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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAFD3E it is the complementary color #1502C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAFD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAFD3E shade: #EFFD39, #FFFF4C, #FFFF5F, #FFFF72 and #FFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAFD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAFD3E shade: #EAFD3E, #D9EB2B, #C8D918, #B7C705 and #A6B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAFD3E shade: #EAFD3F, #FDDC3F, #FDA93F, #FD763F and #FD433F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAFD3E shade: #EAFD3F, #B6FD3F, #83FD3F, #50FD3F and #3FFD60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAFD3E shade matches the following richer shades: #EAFD3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAFD3E shade: #EAFD3F, #DDED4E, #D1DD5E, #C4CE6E and #B7BE7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAFD3E shade: #FDA73F, #FDDA3F, #EDFD3F, #BAFD3F and #87FD3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAFD3E shade: #D0E702, #E5FC16, #EAFD3F, #EEFD67 and #F3FD90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAFD3E shade: #EAFD3E, #3FFD74 and #C03FFD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAFD3E shade: #EAFD3E, #3FEDFD and #FD3FED

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAFD3E shade: #EAFD3E, #3FFD74, #4E3FFD and #FD3FC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAFD3E shade: #EAFD3E, #3FFDAD, #4E3FFD and #FD3F8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 75 / 1

HEX #EAFD3E

RGB 234 253 62

HSL 65.97, 0.98%, 0.62%

LAB 95.2, -27.93, 82.21

 

Complementary color

CMYK 89 / 99 / 0 / 24

HEX #1502C1

RGB 21 2 193

HSL 245.97, 0.98%, 0.38%

LAB 23.85, 63.95, -86.33

 

CMYK 6 / 0 / 77 / 1

HEX #EFFD39

RGB 239 253 57

HSL 64.29, 0.98%, 0.61%

LAB 95.54, -26.11, 84.06

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 0 / 0 / 48 / 0

HEX #FFFF85

RGB 255 255 133

HSL 60, 1%, 0.76%

LAB 97.82, -16.11, 57.77

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3E

RGB 234 253 62

HSL 65.97, 0.98%, 0.62%

LAB 95.2, -27.93, 82.21

 

CMYK 8 / 0 / 82 / 8

HEX #D9EB2B

RGB 217 235 43

HSL 65.63, 0.83%, 0.55%

LAB 89.08, -27.01, 81.36

 

CMYK 8 / 0 / 89 / 15

HEX #C8D918

RGB 200 217 24

HSL 65.28, 0.8%, 0.47%

LAB 82.9, -25.92, 79.52

 

CMYK 8 / 0 / 97 / 22

HEX #B7C705

RGB 183 199 5

HSL 64.95, 0.95%, 0.4%

LAB 76.63, -24.65, 76.42

 

CMYK 8 / 0 / 100 / 29

HEX #A6B500

RGB 166 181 0

HSL 64.97, 1%, 0.35%

LAB 70.28, -23.18, 71.64

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 0 / 13 / 75 / 1

HEX #FDDC3F

RGB 253 220 63

HSL 49.58, 0.98%, 0.62%

LAB 88.17, -4.04, 75.97

 

CMYK 0 / 33 / 75 / 1

HEX #FDA93F

RGB 253 169 63

HSL 33.47, 0.98%, 0.62%

LAB 75.83, 22.31, 64.21

 

CMYK 0 / 53 / 75 / 1

HEX #FD763F

RGB 253 118 63

HSL 17.37, 0.98%, 0.62%

LAB 65.12, 48.2, 53.46

 

CMYK 0 / 74 / 75 / 1

HEX #FD433F

RGB 253 67 63

HSL 1.26, 0.98%, 0.62%

LAB 57.32, 69.01, 45.21

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 28 / 0 / 75 / 1

HEX #B6FD3F

RGB 182 253 63

HSL 82.42, 0.98%, 0.62%

LAB 91.93, -47.78, 77.69

 

CMYK 48 / 0 / 75 / 1

HEX #83FD3F

RGB 131 253 63

HSL 98.53, 0.98%, 0.62%

LAB 89.6, -64.36, 74.64

 

CMYK 68 / 0 / 75 / 1

HEX #50FD3F

RGB 80 253 63

HSL 114.63, 0.98%, 0.62%

LAB 88.12, -76.2, 72.7

 

CMYK 75 / 0 / 62 / 1

HEX #3FFD60

RGB 63 253 96

HSL 130.42, 0.98%, 0.62%

LAB 88.04, -76, 60.4

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 7 / 0 / 67 / 7

HEX #DDED4E

RGB 221 237 78

HSL 66.04, 0.82%, 0.62%

LAB 90.09, -24.86, 71.67

 

CMYK 5 / 0 / 57 / 13

HEX #D1DD5E

RGB 209 221 94

HSL 65.67, 0.65%, 0.62%

LAB 85.04, -20.94, 59.59

 

CMYK 5 / 0 / 47 / 19

HEX #C4CE6E

RGB 196 206 110

HSL 66.25, 0.49%, 0.62%

LAB 80.18, -17.37, 46.3

 

CMYK 4 / 0 / 34 / 25

HEX #B7BE7D

RGB 183 190 125

HSL 66.46, 0.33%, 0.62%

LAB 75.06, -12.75, 32.06

 

CMYK 0 / 34 / 75 / 1

HEX #FDA73F

RGB 253 167 63

HSL 32.84, 0.98%, 0.62%

LAB 75.38, 23.36, 63.76

 

CMYK 0 / 14 / 75 / 1

HEX #FDDA3F

RGB 253 218 63

HSL 48.95, 0.98%, 0.62%

LAB 87.67, -3.03, 75.5

 

CMYK 6 / 0 / 75 / 1

HEX #EDFD3F

RGB 237 253 63

HSL 65.05, 0.98%, 0.62%

LAB 95.42, -26.69, 82.2

 

CMYK 26 / 0 / 75 / 1

HEX #BAFD3F

RGB 186 253 63

HSL 81.16, 0.98%, 0.62%

LAB 92.15, -46.33, 77.98

 

CMYK 47 / 0 / 75 / 1

HEX #87FD3F

RGB 135 253 63

HSL 97.26, 0.98%, 0.62%

LAB 89.75, -63.21, 74.84

 

CMYK 10 / 0 / 99 / 9

HEX #D0E702

RGB 208 231 2

HSL 66.03, 0.98%, 0.46%

LAB 87.27, -29.5, 85.48

 

CMYK 9 / 0 / 91 / 1

HEX #E5FC16

RGB 229 252 22

HSL 66, 0.97%, 0.54%

LAB 94.46, -30.52, 89.79

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 6 / 0 / 59 / 1

HEX #EEFD67

RGB 238 253 103

HSL 66, 0.97%, 0.7%

LAB 95.75, -24.14, 68.2

 

CMYK 4 / 0 / 43 / 1

HEX #F3FD90

RGB 243 253 144

HSL 65.5, 0.96%, 0.78%

LAB 96.54, -18.74, 50.86

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3E

RGB 234 253 62

HSL 65.97, 0.98%, 0.62%

LAB 95.2, -27.93, 82.21

 

CMYK 75 / 0 / 54 / 1

HEX #3FFD74

RGB 63 253 116

HSL 136.74, 0.98%, 0.62%

LAB 88.24, -73.6, 51.93

 

CMYK 24 / 75 / 0 / 1

HEX #C03FFD

RGB 192 63 253

HSL 280.74, 0.98%, 0.62%

LAB 53.87, 77.38, -70.62

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3E

RGB 234 253 62

HSL 65.97, 0.98%, 0.62%

LAB 95.2, -27.93, 82.21

 

CMYK 75 / 6 / 0 / 1

HEX #3FEDFD

RGB 63 237 253

HSL 185.05, 0.98%, 0.62%

LAB 86.36, -37.42, -20.19

 

CMYK 0 / 75 / 6 / 1

HEX #FD3FED

RGB 253 63 237

HSL 305.05, 0.98%, 0.62%

LAB 62.13, 86.29, -47.98

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3E

RGB 234 253 62

HSL 65.97, 0.98%, 0.62%

LAB 95.2, -27.93, 82.21

 

CMYK 75 / 0 / 54 / 1

HEX #3FFD74

RGB 63 253 116

HSL 136.74, 0.98%, 0.62%

LAB 88.24, -73.6, 51.93

 

CMYK 69 / 75 / 0 / 1

HEX #4E3FFD

RGB 78 63 253

HSL 244.74, 0.98%, 0.62%

LAB 41.64, 61.55, -91.13

 

CMYK 0 / 75 / 21 / 1

HEX #FD3FC7

RGB 253 63 199

HSL 317.05, 0.98%, 0.62%

LAB 60.39, 81.21, -29.26

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3E

RGB 234 253 62

HSL 65.97, 0.98%, 0.62%

LAB 95.2, -27.93, 82.21

 

CMYK 75 / 0 / 32 / 1

HEX #3FFDAD

RGB 63 253 173

HSL 154.74, 0.98%, 0.62%

LAB 89.08, -64.03, 25.31

 

CMYK 69 / 75 / 0 / 1

HEX #4E3FFD

RGB 78 63 253

HSL 244.74, 0.98%, 0.62%

LAB 41.64, 61.55, -91.13

 

CMYK 0 / 75 / 44 / 1

HEX #FD3F8E

RGB 253 63 142

HSL 335.05, 0.98%, 0.62%

LAB 58.41, 75.14, 0.8

 

Description

Color code: HEX #EAFD3E | qconv.com Color code: HEX #EAFD3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 253 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 253 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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