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Color name
HEX #EA2866

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #EA2866 it is the complementary color #15D799. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #EA2866. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #EA2866 shade: #EF2861, #FF3A74, #FF4C87, #FF5E9A and #FF70AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #EA2866. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #EA2866 shade: #EA2866, #D91653, #C80440, #B7002D and #A6001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #EA2866 shade: #EA2A67, #EA2A33 and #EA2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #EA2866 shade: #EA2A67, #EA2A9B, #EA2ACF, #D12AEA and #9D2AEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #EA2866 shade matches the following richer shades: #EA2A67 and #FD1760

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #EA2866 shade: #EA2A67, #D73C6E, #C44F75, #B1627C and #9E7582

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #EA2866 shade: #EA2AD0, #EA2A9D, #EA2A6A, #EA2A36 and #EA502A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #EA2866 shade: #B01144, #D51552, #EA2A67, #EE4F82 and #F1759C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #EA2866 shade: #EA2866, #EAD02A and #2AB7EA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #EA2866 shade: #EA2866, #6AEA2A and #2A6AEA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #EA2866 shade: #EA2866, #EAD02A, #2AEAAA and #2A43EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #EA2866 shade: #EA2866, #CAEA2A, #2AEAAA and #4A2AEA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 56 / 8

HEX #EA2866

RGB 234 40 102

HSL 340.82, 0.82%, 0.54%

LAB 51.8, 73.12, 14.84

 

Complementary color

CMYK 90 / 0 / 29 / 16

HEX #15D799

RGB 21 215 153

HSL 160.82, 0.82%, 0.46%

LAB 76.72, -57.85, 18.56

 

CMYK 0 / 83 / 59 / 6

HEX #EF2861

RGB 239 40 97

HSL 342.81, 0.86%, 0.55%

LAB 52.65, 74.07, 19.18

 

CMYK 0 / 77 / 55 / 0

HEX #FF3A74

RGB 255 58 116

HSL 342.34, 1%, 0.61%

LAB 57.6, 75.03, 15.07

 

CMYK 0 / 70 / 47 / 0

HEX #FF4C87

RGB 255 76 135

HSL 340.22, 1%, 0.65%

LAB 60.05, 70.92, 7.33

 

CMYK 0 / 63 / 40 / 0

HEX #FF5E9A

RGB 255 94 154

HSL 337.64, 1%, 0.68%

LAB 63.01, 65.94, 0.57

 

CMYK 0 / 56 / 32 / 0

HEX #FF70AD

RGB 255 112 173

HSL 334.41, 1%, 0.72%

LAB 66.42, 60.34, -5.29

 

CMYK 0 / 83 / 56 / 8

HEX #EA2866

RGB 234 40 102

HSL 340.82, 0.82%, 0.54%

LAB 51.8, 73.12, 14.84

 

CMYK 0 / 90 / 62 / 15

HEX #D91653

RGB 217 22 83

HSL 341.23, 0.82%, 0.47%

LAB 46.91, 71.02, 19.27

 

CMYK 0 / 98 / 68 / 22

HEX #C80440

RGB 200 4 64

HSL 341.63, 0.96%, 0.4%

LAB 42.36, 67.89, 24.51

 

CMYK 0 / 100 / 75 / 28

HEX #B7002D

RGB 183 0 45

HSL 345.25, 1%, 0.36%

LAB 38.3, 63.36, 30.59

 

CMYK 0 / 100 / 84 / 35

HEX #A6001A

RGB 166 0 26

HSL 350.6, 1%, 0.33%

LAB 34.36, 58.51, 36.66

 

CMYK 0 / 82 / 56 / 8

HEX #EA2A67

RGB 234 42 103

HSL 340.94, 0.82%, 0.54%

LAB 51.98, 72.74, 14.48

 

CMYK 0 / 82 / 78 / 8

HEX #EA2A33

RGB 234 42 51

HSL 357.19, 0.82%, 0.54%

LAB 51.14, 70.21, 44.08

 

CMYK 0 / 82 / 82 / 8

HEX #EA2A2A

RGB 234 42 42

HSL 0, 0.82%, 0.54%

LAB 51.05, 69.96, 48.77

 

CMYK 0 / 82 / 56 / 8

HEX #EA2A67

RGB 234 42 103

HSL 340.94, 0.82%, 0.54%

LAB 51.98, 72.74, 14.48

 

CMYK 0 / 82 / 34 / 8

HEX #EA2A9B

RGB 234 42 155

HSL 324.69, 0.82%, 0.54%

LAB 53.51, 77.19, -14.53

 

CMYK 0 / 82 / 12 / 8

HEX #EA2ACF

RGB 234 42 207

HSL 308.44, 0.82%, 0.54%

LAB 55.74, 83.41, -41.34

 

CMYK 11 / 82 / 0 / 8

HEX #D12AEA

RGB 209 42 234

HSL 292.19, 0.82%, 0.54%

LAB 53.12, 82.85, -61.09

 

CMYK 33 / 82 / 0 / 8

HEX #9D2AEA

RGB 157 42 234

HSL 275.94, 0.82%, 0.54%

LAB 45.31, 74.58, -74.11

 

CMYK 0 / 82 / 56 / 8

HEX #EA2A67

RGB 234 42 103

HSL 340.94, 0.82%, 0.54%

LAB 51.98, 72.74, 14.48

 

CMYK 0 / 91 / 62 / 1

HEX #FD1760

RGB 253 23 96

HSL 340.96, 0.98%, 0.54%

LAB 54.39, 80.23, 22.58

 

CMYK 0 / 82 / 56 / 8

HEX #EA2A67

RGB 234 42 103

HSL 340.94, 0.82%, 0.54%

LAB 51.98, 72.74, 14.48

 

CMYK 0 / 72 / 49 / 16

HEX #D73C6E

RGB 215 60 110

HSL 340.65, 0.66%, 0.54%

LAB 50.46, 63.02, 7.59

 

CMYK 0 / 60 / 40 / 23

HEX #C44F75

RGB 196 79 117

HSL 340.51, 0.5%, 0.54%

LAB 50.23, 50.25, 2.61

 

CMYK 0 / 45 / 30 / 31

HEX #B1627C

RGB 177 98 124

HSL 340.25, 0.34%, 0.54%

LAB 51.31, 35.01, -0.34

 

CMYK 0 / 26 / 18 / 38

HEX #9E7582

RGB 158 117 130

HSL 340.98, 0.17%, 0.54%

LAB 53.6, 18.15, -0.8

 

CMYK 0 / 82 / 11 / 8

HEX #EA2AD0

RGB 234 42 208

HSL 308.13, 0.82%, 0.54%

LAB 55.79, 83.54, -41.83

 

CMYK 0 / 82 / 33 / 8

HEX #EA2A9D

RGB 234 42 157

HSL 324.06, 0.82%, 0.54%

LAB 53.58, 77.4, -15.6

 

CMYK 0 / 82 / 55 / 8

HEX #EA2A6A

RGB 234 42 106

HSL 340, 0.82%, 0.54%

LAB 52.05, 72.95, 12.76

 

CMYK 0 / 82 / 77 / 8

HEX #EA2A36

RGB 234 42 54

HSL 356.25, 0.82%, 0.54%

LAB 51.17, 70.31, 42.46

 

CMYK 0 / 66 / 82 / 8

HEX #EA502A

RGB 234 80 42

HSL 11.88, 0.82%, 0.54%

LAB 55.48, 57.7, 52.86

 

CMYK 0 / 90 / 61 / 31

HEX #B01144

RGB 176 17 68

HSL 340.75, 0.82%, 0.38%

LAB 37.93, 60.66, 15.22

 

CMYK 0 / 90 / 62 / 16

HEX #D51552

RGB 213 21 82

HSL 340.94, 0.82%, 0.46%

LAB 46.03, 70.13, 18.58

 

CMYK 0 / 82 / 56 / 8

HEX #EA2A67

RGB 234 42 103

HSL 340.94, 0.82%, 0.54%

LAB 51.98, 72.74, 14.48

 

CMYK 0 / 67 / 45 / 7

HEX #EE4F82

RGB 238 79 130

HSL 340.75, 0.82%, 0.62%

LAB 57.44, 64.52, 6.15

 

CMYK 0 / 51 / 35 / 5

HEX #F1759C

RGB 241 117 156

HSL 341.13, 0.82%, 0.7%

LAB 64.82, 51.56, 1.8

 

CMYK 0 / 83 / 56 / 8

HEX #EA2866

RGB 234 40 102

HSL 340.82, 0.82%, 0.54%

LAB 51.8, 73.12, 14.84

 

CMYK 0 / 11 / 82 / 8

HEX #EAD02A

RGB 234 208 42

HSL 51.88, 0.82%, 0.54%

LAB 83.32, -6.7, 77.24

 

CMYK 82 / 22 / 0 / 8

HEX #2AB7EA

RGB 42 183 234

HSL 195.94, 0.82%, 0.54%

LAB 69.68, -18.83, -35.62

 

CMYK 0 / 83 / 56 / 8

HEX #EA2866

RGB 234 40 102

HSL 340.82, 0.82%, 0.54%

LAB 51.8, 73.12, 14.84

 

CMYK 55 / 0 / 82 / 8

HEX #6AEA2A

RGB 106 234 42

HSL 100, 0.82%, 0.54%

LAB 82.95, -65.49, 73.96

 

CMYK 82 / 55 / 0 / 8

HEX #2A6AEA

RGB 42 106 234

HSL 220, 0.82%, 0.54%

LAB 47.93, 26.51, -70.22

 

CMYK 0 / 83 / 56 / 8

HEX #EA2866

RGB 234 40 102

HSL 340.82, 0.82%, 0.54%

LAB 51.8, 73.12, 14.84

 

CMYK 0 / 11 / 82 / 8

HEX #EAD02A

RGB 234 208 42

HSL 51.88, 0.82%, 0.54%

LAB 83.32, -6.7, 77.24

 

CMYK 82 / 0 / 27 / 8

HEX #2AEAAA

RGB 42 234 170

HSL 160, 0.82%, 0.54%

LAB 83.04, -59.75, 18.48

 

CMYK 82 / 71 / 0 / 8

HEX #2A43EA

RGB 42 67 234

HSL 232.19, 0.82%, 0.54%

LAB 38.63, 50.65, -85.46

 

CMYK 0 / 83 / 56 / 8

HEX #EA2866

RGB 234 40 102

HSL 340.82, 0.82%, 0.54%

LAB 51.8, 73.12, 14.84

 

CMYK 14 / 0 / 82 / 8

HEX #CAEA2A

RGB 202 234 42

HSL 70, 0.82%, 0.54%

LAB 87.76, -32.62, 80.04

 

CMYK 82 / 0 / 27 / 8

HEX #2AEAAA

RGB 42 234 170

HSL 160, 0.82%, 0.54%

LAB 83.04, -59.75, 18.48

 

CMYK 68 / 82 / 0 / 8

HEX #4A2AEA

RGB 74 42 234

HSL 250, 0.82%, 0.54%

LAB 36.08, 65.28, -89.62

 

Description

Color code: HEX #EA2866 | qconv.com Color code: HEX #EA2866 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 234 red, 40 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
234 40 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 56 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 56% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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