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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C8D918 it is the complementary color #3726E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C8D918. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C8D918 shade: #CDD913, #DEEB26, #EFFD39, #FFFF4C and #FFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C8D918. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C8D918 shade: #C8D918, #B7C705, #A6B500, #95A300 and #849100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C8D918 shade: #C6D717, #D7B417, #D78117, #D74D17 and #D71917

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C8D918 shade: #C6D717, #93D717, #5FD717, #2BD717 and #17D737

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C8D918 shade matches the following richer shades: #C6D717 and #D6EB04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C8D918 shade: #C6D717, #B6C42B, #A6B03E, #969D52 and #868A65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C8D918 shade: #D78117, #D7B417, #C7D717, #94D717 and #61D717

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C8D918 shade: #828D0F, #A4B213, #C6D717, #D7E830 and #DFEC55

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C8D918 shade: #C8D918, #17D74E and #9B17D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C8D918 shade: #C8D918, #17C7D7 and #D717C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C8D918 shade: #C8D918, #17D74E, #2717D7 and #D717A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C8D918 shade: #C8D918, #17D787, #2717D7 and #D71767

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 89 / 15

HEX #C8D918

RGB 200 217 24

HSL 65.28, 0.8%, 0.47%

LAB 82.9, -25.92, 79.52

 

Complementary color

CMYK 76 / 84 / 0 / 9

HEX #3726E7

RGB 55 38 231

HSL 245.28, 0.8%, 0.53%

LAB 33.92, 64.85, -91.55

 

CMYK 6 / 0 / 91 / 15

HEX #CDD913

RGB 205 217 19

HSL 63.64, 0.84%, 0.46%

LAB 83.26, -23.92, 80.7

 

CMYK 6 / 0 / 84 / 8

HEX #DEEB26

RGB 222 235 38

HSL 63.96, 0.83%, 0.54%

LAB 89.43, -25.1, 82.91

 

CMYK 6 / 0 / 77 / 1

HEX #EFFD39

RGB 239 253 57

HSL 64.29, 0.98%, 0.61%

LAB 95.54, -26.11, 84.06

 

CMYK 0 / 0 / 70 / 0

HEX #FFFF4C

RGB 255 255 76

HSL 60, 1%, 0.65%

LAB 97.35, -19.85, 80.39

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5F

RGB 255 255 95

HSL 60, 1%, 0.69%

LAB 97.47, -18.87, 73.62

 

CMYK 8 / 0 / 89 / 15

HEX #C8D918

RGB 200 217 24

HSL 65.28, 0.8%, 0.47%

LAB 82.9, -25.92, 79.52

 

CMYK 8 / 0 / 97 / 22

HEX #B7C705

RGB 183 199 5

HSL 64.95, 0.95%, 0.4%

LAB 76.63, -24.65, 76.42

 

CMYK 8 / 0 / 100 / 29

HEX #A6B500

RGB 166 181 0

HSL 64.97, 1%, 0.35%

LAB 70.28, -23.18, 71.64

 

CMYK 9 / 0 / 100 / 36

HEX #95A300

RGB 149 163 0

HSL 65.15, 1%, 0.32%

LAB 63.82, -21.62, 66.27

 

CMYK 9 / 0 / 100 / 43

HEX #849100

RGB 132 145 0

HSL 65.38, 1%, 0.28%

LAB 57.23, -20.03, 60.78

 

CMYK 8 / 0 / 89 / 16

HEX #C6D717

RGB 198 215 23

HSL 65.31, 0.81%, 0.47%

LAB 82.2, -25.81, 79.06

 

CMYK 0 / 16 / 89 / 16

HEX #D7B417

RGB 215 180 23

HSL 49.06, 0.81%, 0.47%

LAB 74.29, -0.92, 73.44

 

CMYK 0 / 40 / 89 / 16

HEX #D78117

RGB 215 129 23

HSL 33.13, 0.81%, 0.47%

LAB 61.83, 26.37, 63.83

 

CMYK 0 / 64 / 89 / 16

HEX #D74D17

RGB 215 77 23

HSL 16.88, 0.81%, 0.47%

LAB 51.63, 52.05, 56.13

 

CMYK 0 / 88 / 89 / 16

HEX #D71917

RGB 215 25 23

HSL 0.63, 0.81%, 0.47%

LAB 45.91, 67.9, 51.93

 

CMYK 8 / 0 / 89 / 16

HEX #C6D717

RGB 198 215 23

HSL 65.31, 0.81%, 0.47%

LAB 82.2, -25.81, 79.06

 

CMYK 32 / 0 / 89 / 16

HEX #93D717

RGB 147 215 23

HSL 81.25, 0.81%, 0.47%

LAB 78.96, -45.94, 75.09

 

CMYK 56 / 0 / 89 / 16

HEX #5FD717

RGB 95 215 23

HSL 97.5, 0.81%, 0.47%

LAB 76.74, -62.45, 72.34

 

CMYK 80 / 0 / 89 / 16

HEX #2BD717

RGB 43 215 23

HSL 113.75, 0.81%, 0.47%

LAB 75.56, -72.38, 70.87

 

CMYK 89 / 0 / 74 / 16

HEX #17D737

RGB 23 215 55

HSL 130, 0.81%, 0.47%

LAB 75.49, -72.53, 62.52

 

CMYK 8 / 0 / 89 / 16

HEX #C6D717

RGB 198 215 23

HSL 65.31, 0.81%, 0.47%

LAB 82.2, -25.81, 79.06

 

CMYK 9 / 0 / 98 / 8

HEX #D6EB04

RGB 214 235 4

HSL 65.45, 0.97%, 0.47%

LAB 88.79, -28.9, 86.64

 

CMYK 8 / 0 / 89 / 16

HEX #C6D717

RGB 198 215 23

HSL 65.31, 0.81%, 0.47%

LAB 82.2, -25.81, 79.06

 

CMYK 7 / 0 / 78 / 23

HEX #B6C42B

RGB 182 196 43

HSL 65.49, 0.64%, 0.47%

LAB 75.82, -22.76, 68.75

 

CMYK 6 / 0 / 65 / 31

HEX #A6B03E

RGB 166 176 62

HSL 65.26, 0.48%, 0.47%

LAB 69.12, -18.61, 55.07

 

CMYK 4 / 0 / 48 / 38

HEX #969D52

RGB 150 157 82

HSL 65.6, 0.31%, 0.47%

LAB 62.68, -13.92, 38.13

 

CMYK 3 / 0 / 27 / 46

HEX #868A65

RGB 134 138 101

HSL 66.49, 0.15%, 0.47%

LAB 56.27, -7.96, 19.38

 

CMYK 0 / 40 / 89 / 16

HEX #D78117

RGB 215 129 23

HSL 33.13, 0.81%, 0.47%

LAB 61.83, 26.37, 63.83

 

CMYK 0 / 16 / 89 / 16

HEX #D7B417

RGB 215 180 23

HSL 49.06, 0.81%, 0.47%

LAB 74.29, -0.92, 73.44

 

CMYK 7 / 0 / 89 / 16

HEX #C7D717

RGB 199 215 23

HSL 65, 0.81%, 0.47%

LAB 82.27, -25.4, 79.15

 

CMYK 31 / 0 / 89 / 16

HEX #94D717

RGB 148 215 23

HSL 80.94, 0.81%, 0.47%

LAB 79.02, -45.57, 75.16

 

CMYK 55 / 0 / 89 / 16

HEX #61D717

RGB 97 215 23

HSL 96.88, 0.81%, 0.47%

LAB 76.8, -61.92, 72.42

 

CMYK 8 / 0 / 89 / 45

HEX #828D0F

RGB 130 141 15

HSL 65.24, 0.81%, 0.31%

LAB 55.92, -18.58, 57.18

 

CMYK 8 / 0 / 89 / 30

HEX #A4B213

RGB 164 178 19

HSL 65.28, 0.81%, 0.39%

LAB 69.31, -22.27, 68.36

 

CMYK 8 / 0 / 89 / 16

HEX #C6D717

RGB 198 215 23

HSL 65.31, 0.81%, 0.47%

LAB 82.2, -25.81, 79.06

 

CMYK 7 / 0 / 79 / 9

HEX #D7E830

RGB 215 232 48

HSL 65.54, 0.8%, 0.55%

LAB 88.15, -26.25, 79.25

 

CMYK 6 / 0 / 64 / 7

HEX #DFEC55

RGB 223 236 85

HSL 65.17, 0.8%, 0.63%

LAB 90.01, -23.17, 68.99

 

CMYK 8 / 0 / 89 / 15

HEX #C8D918

RGB 200 217 24

HSL 65.28, 0.8%, 0.47%

LAB 82.9, -25.92, 79.52

 

CMYK 89 / 0 / 64 / 16

HEX #17D74E

RGB 23 215 78

HSL 137.19, 0.81%, 0.47%

LAB 75.66, -70.38, 53.92

 

CMYK 28 / 89 / 0 / 16

HEX #9B17D7

RGB 155 23 215

HSL 281.25, 0.81%, 0.47%

LAB 41.98, 75.03, -68.72

 

CMYK 8 / 0 / 89 / 15

HEX #C8D918

RGB 200 217 24

HSL 65.28, 0.8%, 0.47%

LAB 82.9, -25.92, 79.52

 

CMYK 89 / 7 / 0 / 16

HEX #17C7D7

RGB 23 199 215

HSL 185, 0.81%, 0.47%

LAB 73.5, -34.22, -19.45

 

CMYK 0 / 89 / 7 / 16

HEX #D717C7

RGB 215 23 199

HSL 305, 0.81%, 0.47%

LAB 50.9, 82.03, -44.61

 

CMYK 8 / 0 / 89 / 15

HEX #C8D918

RGB 200 217 24

HSL 65.28, 0.8%, 0.47%

LAB 82.9, -25.92, 79.52

 

CMYK 89 / 0 / 64 / 16

HEX #17D74E

RGB 23 215 78

HSL 137.19, 0.81%, 0.47%

LAB 75.66, -70.38, 53.92

 

CMYK 82 / 89 / 0 / 16

HEX #2717D7

RGB 39 23 215

HSL 245, 0.81%, 0.47%

LAB 29.29, 65.09, -90.09

 

CMYK 0 / 89 / 25 / 16

HEX #D717A1

RGB 215 23 161

HSL 316.88, 0.81%, 0.47%

LAB 49.05, 77.19, -25.23

 

CMYK 8 / 0 / 89 / 15

HEX #C8D918

RGB 200 217 24

HSL 65.28, 0.8%, 0.47%

LAB 82.9, -25.92, 79.52

 

CMYK 89 / 0 / 37 / 16

HEX #17D787

RGB 23 215 135

HSL 155, 0.81%, 0.47%

LAB 76.39, -61.54, 27.52

 

CMYK 82 / 89 / 0 / 16

HEX #2717D7

RGB 39 23 215

HSL 245, 0.81%, 0.47%

LAB 29.29, 65.09, -90.09

 

CMYK 0 / 89 / 52 / 16

HEX #D71767

RGB 215 23 103

HSL 335, 0.81%, 0.47%

LAB 47.03, 71.69, 6.99

 

Description

Color code: HEX #C8D918 | qconv.com Color code: HEX #C8D918 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 217 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 217 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 89% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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