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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA2E5E it is the complementary color #15D1A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA2E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA2E5E shade: #EF2E59, #FF406C, #FF527F, #FF6492 and #FF76A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA2E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA2E5E shade: #EA2E5E, #D91C4B, #C80A38, #B70025 and #A60012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA2E5E shade: #EA2E5E and #EA2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA2E5E shade: #EA2E5E, #EA2E90, #EA2EC3, #DE2EEA and #AB2EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA2E5E shade matches the following richer shades: #EA2E5E and #FC1B55

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA2E5E shade: #EA2E5E, #D74067, #C55370, #B26579 and #A07882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA2E5E shade: #EA2EC4, #EA2E92, #EA2E60, #EA2E2E and #EA602E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA2E5E shade: #B4113B, #D91547, #EA2E5E, #EE537B and #F17998

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA2E5E shade: #EA2E5E, #EADD2E and #2EABEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA2E5E shade: #EA2E5E, #60EA2E and #2E60EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA2E5E shade: #EA2E5E, #EADD2E, #2EEAB8 and #2E3AEA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA2E5E shade: #EA2E5E, #BEEA2E, #2EEAB8 and #5A2EEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

Complementary color

CMYK 90 / 0 / 23 / 18

HEX #15D1A1

RGB 21 209 161

HSL 164.68, 0.82%, 0.45%

LAB 75.03, -53.7, 11.96

 

CMYK 0 / 81 / 63 / 6

HEX #EF2E59

RGB 239 46 89

HSL 346.63, 0.86%, 0.56%

LAB 52.98, 72.24, 24.42

 

CMYK 0 / 75 / 58 / 0

HEX #FF406C

RGB 255 64 108

HSL 346.18, 1%, 0.63%

LAB 58.05, 72.77, 20.41

 

CMYK 0 / 68 / 50 / 0

HEX #FF527F

RGB 255 82 127

HSL 344.39, 1%, 0.66%

LAB 60.63, 68.12, 12.82

 

CMYK 0 / 61 / 43 / 0

HEX #FF6492

RGB 255 100 146

HSL 342.19, 1%, 0.7%

LAB 63.71, 62.67, 6.19

 

CMYK 0 / 54 / 35 / 0

HEX #FF76A5

RGB 255 118 165

HSL 339.42, 1%, 0.73%

LAB 67.23, 56.68, 0.43

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 87 / 65 / 15

HEX #D91C4B

RGB 217 28 75

HSL 345.08, 0.77%, 0.48%

LAB 47.09, 69.61, 24.44

 

CMYK 0 / 95 / 72 / 22

HEX #C80A38

RGB 200 10 56

HSL 345.47, 0.9%, 0.41%

LAB 42.43, 66.96, 29.56

 

CMYK 0 / 100 / 80 / 28

HEX #B70025

RGB 183 0 37

HSL 347.87, 1%, 0.36%

LAB 38.2, 63.09, 35.33

 

CMYK 0 / 100 / 89 / 35

HEX #A60012

RGB 166 0 18

HSL 353.49, 1%, 0.33%

LAB 34.29, 58.34, 40.88

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 80 / 38 / 8

HEX #EA2E90

RGB 234 46 144

HSL 328.72, 0.82%, 0.55%

LAB 53.45, 75.16, -8.08

 

CMYK 0 / 80 / 17 / 8

HEX #EA2EC3

RGB 234 46 195

HSL 312.45, 0.82%, 0.55%

LAB 55.47, 80.95, -34.88

 

CMYK 5 / 80 / 0 / 8

HEX #DE2EEA

RGB 222 46 234

HSL 296.17, 0.82%, 0.55%

LAB 55.51, 84.21, -57.14

 

CMYK 27 / 80 / 0 / 8

HEX #AB2EEA

RGB 171 46 234

HSL 279.89, 0.82%, 0.55%

LAB 47.69, 75.55, -70.14

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 89 / 66 / 1

HEX #FC1B55

RGB 252 27 85

HSL 344.53, 0.97%, 0.55%

LAB 54.17, 78.91, 28.85

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 70 / 52 / 16

HEX #D74067

RGB 215 64 103

HSL 344.5, 0.65%, 0.55%

LAB 50.8, 61.03, 12.3

 

CMYK 0 / 58 / 43 / 23

HEX #C55370

RGB 197 83 112

HSL 344.74, 0.5%, 0.55%

LAB 50.95, 48.19, 6.67

 

CMYK 0 / 43 / 32 / 30

HEX #B26579

RGB 178 101 121

HSL 344.42, 0.33%, 0.55%

LAB 52.01, 33.35, 2.47

 

CMYK 0 / 25 / 19 / 37

HEX #A07882

RGB 160 120 130

HSL 345, 0.17%, 0.55%

LAB 54.57, 17.2, 0.64

 

CMYK 0 / 80 / 16 / 8

HEX #EA2EC4

RGB 234 46 196

HSL 312.13, 0.82%, 0.55%

LAB 55.51, 81.08, -35.38

 

CMYK 0 / 80 / 38 / 8

HEX #EA2E92

RGB 234 46 146

HSL 328.09, 0.82%, 0.55%

LAB 53.52, 75.36, -9.17

 

CMYK 0 / 80 / 59 / 8

HEX #EA2E60

RGB 234 46 96

HSL 344.04, 0.82%, 0.55%

LAB 52.16, 71.34, 18.96

 

CMYK 0 / 80 / 80 / 8

HEX #EA2E2E

RGB 234 46 46

HSL 0, 0.82%, 0.55%

LAB 51.43, 69.09, 47.06

 

CMYK 0 / 59 / 80 / 8

HEX #EA602E

RGB 234 96 46

HSL 15.96, 0.82%, 0.55%

LAB 58.09, 50.94, 53.46

 

CMYK 0 / 91 / 67 / 29

HEX #B4113B

RGB 180 17 59

HSL 344.54, 0.83%, 0.39%

LAB 38.59, 61.18, 22

 

CMYK 0 / 90 / 67 / 15

HEX #D91547

RGB 217 21 71

HSL 344.69, 0.82%, 0.47%

LAB 46.64, 70.53, 26.31

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 65 / 48 / 7

HEX #EE537B

RGB 238 83 123

HSL 344.52, 0.82%, 0.63%

LAB 57.84, 62.34, 10.83

 

CMYK 0 / 50 / 37 / 5

HEX #F17998

RGB 241 121 152

HSL 344.5, 0.81%, 0.71%

LAB 65.47, 49.16, 5.02

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 6 / 80 / 8

HEX #EADD2E

RGB 234 221 46

HSL 55.85, 0.82%, 0.55%

LAB 86.7, -13.1, 79.09

 

CMYK 80 / 27 / 0 / 8

HEX #2EABEA

RGB 46 171 234

HSL 200.11, 0.82%, 0.55%

LAB 66.25, -12.06, -40.97

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 59 / 0 / 80 / 8

HEX #60EA2E

RGB 96 234 46

HSL 104.04, 0.82%, 0.55%

LAB 82.66, -67.78, 72.57

 

CMYK 80 / 59 / 0 / 8

HEX #2E60EA

RGB 46 96 234

HSL 224.04, 0.82%, 0.55%

LAB 45.48, 33.19, -74.21

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 0 / 6 / 80 / 8

HEX #EADD2E

RGB 234 221 46

HSL 55.85, 0.82%, 0.55%

LAB 86.7, -13.1, 79.09

 

CMYK 80 / 0 / 21 / 8

HEX #2EEAB8

RGB 46 234 184

HSL 164.04, 0.82%, 0.55%

LAB 83.38, -56.19, 11.66

 

CMYK 80 / 75 / 0 / 8

HEX #2E3AEA

RGB 46 58 234

HSL 236.17, 0.82%, 0.55%

LAB 37.02, 55.88, -88.13

 

CMYK 0 / 80 / 60 / 8

HEX #EA2E5E

RGB 234 46 94

HSL 344.68, 0.82%, 0.55%

LAB 52.12, 71.21, 20.12

 

CMYK 19 / 0 / 80 / 8

HEX #BEEA2E

RGB 190 234 46

HSL 74.04, 0.82%, 0.55%

LAB 86.99, -37.23, 78.09

 

CMYK 80 / 0 / 21 / 8

HEX #2EEAB8

RGB 46 234 184

HSL 164.04, 0.82%, 0.55%

LAB 83.38, -56.19, 11.66

 

CMYK 62 / 80 / 0 / 8

HEX #5A2EEA

RGB 90 46 234

HSL 254.04, 0.82%, 0.55%

LAB 37.96, 65.01, -86.47

 

Description

Color code: HEX #EA2E5E | qconv.com Color code: HEX #EA2E5E | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 46 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 46 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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