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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EAAF7E it is the complementary color #155081. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EAAF7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EAAF7E shade: #EFAF79, #FFC18C, #FFD39F, #FFE5B2 and #FFF7C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EAAF7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EAAF7E shade: #EAAF7E, #D99D6B, #C88B58, #B77945 and #A66732

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EAAF7E shade: #EAB07F, #EA937F and #EA7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EAAF7E shade: #EAB07F, #EACC7F, #EAE97F, #CEEA7F and #B1EA7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EAAF7E shade matches the following richer shades: #EAB07F and #F6AF73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EAAF7E shade: #EAB07F, #DEB18B, #D2B297, #C6B3A3 and #BAB4AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EAAF7E shade: #EA7F88, #EA937F, #EAAF7F, #EACC7F and #EAE87F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EAAF7E shade: #DE8438, #E49A5C, #EAB07F, #F0C6A3 and #F5DCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EAAF7E shade: #EAAF7E, #A5EA7F and #857FEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EAAF7E shade: #EAAF7E, #7FEAAF and #AF7FEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EAAF7E shade: #EAAF7E, #A5EA7F, #7FBAEA and #C57FEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EAAF7E shade: #EAAF7E, #85EA7F, #7FBAEA and #E47FEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 46 / 8

HEX #EAAF7E

RGB 234 175 126

HSL 27.22, 0.72%, 0.71%

LAB 75.86, 15.67, 33.46

 

Complementary color

CMYK 84 / 38 / 0 / 49

HEX #155081

RGB 21 80 129

HSL 207.22, 0.72%, 0.29%

LAB 32.88, 0.29, -32.79

 

CMYK 0 / 27 / 49 / 6

HEX #EFAF79

RGB 239 175 121

HSL 27.46, 0.79%, 0.71%

LAB 76.31, 17.2, 36.77

 

CMYK 0 / 24 / 45 / 0

HEX #FFC18C

RGB 255 193 140

HSL 27.65, 1%, 0.77%

LAB 82.54, 15.89, 35.26

 

CMYK 0 / 17 / 38 / 0

HEX #FFD39F

RGB 255 211 159

HSL 32.5, 1%, 0.81%

LAB 87.17, 8.54, 31.54

 

CMYK 0 / 10 / 30 / 0

HEX #FFE5B2

RGB 255 229 178

HSL 39.74, 1%, 0.85%

LAB 91.91, 1.55, 28.16

 

CMYK 0 / 3 / 23 / 0

HEX #FFF7C5

RGB 255 247 197

HSL 51.72, 1%, 0.89%

LAB 96.74, -5.04, 25.05

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7E

RGB 234 175 126

HSL 27.22, 0.72%, 0.71%

LAB 75.86, 15.67, 33.46

 

CMYK 0 / 28 / 51 / 15

HEX #D99D6B

RGB 217 157 107

HSL 27.27, 0.59%, 0.64%

LAB 69.42, 16.63, 34.86

 

CMYK 0 / 31 / 56 / 22

HEX #C88B58

RGB 200 139 88

HSL 27.32, 0.5%, 0.56%

LAB 62.88, 17.72, 36.36

 

CMYK 0 / 34 / 62 / 28

HEX #B77945

RGB 183 121 69

HSL 27.37, 0.45%, 0.49%

LAB 56.26, 19, 37.95

 

CMYK 0 / 38 / 70 / 35

HEX #A66732

RGB 166 103 50

HSL 27.41, 0.54%, 0.42%

LAB 49.54, 20.49, 39.59

 

CMYK 0 / 25 / 46 / 8

HEX #EAB07F

RGB 234 176 127

HSL 27.48, 0.72%, 0.71%

LAB 76.12, 15.24, 33.27

 

CMYK 0 / 37 / 46 / 8

HEX #EA937F

RGB 234 147 127

HSL 11.21, 0.72%, 0.71%

LAB 69.39, 30.64, 24.37

 

CMYK 0 / 46 / 46 / 8

HEX #EA7F7F

RGB 234 127 127

HSL 0, 0.72%, 0.71%

LAB 65.12, 41.04, 18.57

 

CMYK 0 / 25 / 46 / 8

HEX #EAB07F

RGB 234 176 127

HSL 27.48, 0.72%, 0.71%

LAB 76.12, 15.24, 33.27

 

CMYK 0 / 13 / 46 / 8

HEX #EACC7F

RGB 234 204 127

HSL 43.18, 0.72%, 0.71%

LAB 83.03, 0.54, 42.12

 

CMYK 0 / 0 / 46 / 8

HEX #EAE97F

RGB 234 233 127

HSL 59.44, 0.72%, 0.71%

LAB 90.46, -14.11, 51.31

 

CMYK 12 / 0 / 46 / 8

HEX #CEEA7F

RGB 206 234 127

HSL 75.7, 0.72%, 0.71%

LAB 88.69, -25.42, 48.68

 

CMYK 24 / 0 / 46 / 8

HEX #B1EA7F

RGB 177 234 127

HSL 91.96, 0.72%, 0.71%

LAB 86.86, -36.05, 46.02

 

CMYK 0 / 25 / 46 / 8

HEX #EAB07F

RGB 234 176 127

HSL 27.48, 0.72%, 0.71%

LAB 76.12, 15.24, 33.27

 

CMYK 0 / 29 / 53 / 4

HEX #F6AF73

RGB 246 175 115

HSL 27.48, 0.88%, 0.71%

LAB 76.98, 19.48, 40.87

 

CMYK 0 / 25 / 46 / 8

HEX #EAB07F

RGB 234 176 127

HSL 27.48, 0.72%, 0.71%

LAB 76.12, 15.24, 33.27

 

CMYK 0 / 20 / 37 / 13

HEX #DEB18B

RGB 222 177 139

HSL 27.47, 0.56%, 0.71%

LAB 75.35, 11.23, 25.66

 

CMYK 0 / 15 / 28 / 18

HEX #D2B297

RGB 210 178 151

HSL 27.46, 0.4%, 0.71%

LAB 74.68, 7.53, 18.1

 

CMYK 0 / 10 / 18 / 22

HEX #C6B3A3

RGB 198 179 163

HSL 27.43, 0.23%, 0.71%

LAB 74.12, 4.17, 10.63

 

CMYK 0 / 3 / 6 / 27

HEX #BAB4AF

RGB 186 180 175

HSL 27.27, 0.07%, 0.71%

LAB 73.66, 1.23, 3.29

 

CMYK 0 / 46 / 42 / 8

HEX #EA7F88

RGB 234 127 136

HSL 354.95, 0.72%, 0.71%

LAB 65.32, 41.96, 13.75

 

CMYK 0 / 37 / 46 / 8

HEX #EA937F

RGB 234 147 127

HSL 11.21, 0.72%, 0.71%

LAB 69.39, 30.64, 24.37

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7F

RGB 234 175 127

HSL 26.92, 0.72%, 0.71%

LAB 75.88, 15.77, 32.96

 

CMYK 0 / 13 / 46 / 8

HEX #EACC7F

RGB 234 204 127

HSL 43.18, 0.72%, 0.71%

LAB 83.03, 0.54, 42.12

 

CMYK 0 / 1 / 46 / 8

HEX #EAE87F

RGB 234 232 127

HSL 58.88, 0.72%, 0.71%

LAB 90.2, -13.62, 51

 

CMYK 0 / 41 / 75 / 13

HEX #DE8438

RGB 222 132 56

HSL 27.47, 0.72%, 0.55%

LAB 63.6, 28.71, 53.77

 

CMYK 0 / 32 / 60 / 11

HEX #E49A5C

RGB 228 154 92

HSL 27.35, 0.72%, 0.63%

LAB 69.74, 21.53, 43.35

 

CMYK 0 / 25 / 46 / 8

HEX #EAB07F

RGB 234 176 127

HSL 27.48, 0.72%, 0.71%

LAB 76.12, 15.24, 33.27

 

CMYK 0 / 18 / 32 / 6

HEX #F0C6A3

RGB 240 198 163

HSL 27.27, 0.72%, 0.79%

LAB 82.68, 10.02, 23.14

 

CMYK 0 / 10 / 19 / 4

HEX #F5DCC6

RGB 245 220 198

HSL 28.09, 0.7%, 0.87%

LAB 89.24, 5.19, 13.94

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7E

RGB 234 175 126

HSL 27.22, 0.72%, 0.71%

LAB 75.86, 15.67, 33.46

 

CMYK 29 / 0 / 46 / 8

HEX #A5EA7F

RGB 165 234 127

HSL 98.69, 0.72%, 0.71%

LAB 86.19, -40.2, 45.04

 

CMYK 43 / 46 / 0 / 8

HEX #857FEA

RGB 133 127 234

HSL 243.36, 0.72%, 0.71%

LAB 58.14, 28.69, -53.54

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7E

RGB 234 175 126

HSL 27.22, 0.72%, 0.71%

LAB 75.86, 15.67, 33.46

 

CMYK 46 / 0 / 25 / 8

HEX #7FEAAF

RGB 127 234 175

HSL 146.92, 0.72%, 0.71%

LAB 85.23, -44.01, 19.24

 

CMYK 25 / 46 / 0 / 8

HEX #AF7FEA

RGB 175 127 234

HSL 266.92, 0.72%, 0.71%

LAB 61.85, 39.49, -47.41

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7E

RGB 234 175 126

HSL 27.22, 0.72%, 0.71%

LAB 75.86, 15.67, 33.46

 

CMYK 29 / 0 / 46 / 8

HEX #A5EA7F

RGB 165 234 127

HSL 98.69, 0.72%, 0.71%

LAB 86.19, -40.2, 45.04

 

CMYK 46 / 21 / 0 / 8

HEX #7FBAEA

RGB 127 186 234

HSL 206.92, 0.72%, 0.71%

LAB 73.27, -6.48, -29.86

 

CMYK 16 / 46 / 0 / 8

HEX #C57FEA

RGB 197 127 234

HSL 279.25, 0.72%, 0.71%

LAB 64.15, 45.56, -43.63

 

CMYK 0 / 25 / 46 / 8

HEX #EAAF7E

RGB 234 175 126

HSL 27.22, 0.72%, 0.71%

LAB 75.86, 15.67, 33.46

 

CMYK 43 / 0 / 46 / 8

HEX #85EA7F

RGB 133 234 127

HSL 116.64, 0.72%, 0.71%

LAB 84.67, -50.31, 42.81

 

CMYK 46 / 21 / 0 / 8

HEX #7FBAEA

RGB 127 186 234

HSL 206.92, 0.72%, 0.71%

LAB 73.27, -6.48, -29.86

 

CMYK 3 / 46 / 0 / 8

HEX #E47FEA

RGB 228 127 234

HSL 296.64, 0.72%, 0.71%

LAB 67.73, 54.3, -37.76

 

Description

Color code: HEX #EAAF7E | qconv.com Color code: HEX #EAAF7E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 175 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 175 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 46 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 46% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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