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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAD8AA it is the complementary color #152755. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAD8AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EAD8AA: #EFD8A5, #FFEAB8, #FFFCCB, #FFFFDE and #FFFFF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAD8AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EAD8AA: #EAD8AA, #D9C697, #C8B484, #B7A271 and #A6905E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

Complementary color

CMYK 75 / 54 / 0 / 67

HEX #152755

RGB 21 39 85

HSL 223.13, 0.6%, 0.21%

LAB 16.83, 10.58, -30.17

 

CMYK 0 / 10 / 31 / 6

HEX #EFD8A5

RGB 239 216 165

HSL 41.35, 0.7%, 0.79%

LAB 87.08, 0.53, 28.08

 

CMYK 0 / 8 / 28 / 0

HEX #FFEAB8

RGB 255 234 184

HSL 42.25, 1%, 0.86%

LAB 93.26, -0.22, 26.91

 

CMYK 0 / 1 / 20 / 0

HEX #FFFCCB

RGB 255 252 203

HSL 56.54, 1%, 0.9%

LAB 98.11, -6.7, 23.88

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDE

RGB 255 255 222

HSL 60, 1%, 0.94%

LAB 99.24, -5.41, 15.79

 

CMYK 0 / 0 / 5 / 0

HEX #FFFFF1

RGB 255 255 241

HSL 60, 1%, 0.97%

LAB 99.66, -2.38, 6.67

 

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

CMYK 0 / 9 / 30 / 15

HEX #D9C697

RGB 217 198 151

HSL 42.73, 0.46%, 0.72%

LAB 80.39, -0.35, 26.02

 

CMYK 0 / 10 / 34 / 22

HEX #C8B484

RGB 200 180 132

HSL 42.35, 0.38%, 0.65%

LAB 73.93, 0.07, 27.13

 

CMYK 0 / 11 / 38 / 28

HEX #B7A271

RGB 183 162 113

HSL 42, 0.33%, 0.58%

LAB 67.35, 0.57, 28.31

 

CMYK 0 / 13 / 43 / 35

HEX #A6905E

RGB 166 144 94

HSL 41.67, 0.29%, 0.51%

LAB 60.66, 1.15, 29.57

 

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

CMYK 0 / 3 / 27 / 9

HEX #E9E2A9

RGB 233 226 169

HSL 53.44, 0.59%, 0.79%

LAB 89.2, -6.32, 28.79

 

CMYK 1 / 0 / 27 / 9

HEX #E6E9A9

RGB 230 233 169

HSL 62.81, 0.59%, 0.79%

LAB 90.76, -10.96, 30.86

 

CMYK 6 / 0 / 27 / 9

HEX #DBE9A9

RGB 219 233 169

HSL 73.13, 0.59%, 0.79%

LAB 89.95, -15.02, 29.63

 

CMYK 11 / 0 / 27 / 9

HEX #D0E9A9

RGB 208 233 169

HSL 83.44, 0.59%, 0.79%

LAB 89.18, -19.01, 28.46

 

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

CMYK 0 / 7 / 27 / 88

HEX #1E1C16

RGB 30 28 22

HSL 45, 0.15%, 0.1%

LAB 10.29, -0.39, 4.5

 

CMYK 0 / 7 / 27 / 68

HEX #514B3B

RGB 81 75 59

HSL 43.64, 0.16%, 0.27%

LAB 32.03, -0.48, 10.46

 

CMYK 0 / 8 / 27 / 48

HEX #847A60

RGB 132 122 96

HSL 43.33, 0.16%, 0.45%

LAB 51.46, -0.56, 15.65

 

CMYK 0 / 8 / 27 / 28

HEX #B7A985

RGB 183 169 133

HSL 43.2, 0.26%, 0.62%

LAB 69.57, -0.64, 20.44

 

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

CMYK 25 / 0 / 27 / 9

HEX #AEE9A9

RGB 174 233 169

HSL 115.31, 0.59%, 0.79%

LAB 87.07, -30.76, 25.23

 

CMYK 19 / 27 / 0 / 9

HEX #BDA9E9

RGB 189 169 233

HSL 258.75, 0.59%, 0.79%

LAB 72.94, 19.93, -29.47

 

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

CMYK 27 / 0 / 8 / 9

HEX #A9E9D7

RGB 169 233 215

HSL 163.13, 0.59%, 0.79%

LAB 87.78, -23.82, 2.26

 

CMYK 8 / 27 / 0 / 9

HEX #D7A9E9

RGB 215 169 233

HSL 283.13, 0.59%, 0.79%

LAB 75.27, 28.05, -25.7

 

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

CMYK 25 / 0 / 27 / 9

HEX #AEE9A9

RGB 174 233 169

HSL 115.31, 0.59%, 0.79%

LAB 87.07, -30.76, 25.23

 

CMYK 27 / 20 / 0 / 9

HEX #A9BBE9

RGB 169 187 233

HSL 223.13, 0.59%, 0.79%

LAB 75.98, 4.01, -24.94

 

CMYK 2 / 27 / 0 / 9

HEX #E4A9E9

RGB 228 169 233

HSL 295.31, 0.59%, 0.79%

LAB 76.53, 32.2, -23.66

 

CMYK 0 / 8 / 27 / 8

HEX #EAD8AA

RGB 234 216 170

HSL 43.13, 0.6%, 0.79%

LAB 86.75, -0.72, 24.97

 

CMYK 27 / 0 / 21 / 9

HEX #A9E9B7

RGB 169 233 183

HSL 133.13, 0.59%, 0.79%

LAB 87.06, -29.99, 17.94

 

CMYK 27 / 20 / 0 / 9

HEX #A9BBE9

RGB 169 187 233

HSL 223.13, 0.59%, 0.79%

LAB 75.98, 4.01, -24.94

 

CMYK 0 / 27 / 6 / 9

HEX #E9A9DB

RGB 233 169 219

HSL 313.13, 0.59%, 0.79%

LAB 76.57, 31.3, -15.95

 

Description

Color code: HEX #EAD8AA | qconv.com Color code: HEX #EAD8AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 216 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 216 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 27 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 27% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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