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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 81 / 81 / 0 / 4 it is the complementary color CMYK 0 / 0 / 95 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 81 / 81 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 81 / 81 / 0 / 4: CMYK 78 / 80 / 0 / 6, CMYK 73 / 75 / 0 / 0, CMYK 66 / 67 / 0 / 0, CMYK 60 / 60 / 0 / 0 and CMYK 53 / 53 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 81 / 81 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 81 / 81 / 0 / 4: CMYK 81 / 81 / 0 / 4, CMYK 87 / 87 / 0 / 11, CMYK 94 / 95 / 0 / 19, CMYK 100 / 100 / 0 / 26 and CMYK 100 / 100 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

Complementary color

CMYK 0 / 0 / 95 / 18

HEX #D0D00A

RGB 208 208 10

HSL 60, 0.91%, 0.43%

LAB 81.04, -18.39, 80.11

 

CMYK 78 / 80 / 0 / 6

HEX #342FF0

RGB 52 47 240

HSL 241.55, 0.87%, 0.56%

LAB 36.09, 63.46, -93.06

 

CMYK 73 / 75 / 0 / 0

HEX #4541FF

RGB 69 65 255

HSL 241.26, 1%, 0.63%

LAB 41.64, 60.39, -92.27

 

CMYK 66 / 67 / 0 / 0

HEX #5653FF

RGB 86 83 255

HSL 241.05, 1%, 0.66%

LAB 46.16, 52.36, -84.78

 

CMYK 60 / 60 / 0 / 0

HEX #6765FF

RGB 103 101 255

HSL 240.78, 1%, 0.7%

LAB 51.16, 44.36, -76.55

 

CMYK 53 / 53 / 0 / 0

HEX #7877FF

RGB 120 119 255

HSL 240.44, 1%, 0.73%

LAB 56.49, 36.78, -67.86

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

CMYK 87 / 87 / 0 / 11

HEX #1E1DE2

RGB 30 29 226

HSL 240.3, 0.77%, 0.5%

LAB 30.99, 65.87, -93.6

 

CMYK 94 / 95 / 0 / 19

HEX #0D0BCF

RGB 13 11 207

HSL 240.61, 0.9%, 0.43%

LAB 26.24, 65.56, -90.54

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 100 / 100 / 0 / 34

HEX #0000A9

RGB 0 0 169

HSL 240, 1%, 0.33%

LAB 19.49, 58.19, -79.26

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

CMYK 68 / 82 / 0 / 4

HEX #4E2DF5

RGB 78 45 245

HSL 249.9, 0.91%, 0.57%

LAB 38, 67.39, -92.66

 

CMYK 54 / 82 / 0 / 4

HEX #702DF5

RGB 112 45 245

HSL 260.1, 0.91%, 0.57%

LAB 41.08, 70.44, -87.47

 

CMYK 41 / 82 / 0 / 4

HEX #912DF5

RGB 145 45 245

HSL 270, 0.91%, 0.57%

LAB 44.93, 74.37, -81

 

CMYK 27 / 82 / 0 / 4

HEX #B22DF5

RGB 178 45 245

HSL 279.9, 0.91%, 0.57%

LAB 49.42, 79.06, -73.48

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

CMYK 80 / 80 / 0 / 84

HEX #080829

RGB 8 8 41

HSL 240, 0.67%, 0.1%

LAB 3.48, 9.05, -20.4

 

CMYK 80 / 80 / 0 / 64

HEX #12125C

RGB 18 18 92

HSL 240, 0.67%, 0.22%

LAB 11.51, 28.06, -43.57

 

CMYK 81 / 81 / 0 / 44

HEX #1B1B8F

RGB 27 27 143

HSL 240, 0.68%, 0.33%

LAB 20.04, 41.51, -62.35

 

CMYK 81 / 81 / 0 / 24

HEX #2525C2

RGB 37 37 194

HSL 240, 0.68%, 0.45%

LAB 28.41, 53.43, -79.29

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

CMYK 0 / 82 / 16 / 4

HEX #F52DCD

RGB 245 45 205

HSL 312, 0.91%, 0.57%

LAB 57.75, 84.71, -36.91

 

CMYK 49 / 0 / 82 / 4

HEX #7DF52D

RGB 125 245 45

HSL 96, 0.91%, 0.57%

LAB 86.93, -64.07, 77.06

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

CMYK 0 / 82 / 82 / 4

HEX #F52D2D

RGB 245 45 45

HSL 0, 0.91%, 0.57%

LAB 53.47, 72.32, 50.27

 

CMYK 82 / 0 / 82 / 4

HEX #2DF52D

RGB 45 245 45

HSL 120, 0.91%, 0.57%

LAB 85.02, -79.78, 74.62

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

CMYK 0 / 82 / 16 / 4

HEX #F52DCD

RGB 245 45 205

HSL 312, 0.91%, 0.57%

LAB 57.75, 84.71, -36.91

 

CMYK 0 / 0 / 82 / 4

HEX #F5F52D

RGB 245 245 45

HSL 60, 0.91%, 0.57%

LAB 93.84, -20.25, 85.77

 

CMYK 82 / 0 / 65 / 4

HEX #2DF555

RGB 45 245 85

HSL 132, 0.91%, 0.57%

LAB 85.26, -76.81, 61.72

 

CMYK 81 / 81 / 0 / 4

HEX #2F2FF5

RGB 47 47 245

HSL 240, 0.91%, 0.57%

LAB 36.42, 64.69, -95.33

 

CMYK 0 / 82 / 41 / 4

HEX #F52D91

RGB 245 45 145

HSL 330, 0.91%, 0.57%

LAB 55.41, 78.1, -5.53

 

CMYK 0 / 0 / 82 / 4

HEX #F5F52D

RGB 245 245 45

HSL 60, 0.91%, 0.57%

LAB 93.84, -20.25, 85.77

 

CMYK 82 / 0 / 41 / 4

HEX #2DF591

RGB 45 245 145

HSL 150, 0.91%, 0.57%

LAB 85.96, -68.43, 35.17

 

Description

Color code: CMYK 81 / 81 / 0 / 4 | qconv.com Color code: CMYK 81 / 81 / 0 / 4 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 47 red, 47 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
47 47 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 81 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 81% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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