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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA2FF4 it is the complementary color #15D00B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA2FF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA2FF4 shade: #EF2FEF, #FF41FF, #FF53FF, #FF65FF and #FF77FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA2FF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA2FF4 shade: #EA2FF4, #D91DE1, #C80BCE, #B700BB and #A600A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA2FF4 shade: #EA2FF4, #F42FC9, #F42F94, #F42F5E and #F42F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA2FF4 shade: #EA2FF4, #B52FF4, #802FF4, #4A2FF4 and #2F2FF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA2FF4 shade matches the following richer shades: #EA2FF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA2FF4 shade: #EA2FF4, #DA40E2, #CA52D1, #BA64BF and #AA76AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA2FF4 shade: #7E2FF4, #B22FF4, #E72FF4, #F42FCD and #F42F98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA2FF4 shade: #BC0AC6, #E20CED, #EA2FF4, #EE56F6 and #F27DF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA2FF4 shade: #EA2FF4, #F4492F and #2FF498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA2FF4 shade: #EA2FF4, #F4E72F and #2FF4E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA2FF4 shade: #EA2FF4, #F4492F, #3CF42F and #2FDAF4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA2FF4 shade: #EA2FF4, #F4842F, #3CF42F and #2F9FF4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

Complementary color

CMYK 90 / 0 / 95 / 18

HEX #15D00B

RGB 21 208 11

HSL 116.95, 0.9%, 0.43%

LAB 73.09, -72.75, 70.35

 

CMYK 0 / 80 / 0 / 6

HEX #EF2FEF

RGB 239 47 239

HSL 300, 0.86%, 0.56%

LAB 58.62, 87.82, -54.81

 

CMYK 0 / 75 / 0 / 0

HEX #FF41FF

RGB 255 65 255

HSL 300, 1%, 0.63%

LAB 63.56, 88.79, -55.68

 

CMYK 0 / 67 / 0 / 0

HEX #FF53FF

RGB 255 83 255

HSL 300, 1%, 0.66%

LAB 65.49, 83.28, -52.61

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 4 / 87 / 0 / 12

HEX #D91DE1

RGB 217 29 225

HSL 297.55, 0.77%, 0.5%

LAB 53.02, 85.27, -56.08

 

CMYK 3 / 95 / 0 / 19

HEX #C80BCE

RGB 200 11 206

HSL 298.15, 0.9%, 0.43%

LAB 48.23, 81.81, -53.07

 

CMYK 2 / 100 / 0 / 27

HEX #B700BB

RGB 183 0 187

HSL 298.72, 1%, 0.37%

LAB 43.73, 77.18, -49.38

 

CMYK 1 / 100 / 0 / 34

HEX #A600A8

RGB 166 0 168

HSL 299.29, 1%, 0.33%

LAB 39.47, 71.55, -45.12

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 0 / 81 / 18 / 4

HEX #F42FC9

RGB 244 47 201

HSL 313.1, 0.9%, 0.57%

LAB 57.54, 83.56, -34.96

 

CMYK 0 / 81 / 39 / 4

HEX #F42F94

RGB 244 47 148

HSL 329.24, 0.9%, 0.57%

LAB 55.49, 77.69, -7.23

 

CMYK 0 / 81 / 61 / 4

HEX #F42F5E

RGB 244 47 94

HSL 345.69, 0.9%, 0.57%

LAB 54.11, 73.59, 23.09

 

CMYK 0 / 81 / 81 / 4

HEX #F42F2F

RGB 244 47 47

HSL 0, 0.9%, 0.57%

LAB 53.46, 71.63, 49.17

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 26 / 81 / 0 / 4

HEX #B52FF4

RGB 181 47 244

HSL 280.81, 0.9%, 0.57%

LAB 49.96, 78.78, -72.01

 

CMYK 48 / 81 / 0 / 4

HEX #802FF4

RGB 128 47 244

HSL 264.67, 0.9%, 0.57%

LAB 42.99, 71.32, -83.69

 

CMYK 70 / 81 / 0 / 4

HEX #4A2FF4

RGB 74 47 244

HSL 248.22, 0.9%, 0.57%

LAB 37.88, 66, -92.31

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF4

RGB 47 47 244

HSL 240, 0.9%, 0.57%

LAB 36.31, 64.4, -94.96

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 4 / 72 / 0 / 11

HEX #DA40E2

RGB 218 64 226

HSL 297.04, 0.74%, 0.57%

LAB 56.15, 77.18, -51.64

 

CMYK 3 / 61 / 0 / 18

HEX #CA52D1

RGB 202 82 209

HSL 296.69, 0.58%, 0.57%

LAB 55.27, 63.97, -43.55

 

CMYK 3 / 48 / 0 / 25

HEX #BA64BF

RGB 186 100 191

HSL 296.7, 0.42%, 0.57%

LAB 55.4, 47.93, -33.22

 

CMYK 2 / 32 / 0 / 32

HEX #AA76AD

RGB 170 118 173

HSL 296.73, 0.25%, 0.57%

LAB 56.6, 29.73, -21.16

 

CMYK 48 / 81 / 0 / 4

HEX #7E2FF4

RGB 126 47 244

HSL 264.06, 0.9%, 0.57%

LAB 42.76, 71.07, -84.08

 

CMYK 27 / 81 / 0 / 4

HEX #B22FF4

RGB 178 47 244

HSL 279.9, 0.9%, 0.57%

LAB 49.53, 78.31, -72.73

 

CMYK 5 / 81 / 0 / 4

HEX #E72FF4

RGB 231 47 244

HSL 296.04, 0.9%, 0.57%

LAB 57.61, 87.15, -59.29

 

CMYK 0 / 81 / 16 / 4

HEX #F42FCD

RGB 244 47 205

HSL 311.88, 0.9%, 0.57%

LAB 57.73, 84.07, -36.96

 

CMYK 0 / 81 / 38 / 4

HEX #F42F98

RGB 244 47 152

HSL 328.02, 0.9%, 0.57%

LAB 55.62, 78.07, -9.4

 

CMYK 5 / 95 / 0 / 22

HEX #BC0AC6

RGB 188 10 198

HSL 296.81, 0.9%, 0.41%

LAB 45.61, 78.74, -52.74

 

CMYK 5 / 95 / 0 / 7

HEX #E20CED

RGB 226 12 237

HSL 297.07, 0.9%, 0.49%

LAB 54.6, 90.46, -60.24

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 3 / 65 / 0 / 4

HEX #EE56F6

RGB 238 86 246

HSL 297, 0.9%, 0.65%

LAB 62.92, 77.06, -51.88

 

CMYK 2 / 50 / 0 / 3

HEX #F27DF8

RGB 242 125 248

HSL 297.07, 0.9%, 0.73%

LAB 69.7, 61.65, -42.26

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 0 / 70 / 81 / 4

HEX #F4492F

RGB 244 73 47

HSL 7.92, 0.9%, 0.57%

LAB 56.29, 63.73, 51.88

 

CMYK 81 / 0 / 38 / 4

HEX #2FF498

RGB 47 244 152

HSL 151.98, 0.9%, 0.57%

LAB 85.79, -66.61, 31.45

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 0 / 5 / 81 / 4

HEX #F4E72F

RGB 244 231 47

HSL 56.04, 0.9%, 0.57%

LAB 90.13, -13.82, 82.11

 

CMYK 81 / 0 / 5 / 4

HEX #2FF4E7

RGB 47 244 231

HSL 176.04, 0.9%, 0.57%

LAB 87.52, -48.19, -6.96

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 0 / 70 / 81 / 4

HEX #F4492F

RGB 244 73 47

HSL 7.92, 0.9%, 0.57%

LAB 56.29, 63.73, 51.88

 

CMYK 75 / 0 / 81 / 4

HEX #3CF42F

RGB 60 244 47

HSL 116.04, 0.9%, 0.57%

LAB 84.93, -77.59, 74.11

 

CMYK 81 / 11 / 0 / 4

HEX #2FDAF4

RGB 47 218 244

HSL 187.92, 0.9%, 0.57%

LAB 80.34, -32.68, -24.61

 

CMYK 4 / 81 / 0 / 4

HEX #EA2FF4

RGB 234 47 244

HSL 296.95, 0.9%, 0.57%

LAB 58.09, 87.68, -58.49

 

CMYK 0 / 46 / 81 / 4

HEX #F4842F

RGB 244 132 47

HSL 25.89, 0.9%, 0.57%

LAB 66.47, 37.28, 61.33

 

CMYK 75 / 0 / 81 / 4

HEX #3CF42F

RGB 60 244 47

HSL 116.04, 0.9%, 0.57%

LAB 84.93, -77.59, 74.11

 

CMYK 81 / 35 / 0 / 4

HEX #2F9FF4

RGB 47 159 244

HSL 205.89, 0.9%, 0.57%

LAB 63.29, -1.7, -51.12

 

Description

Color code: HEX #EA2FF4 | qconv.com Color code: HEX #EA2FF4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 47 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 47 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 81 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 81% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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