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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA580C it is the complementary color #15A7F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA580C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #EA580C: #EF5807, #FF6A1A, #FF7C2D, #FF8E40 and #FFA053

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA580C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #EA580C: #EA580C, #D94600, #C83400, #B72200 and #A61000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

Complementary color

CMYK 91 / 31 / 0 / 5

HEX #15A7F3

RGB 21 167 243

HSL 200.54, 0.9%, 0.52%

LAB 65.17, -8.31, -47.61

 

CMYK 0 / 63 / 97 / 6

HEX #EF5807

RGB 239 88 7

HSL 20.95, 0.94%, 0.48%

LAB 57.41, 55.52, 65.96

 

CMYK 0 / 58 / 90 / 0

HEX #FF6A1A

RGB 255 106 26

HSL 20.96, 1%, 0.55%

LAB 63.05, 53.49, 66.48

 

CMYK 0 / 51 / 82 / 0

HEX #FF7C2D

RGB 255 124 45

HSL 22.57, 1%, 0.59%

LAB 66.42, 45.46, 62.64

 

CMYK 0 / 44 / 75 / 0

HEX #FF8E40

RGB 255 142 64

HSL 24.5, 1%, 0.63%

LAB 70.16, 37.14, 58.23

 

CMYK 0 / 37 / 67 / 0

HEX #FFA053

RGB 255 160 83

HSL 26.86, 1%, 0.66%

LAB 74.21, 28.77, 53.77

 

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

CMYK 0 / 68 / 100 / 15

HEX #D94600

RGB 217 70 0

HSL 19.35, 1%, 0.43%

LAB 50.84, 55.34, 61.87

 

CMYK 0 / 74 / 100 / 22

HEX #C83400

RGB 200 52 0

HSL 15.6, 1%, 0.39%

LAB 45.27, 56.47, 57.44

 

CMYK 0 / 81 / 100 / 28

HEX #B72200

RGB 183 34 0

HSL 11.15, 1%, 0.36%

LAB 39.93, 56.8, 53.14

 

CMYK 0 / 90 / 100 / 35

HEX #A61000

RGB 166 16 0

HSL 5.78, 1%, 0.33%

LAB 34.96, 55.92, 48.86

 

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

CMYK 0 / 47 / 95 / 9

HEX #E87A0C

RGB 232 122 12

HSL 30, 0.9%, 0.48%

LAB 62.59, 36.88, 67.79

 

CMYK 0 / 31 / 95 / 9

HEX #E89F0C

RGB 232 159 12

HSL 40.09, 0.9%, 0.48%

LAB 70.86, 17.45, 73.48

 

CMYK 0 / 16 / 95 / 9

HEX #E8C30C

RGB 232 195 12

HSL 49.91, 0.9%, 0.48%

LAB 79.73, -1.47, 79.88

 

CMYK 0 / 0 / 95 / 9

HEX #E8E80C

RGB 232 232 12

HSL 60, 0.9%, 0.48%

LAB 89.34, -19.97, 87.02

 

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

CMYK 0 / 63 / 93 / 88

HEX #1E0B02

RGB 30 11 2

HSL 19.29, 0.88%, 0.06%

LAB 4.69, 7.05, 6.34

 

CMYK 0 / 63 / 95 / 68

HEX #511E04

RGB 81 30 4

HSL 20.26, 0.91%, 0.17%

LAB 18.74, 22.4, 26.18

 

CMYK 0 / 62 / 95 / 48

HEX #843207

RGB 132 50 7

HSL 20.64, 0.9%, 0.27%

LAB 32.26, 33.36, 40.95

 

CMYK 0 / 62 / 95 / 28

HEX #B74509

RGB 183 69 9

HSL 20.69, 0.91%, 0.38%

LAB 44.72, 43.89, 52.97

 

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

CMYK 50 / 0 / 95 / 9

HEX #73E80C

RGB 115 232 12

HSL 91.91, 0.9%, 0.48%

LAB 82.59, -63.19, 78.85

 

CMYK 95 / 89 / 0 / 9

HEX #0C1AE8

RGB 12 26 232

HSL 236.18, 0.9%, 0.48%

LAB 30.98, 68.22, -97.06

 

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

CMYK 95 / 0 / 63 / 9

HEX #0CE855

RGB 12 232 85

HSL 139.91, 0.9%, 0.48%

LAB 80.99, -75.18, 56.93

 

CMYK 63 / 95 / 0 / 9

HEX #550CE8

RGB 85 12 232

HSL 259.91, 0.9%, 0.48%

LAB 34.03, 73.84, -91.87

 

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

CMYK 50 / 0 / 95 / 9

HEX #73E80C

RGB 115 232 12

HSL 91.91, 0.9%, 0.48%

LAB 82.59, -63.19, 78.85

 

CMYK 95 / 31 / 0 / 9

HEX #0C9FE8

RGB 12 159 232

HSL 199.91, 0.9%, 0.48%

LAB 62.25, -8.15, -46.18

 

CMYK 44 / 95 / 0 / 9

HEX #810CE8

RGB 129 12 232

HSL 271.91, 0.9%, 0.48%

LAB 39.17, 77.14, -83.2

 

CMYK 0 / 62 / 95 / 8

HEX #EA580C

RGB 234 88 12

HSL 20.54, 0.9%, 0.48%

LAB 56.58, 53.82, 64.07

 

CMYK 79 / 0 / 95 / 9

HEX #30E80C

RGB 48 232 12

HSL 110.18, 0.9%, 0.48%

LAB 80.94, -76.89, 76.83

 

CMYK 95 / 31 / 0 / 9

HEX #0C9FE8

RGB 12 159 232

HSL 199.91, 0.9%, 0.48%

LAB 62.25, -8.15, -46.18

 

CMYK 16 / 95 / 0 / 9

HEX #C30CE8

RGB 195 12 232

HSL 289.91, 0.9%, 0.48%

LAB 49.12, 85.06, -66.52

 

Description

Color code: HEX #EA580C | qconv.com Color code: HEX #EA580C | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 88 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 88 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 95 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 95% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HKS®

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NCS® to HKS®

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convert from NCS-number (S0000-X00X) to Sherwin Williams®-number (SW 0000)

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