF shade: #ED0EF1, #D923DC, #C537C8, #B14CB3 and #9D619E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EB0EEF shade: #700EF1, #AD0EF1, #E90EF1, #F10EBC and #F10E80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EB0EEF shade: #A009A3, #C70CCA, #ED0EF1, #F035F3 and #F35CF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EB0EEF shade: #EB0EEF, #F1340E and #0EF18F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EB0EEF shade: #EB0EEF, #F1E90E and #0EF1E9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EB0EEF shade: #EB0EEF, #F1340E, #16F10E and #0ECBF1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EB0EEF shade: #EB0EEF, #F1780E, #16F10E and #0E87F1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 94 / 0 / 6

HEX #EB0EEF

RGB 235 14 239

HSL 298.93, 0.89%, 0.5%

LAB 56.3, 92, -58.56

 

Complementary color

CMYK 92 / 0 / 93 / 5

HEX #14F110

RGB 20 241 16

HSL 118.93, 0.89%, 0.5%

LAB 83.49, -81.61, 78.42

 

CMYK 0 / 94 / 3 / 6

HEX #F00EEA

RGB 240 14 234

HSL 301.59, 0.89%, 0.5%

LAB 56.86, 92.1, -54.8

 

CMYK 0 / 87 / 1 / 0

HEX #FF20FD

RGB 255 32 253

HSL 300.54, 1%, 0.56%

LAB 61.12, 95.28, -58.46

 

CMYK 0 / 80 / 0 / 0

HEX #FF32FF

RGB 255 50 255

HSL 300, 1%, 0.6%

LAB 62.31, 92.42, -57.67

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EEF

RGB 235 14 239

HSL 298.93, 0.89%, 0.5%

LAB 56.3, 92, -58.56

 

CMYK 1 / 100 / 0 / 14

HEX #DA00DC

RGB 218 0 220

HSL 299.45, 1%, 0.43%

LAB 51.92, 87.57, -55

 

CMYK 0 / 100 / 0 / 21

HEX #C900C9

RGB 201 0 201

HSL 300, 1%, 0.39%

LAB 47.8, 82.13, -50.86

 

CMYK 0 / 100 / 1 / 28

HEX #B800B6

RGB 184 0 182

HSL 300.65, 1%, 0.36%

LAB 43.61, 76.6, -46.63

 

CMYK 0 / 100 / 2 / 35

HEX #A700A3

RGB 167 0 163

HSL 301.44, 1%, 0.33%

LAB 39.34, 70.97, -42.31

 

CMYK 2 / 94 / 0 / 5

HEX #ED0EF1

RGB 237 14 241

HSL 298.94, 0.89%, 0.5%

LAB 56.75, 92.61, -58.93

 

CMYK 0 / 94 / 24 / 5

HEX #F10EB8

RGB 241 14 184

HSL 315.07, 0.89%, 0.5%

LAB 54.53, 85.94, -29.88

 

CMYK 0 / 94 / 49 / 5

HEX #F10E7B

RGB 241 14 123

HSL 331.19, 0.89%, 0.5%

LAB 52.34, 80.16, 3.05

 

CMYK 0 / 94 / 75 / 5

HEX #F10E3D

RGB 241 14 61

HSL 347.58, 0.89%, 0.5%

LAB 51.1, 76.78, 38.8

 

CMYK 0 / 94 / 94 / 5

HEX #F10E0E

RGB 241 14 14

HSL 0, 0.89%, 0.5%

LAB 50.74, 75.79, 60.87

 

CMYK 2 / 94 / 0 / 5

HEX #ED0EF1

RGB 237 14 241

HSL 298.94, 0.89%, 0.5%

LAB 56.75, 92.61, -58.93

 

CMYK 27 / 94 / 0 / 5

HEX #B00EF1

RGB 176 14 241

HSL 282.82, 0.89%, 0.5%

LAB 46.84, 83.88, -75.45

 

CMYK 52 / 94 / 0 / 5

HEX #730EF1

RGB 115 14 241

HSL 266.7, 0.89%, 0.5%

LAB 38.39, 77.6, -89.64

 

CMYK 78 / 94 / 0 / 5

HEX #350EF1

RGB 53 14 241

HSL 250.31, 0.89%, 0.5%

LAB 32.75, 74.34, -99.18

 

CMYK 94 / 94 / 0 / 5

HEX #0E0EF1

RGB 14 14 241

HSL 240, 0.89%, 0.5%

LAB 31.25, 73.65, -101.72

 

CMYK 2 / 94 / 0 / 5

HEX #ED0EF1

RGB 237 14 241

HSL 298.94, 0.89%, 0.5%

LAB 56.75, 92.61, -58.93

 

CMYK 2 / 94 / 0 / 5

HEX #ED0EF1

RGB 237 14 241

HSL 298.94, 0.89%, 0.5%

LAB 56.75, 92.61, -58.93

 

CMYK 1 / 84 / 0 / 14

HEX #D923DC

RGB 217 35 220

HSL 299.03, 0.73%, 0.5%

LAB 53.08, 83.48, -53.15

 

CMYK 1 / 73 / 0 / 22

HEX #C537C8

RGB 197 55 200

HSL 298.76, 0.57%, 0.5%

LAB 50.42, 71.46, -46.13

 

CMYK 1 / 58 / 0 / 30

HEX #B14CB3

RGB 177 76 179

HSL 298.83, 0.4%, 0.5%

LAB 49.22, 54.93, -36.04

 

CMYK 1 / 39 / 0 / 38

HEX #9D619E

RGB 157 97 158

HSL 299.02, 0.24%, 0.5%

LAB 49.72, 34.28, -23.13

 

CMYK 54 / 94 / 0 / 5

HEX #700EF1

RGB 112 14 241

HSL 265.9, 0.89%, 0.5%

LAB 38.04, 77.37, -90.24

 

CMYK 28 / 94 / 0 / 5

HEX #AD0EF1

RGB 173 14 241

HSL 282.03, 0.89%, 0.5%

LAB 46.38, 83.5, -76.22

 

CMYK 3 / 94 / 0 / 5

HEX #E90EF1

RGB 233 14 241

HSL 297.89, 0.89%, 0.5%

LAB 56.08, 91.98, -60.05

 

CMYK 0 / 94 / 22 / 5

HEX #F10EBC

RGB 241 14 188

HSL 314.01, 0.89%, 0.5%

LAB 54.71, 86.4, -31.93

 

CMYK 0 / 94 / 47 / 5

HEX #F10E80

RGB 241 14 128

HSL 329.87, 0.89%, 0.5%

LAB 52.48, 80.55, 0.23

 

CMYK 2 / 94 / 0 / 36

HEX #A009A3

RGB 160 9 163

HSL 298.83, 0.9%, 0.34%

LAB 38.4, 68.78, -43.89

 

CMYK 1 / 94 / 0 / 21

HEX #C70CCA

RGB 199 12 202

HSL 299.05, 0.89%, 0.42%

LAB 47.84, 80.96, -51.39

 

CMYK 2 / 94 / 0 / 5

HEX #ED0EF1

RGB 237 14 241

HSL 298.94, 0.89%, 0.5%

LAB 56.75, 92.61, -58.93

 

CMYK 1 / 78 / 0 / 5

HEX #F035F3

RGB 240 53 243

HSL 299.05, 0.89%, 0.58%

LAB 59.47, 87.22, -55.67

 

CMYK 1 / 63 / 0 / 4

HEX #F35CF6

RGB 243 92 246

HSL 298.83, 0.9%, 0.66%

LAB 64.45, 75.91, -49.4

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EEF

RGB 235 14 239

HSL 298.93, 0.89%, 0.5%

LAB 56.3, 92, -58.56

 

CMYK 0 / 78 / 94 / 5

HEX #F1340E

RGB 241 52 14

HSL 10.04, 0.89%, 0.5%

LAB 53.16, 68.91, 62.2

 

CMYK 94 / 0 / 41 / 5

HEX #0EF18F

RGB 14 241 143

HSL 154.1, 0.89%, 0.5%

LAB 84.48, -69.35, 34.17

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EEF

RGB 235 14 239

HSL 298.93, 0.89%, 0.5%

LAB 56.3, 92, -58.56

 

CMYK 0 / 3 / 94 / 5

HEX #F1E90E

RGB 241 233 14

HSL 57.89, 0.89%, 0.5%

LAB 90.33, -16.67, 87.89

 

CMYK 94 / 0 / 3 / 5

HEX #0EF1E9

RGB 14 241 233

HSL 177.89, 0.89%, 0.5%

LAB 86.45, -48.05, -9.62

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EEF

RGB 235 14 239

HSL 298.93, 0.89%, 0.5%

LAB 56.3, 92, -58.56

 

CMYK 0 / 78 / 94 / 5

HEX #F1340E

RGB 241 52 14

HSL 10.04, 0.89%, 0.5%

LAB 53.16, 68.91, 62.2

 

CMYK 91 / 0 / 94 / 5

HEX #16F10E

RGB 22 241 14

HSL 117.89, 0.89%, 0.5%

LAB 83.5, -81.54, 78.64

 

CMYK 94 / 16 / 0 / 5

HEX #0ECBF1

RGB 14 203 241

HSL 190.04, 0.89%, 0.5%

LAB 75.55, -28.17, -30.36

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EEF

RGB 235 14 239

HSL 298.93, 0.89%, 0.5%

LAB 56.3, 92, -58.56

 

CMYK 0 / 50 / 94 / 5

HEX #F1780E

RGB 241 120 14

HSL 28.02, 0.89%, 0.5%

LAB 63.48, 41.47, 68.64

 

CMYK 91 / 0 / 94 / 5

HEX #16F10E

RGB 22 241 14

HSL 117.89, 0.89%, 0.5%

LAB 83.5, -81.54, 78.64

 

CMYK 94 / 44 / 0 / 5

HEX #0E87F1

RGB 14 135 241

HSL 208.02, 0.89%, 0.5%

LAB 55.86, 9.43, -61.34

 

Description

Color code: HEX #EB0EEF | qconv.com Color code: HEX #EB0EEF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 235 red, 14 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
235 14 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 94 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 94% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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