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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF20FD it is the complementary color #00DF02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF20FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF20FD shade: #FF20F8, #FF32FF, #FF44FF, #FF56FF and #FF68FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF20FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF20FD shade: #FF20FD, #EE0EEA, #DD00D7, #CC00C4 and #BB00B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF20FD shade: #FF1FFD, #FF1FC0, #FF1F84, #FF1F47 and #FF1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF20FD shade: #FF1FFD, #C51FFF, #881FFF, #4B1FFF and #1F1FFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF20FD shade matches the following richer shades: #FF1FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF20FD shade: #FF1FFD, #ED31EB, #DB43D9, #C955C7 and #B667B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF20FD shade: #871FFF, #C31FFF, #FF1FFF, #FF1FC3 and #FF1F87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF20FD shade: #CB00C9, #F400F2, #FF1FFD, #FF48FD and #FF71FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF20FD shade: #FF20FD, #FF4B1F and #1FFFA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF20FD shade: #FF20FD, #FFFF1F and #1FFFFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF20FD shade: #FF20FD, #FF4B1F, #1FFF1F and #1FD2FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF20FD shade: #FF20FD, #FF8F1F, #1FFF1F and #1F8FFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 1 / 0

HEX #FF20FD

RGB 255 32 253

HSL 300.54, 1%, 0.56%

LAB 61.12, 95.28, -58.46

 

Complementary color

CMYK 100 / 0 / 99 / 13

HEX #00DF02

RGB 0 223 2

HSL 120.54, 1%, 0.44%

LAB 77.74, -77.85, 74.98

 

CMYK 0 / 87 / 3 / 0

HEX #FF20F8

RGB 255 32 248

HSL 301.88, 1%, 0.56%

LAB 60.84, 94.57, -56.12

 

CMYK 0 / 80 / 0 / 0

HEX #FF32FF

RGB 255 50 255

HSL 300, 1%, 0.6%

LAB 62.31, 92.42, -57.67

 

CMYK 0 / 73 / 0 / 0

HEX #FF44FF

RGB 255 68 255

HSL 300, 1%, 0.63%

LAB 63.85, 87.96, -55.22

 

CMYK 0 / 66 / 0 / 0

HEX #FF56FF

RGB 255 86 255

HSL 300, 1%, 0.67%

LAB 65.85, 82.25, -52.03

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 87 / 1 / 0

HEX #FF20FD

RGB 255 32 253

HSL 300.54, 1%, 0.56%

LAB 61.12, 95.28, -58.46

 

CMYK 0 / 94 / 2 / 7

HEX #EE0EEA

RGB 238 14 234

HSL 301.07, 0.89%, 0.49%

LAB 56.52, 91.77, -55.37

 

CMYK 0 / 100 / 3 / 13

HEX #DD00D7

RGB 221 0 215

HSL 301.63, 1%, 0.43%

LAB 52.15, 87.34, -51.75

 

CMYK 0 / 100 / 4 / 20

HEX #CC00C4

RGB 204 0 196

HSL 302.35, 1%, 0.4%

LAB 48.04, 81.91, -47.54

 

CMYK 0 / 100 / 5 / 27

HEX #BB00B1

RGB 187 0 177

HSL 303.21, 1%, 0.37%

LAB 43.86, 76.38, -43.25

 

CMYK 0 / 88 / 1 / 0

HEX #FF1FFD

RGB 255 31 253

HSL 300.54, 1%, 0.56%

LAB 61.07, 95.41, -58.53

 

CMYK 0 / 88 / 25 / 0

HEX #FF1FC0

RGB 255 31 192

HSL 316.88, 1%, 0.56%

LAB 58.08, 87.64, -28.8

 

CMYK 0 / 88 / 48 / 0

HEX #FF1F84

RGB 255 31 132

HSL 332.95, 1%, 0.56%

LAB 55.99, 81.95, 3.27

 

CMYK 0 / 88 / 72 / 0

HEX #FF1F47

RGB 255 31 71

HSL 349.29, 1%, 0.56%

LAB 54.76, 78.46, 37.94

 

CMYK 0 / 88 / 88 / 0

HEX #FF1F1F

RGB 255 31 31

HSL 0, 1%, 0.56%

LAB 54.38, 77.39, 58.4

 

CMYK 0 / 88 / 1 / 0

HEX #FF1FFD

RGB 255 31 253

HSL 300.54, 1%, 0.56%

LAB 61.07, 95.41, -58.53

 

CMYK 23 / 88 / 0 / 0

HEX #C51FFF

RGB 197 31 255

HSL 284.46, 1%, 0.56%

LAB 51.92, 86.78, -74.87

 

CMYK 47 / 88 / 0 / 0

HEX #881FFF

RGB 136 31 255

HSL 268.13, 1%, 0.56%

LAB 43.41, 79.34, -89.14

 

CMYK 71 / 88 / 0 / 0

HEX #4B1FFF

RGB 75 31 255

HSL 251.79, 1%, 0.56%

LAB 37.29, 74.67, -99.46

 

CMYK 88 / 88 / 0 / 0

HEX #1F1FFF

RGB 31 31 255

HSL 240, 1%, 0.56%

LAB 34.99, 73.13, -103.36

 

CMYK 0 / 88 / 1 / 0

HEX #FF1FFD

RGB 255 31 253

HSL 300.54, 1%, 0.56%

LAB 61.07, 95.41, -58.53

 

CMYK 0 / 88 / 1 / 0

HEX #FF1FFD

RGB 255 31 253

HSL 300.54, 1%, 0.56%

LAB 61.07, 95.41, -58.53

 

CMYK 0 / 79 / 1 / 7

HEX #ED31EB

RGB 237 49 235

HSL 300.64, 0.84%, 0.56%

LAB 58.23, 86.41, -53.22

 

CMYK 0 / 69 / 1 / 14

HEX #DB43D9

RGB 219 67 217

HSL 300.79, 0.68%, 0.56%

LAB 56.17, 74.95, -46.51

 

CMYK 0 / 58 / 1 / 21

HEX #C955C7

RGB 201 85 199

HSL 301.03, 0.52%, 0.56%

LAB 55.11, 60.68, -38.11

 

CMYK 0 / 43 / 0 / 29

HEX #B667B6

RGB 182 103 182

HSL 300, 0.35%, 0.56%

LAB 55.1, 43.49, -28.55

 

CMYK 47 / 88 / 0 / 0

HEX #871FFF

RGB 135 31 255

HSL 267.86, 1%, 0.56%

LAB 43.29, 79.24, -89.35

 

CMYK 24 / 88 / 0 / 0

HEX #C31FFF

RGB 195 31 255

HSL 283.93, 1%, 0.56%

LAB 51.61, 86.5, -75.38

 

CMYK 0 / 88 / 0 / 0

HEX #FF1FFF

RGB 255 31 255

HSL 300, 1%, 0.56%

LAB 61.19, 95.7, -59.46

 

CMYK 0 / 88 / 24 / 0

HEX #FF1FC3

RGB 255 31 195

HSL 316.07, 1%, 0.56%

LAB 58.21, 87.98, -30.33

 

CMYK 0 / 88 / 47 / 0

HEX #FF1F87

RGB 255 31 135

HSL 332.14, 1%, 0.56%

LAB 56.08, 82.18, 1.6

 

CMYK 0 / 100 / 1 / 20

HEX #CB00C9

RGB 203 0 201

HSL 300.59, 1%, 0.4%

LAB 48.15, 82.45, -50.27

 

CMYK 0 / 100 / 1 / 4

HEX #F400F2

RGB 244 0 242

HSL 300.49, 1%, 0.48%

LAB 57.7, 94.75, -57.91

 

CMYK 0 / 88 / 1 / 0

HEX #FF1FFD

RGB 255 31 253

HSL 300.54, 1%, 0.56%

LAB 61.07, 95.41, -58.53

 

CMYK 0 / 72 / 1 / 0

HEX #FF48FD

RGB 255 72 253

HSL 300.66, 1%, 0.64%

LAB 64.15, 86.49, -53.63

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FE

RGB 255 113 254

HSL 300.42, 1%, 0.72%

LAB 69.63, 71.5, -45.53

 

CMYK 0 / 87 / 1 / 0

HEX #FF20FD

RGB 255 32 253

HSL 300.54, 1%, 0.56%

LAB 61.12, 95.28, -58.46

 

CMYK 0 / 71 / 88 / 0

HEX #FF4B1F

RGB 255 75 31

HSL 11.79, 1%, 0.56%

LAB 58.41, 66.08, 61.41

 

CMYK 88 / 0 / 35 / 0

HEX #1FFFA5

RGB 31 255 165

HSL 155.89, 1%, 0.56%

LAB 89.17, -69.14, 29.42

 

CMYK 0 / 87 / 1 / 0

HEX #FF20FD

RGB 255 32 253

HSL 300.54, 1%, 0.56%

LAB 61.12, 95.28, -58.46

 

CMYK 0 / 0 / 88 / 0

HEX #FFFF1F

RGB 255 255 31

HSL 60, 1%, 0.56%

LAB 97.18, -21.23, 91.49

 

CMYK 88 / 0 / 0 / 0

HEX #1FFFFF

RGB 31 255 255

HSL 180, 1%, 0.56%

LAB 91.25, -47.21, -13.93

 

CMYK 0 / 87 / 1 / 0

HEX #FF20FD

RGB 255 32 253

HSL 300.54, 1%, 0.56%

LAB 61.12, 95.28, -58.46

 

CMYK 0 / 71 / 88 / 0

HEX #FF4B1F

RGB 255 75 31

HSL 11.79, 1%, 0.56%

LAB 58.41, 66.08, 61.41

 

CMYK 88 / 0 / 88 / 0

HEX #1FFF1F

RGB 31 255 31

HSL 120, 1%, 0.56%

LAB 87.93, -84.28, 80.08

 

CMYK 88 / 18 / 0 / 0

HEX #1FD2FF

RGB 31 210 255

HSL 192.05, 1%, 0.56%

LAB 78.23, -26.35, -33.71

 

CMYK 0 / 87 / 1 / 0

HEX #FF20FD

RGB 255 32 253

HSL 300.54, 1%, 0.56%

LAB 61.12, 95.28, -58.46

 

CMYK 0 / 44 / 88 / 0

HEX #FF8F1F

RGB 255 143 31

HSL 30, 1%, 0.56%

LAB 70.18, 35.66, 70.39

 

CMYK 88 / 0 / 88 / 0

HEX #1FFF1F

RGB 31 255 31

HSL 120, 1%, 0.56%

LAB 87.93, -84.28, 80.08

 

CMYK 88 / 44 / 0 / 0

HEX #1F8FFF

RGB 31 143 255

HSL 210, 1%, 0.56%

LAB 59.12, 10.63, -63.82

 

Description

Color code: HEX #FF20FD | qconv.com Color code: HEX #FF20FD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 32 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 32 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 1 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 1% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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