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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF5E9A it is the complementary color #00A165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF5E9A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF5E9A shade: #FF5E95, #FF70A8, #FF82BB, #FF94CE and #FFA6E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF5E9A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF5E9A shade: #FF5E9A, #EE4C87, #DD3A74, #CC2861 and #BB164E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF5E9A shade: #FF5C99, #FF5C6D and #FF5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF5E9A shade: #FF5C99, #FF5CC5, #FF5CF1, #E15CFF and #B55CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF5E9A shade matches the following richer shades: #FF5C99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF5E9A shade: #FF5C99, #F2699C, #E5769F, #D783A3 and #CA91A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF5E9A shade: #FF5CF1, #FF5CC6, #FF5C9A, #FF5C6F and #FF745C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF5E9A shade: #FF0965, #FF337F, #FF5C99, #FF85B3 and #FFAECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF5E9A shade: #FF5E9A, #FFE15C and #5CDCFF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF5E9A shade: #FF5E9A, #9AFF5C and #5C9AFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF5E9A shade: #FF5E9A, #FFE15C, #5CFFC0 and #5C7AFF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF5E9A shade: #FF5E9A, #ECFF5C, #5CFFC0 and #6F5CFF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 40 / 0

HEX #FF5E9A

RGB 255 94 154

HSL 337.64, 1%, 0.68%

LAB 63.01, 65.94, 0.57

 

Complementary color

CMYK 100 / 0 / 37 / 37

HEX #00A165

RGB 0 161 101

HSL 157.64, 1%, 0.32%

LAB 58.44, -50.11, 21.47

 

CMYK 0 / 63 / 42 / 0

HEX #FF5E95

RGB 255 94 149

HSL 339.5, 1%, 0.68%

LAB 62.87, 65.44, 3.25

 

CMYK 0 / 56 / 34 / 0

HEX #FF70A8

RGB 255 112 168

HSL 336.5, 1%, 0.72%

LAB 66.27, 59.76, -2.67

 

CMYK 0 / 49 / 27 / 0

HEX #FF82BB

RGB 255 130 187

HSL 332.64, 1%, 0.75%

LAB 70.04, 53.68, -7.8

 

CMYK 0 / 42 / 19 / 0

HEX #FF94CE

RGB 255 148 206

HSL 327.48, 1%, 0.79%

LAB 74.12, 47.42, -12.26

 

CMYK 0 / 35 / 12 / 0

HEX #FFA6E1

RGB 255 166 225

HSL 320.22, 1%, 0.83%

LAB 78.44, 41.13, -16.15

 

CMYK 0 / 63 / 40 / 0

HEX #FF5E9A

RGB 255 94 154

HSL 337.64, 1%, 0.68%

LAB 63.01, 65.94, 0.57

 

CMYK 0 / 68 / 43 / 7

HEX #EE4C87

RGB 238 76 135

HSL 338.15, 0.83%, 0.62%

LAB 57.17, 66.11, 2.81

 

CMYK 0 / 74 / 48 / 13

HEX #DD3A74

RGB 221 58 116

HSL 338.65, 0.71%, 0.55%

LAB 51.45, 65.88, 5.52

 

CMYK 0 / 80 / 52 / 20

HEX #CC2861

RGB 204 40 97

HSL 339.15, 0.67%, 0.48%

LAB 45.93, 65.03, 8.85

 

CMYK 0 / 88 / 58 / 27

HEX #BB164E

RGB 187 22 78

HSL 339.64, 0.79%, 0.41%

LAB 40.72, 63.25, 13

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C99

RGB 255 92 153

HSL 337.55, 1%, 0.68%

LAB 62.69, 66.64, 0.67

 

CMYK 0 / 64 / 57 / 0

HEX #FF5C6D

RGB 255 92 109

HSL 353.74, 1%, 0.68%

LAB 61.67, 62.91, 24.68

 

CMYK 0 / 64 / 64 / 0

HEX #FF5C5C

RGB 255 92 92

HSL 0, 1%, 0.68%

LAB 61.38, 61.84, 33.99

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C99

RGB 255 92 153

HSL 337.55, 1%, 0.68%

LAB 62.69, 66.64, 0.67

 

CMYK 0 / 64 / 23 / 0

HEX #FF5CC5

RGB 255 92 197

HSL 321.35, 1%, 0.68%

LAB 64.12, 71.69, -22.37

 

CMYK 0 / 64 / 5 / 0

HEX #FF5CF1

RGB 255 92 241

HSL 305.15, 1%, 0.68%

LAB 65.95, 77.9, -44.15

 

CMYK 12 / 64 / 0 / 0

HEX #E15CFF

RGB 225 92 255

HSL 288.96, 1%, 0.68%

LAB 62.41, 73.39, -57.77

 

CMYK 29 / 64 / 0 / 0

HEX #B55CFF

RGB 181 92 255

HSL 272.76, 1%, 0.68%

LAB 56.78, 63.88, -67.1

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C99

RGB 255 92 153

HSL 337.55, 1%, 0.68%

LAB 62.69, 66.64, 0.67

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C99

RGB 255 92 153

HSL 337.55, 1%, 0.68%

LAB 62.69, 66.64, 0.67

 

CMYK 0 / 57 / 36 / 5

HEX #F2699C

RGB 242 105 156

HSL 337.66, 0.84%, 0.68%

LAB 62.83, 57.48, -1.09

 

CMYK 0 / 48 / 31 / 10

HEX #E5769F

RGB 229 118 159

HSL 337.84, 0.68%, 0.68%

LAB 63.44, 47.43, -2.13

 

CMYK 0 / 39 / 24 / 16

HEX #D783A3

RGB 215 131 163

HSL 337.14, 0.51%, 0.68%

LAB 64.42, 36.45, -3.17

 

CMYK 0 / 28 / 18 / 21

HEX #CA91A6

RGB 202 145 166

HSL 337.89, 0.35%, 0.68%

LAB 66.18, 24.67, -2.45

 

CMYK 0 / 64 / 5 / 0

HEX #FF5CF1

RGB 255 92 241

HSL 305.15, 1%, 0.68%

LAB 65.95, 77.9, -44.15

 

CMYK 0 / 64 / 22 / 0

HEX #FF5CC6

RGB 255 92 198

HSL 320.98, 1%, 0.68%

LAB 64.15, 71.82, -22.88

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C9A

RGB 255 92 154

HSL 337.18, 1%, 0.68%

LAB 62.72, 66.74, 0.14

 

CMYK 0 / 64 / 56 / 0

HEX #FF5C6F

RGB 255 92 111

HSL 353.01, 1%, 0.68%

LAB 61.71, 63.05, 23.58

 

CMYK 0 / 55 / 64 / 0

HEX #FF745C

RGB 255 116 92

HSL 8.83, 1%, 0.68%

LAB 65.38, 51.29, 38.92

 

CMYK 0 / 96 / 60 / 0

HEX #FF0965

RGB 255 9 101

HSL 337.56, 1%, 0.52%

LAB 54.44, 82.23, 19.72

 

CMYK 0 / 80 / 50 / 0

HEX #FF337F

RGB 255 51 127

HSL 337.65, 1%, 0.6%

LAB 57.23, 77.64, 8.02

 

CMYK 0 / 64 / 40 / 0

HEX #FF5C99

RGB 255 92 153

HSL 337.55, 1%, 0.68%

LAB 62.69, 66.64, 0.67

 

CMYK 0 / 48 / 30 / 0

HEX #FF85B3

RGB 255 133 179

HSL 337.38, 1%, 0.76%

LAB 70.38, 51.2, -2.83

 

CMYK 0 / 32 / 20 / 0

HEX #FFAECC

RGB 255 174 204

HSL 337.78, 1%, 0.84%

LAB 79.55, 33.73, -3.11

 

CMYK 0 / 63 / 40 / 0

HEX #FF5E9A

RGB 255 94 154

HSL 337.64, 1%, 0.68%

LAB 63.01, 65.94, 0.57

 

CMYK 0 / 12 / 64 / 0

HEX #FFE15C

RGB 255 225 92

HSL 48.96, 1%, 0.68%

LAB 89.81, -4.31, 66.73

 

CMYK 64 / 14 / 0 / 0

HEX #5CDCFF

RGB 92 220 255

HSL 192.88, 1%, 0.68%

LAB 82.21, -24.98, -27.51

 

CMYK 0 / 63 / 40 / 0

HEX #FF5E9A

RGB 255 94 154

HSL 337.64, 1%, 0.68%

LAB 63.01, 65.94, 0.57

 

CMYK 40 / 0 / 64 / 0

HEX #9AFF5C

RGB 154 255 92

HSL 97.18, 1%, 0.68%

LAB 91.31, -56.19, 66.39

 

CMYK 64 / 40 / 0 / 0

HEX #5C9AFF

RGB 92 154 255

HSL 217.18, 1%, 0.68%

LAB 63.84, 10.86, -56.17

 

CMYK 0 / 63 / 40 / 0

HEX #FF5E9A

RGB 255 94 154

HSL 337.64, 1%, 0.68%

LAB 63.01, 65.94, 0.57

 

CMYK 0 / 12 / 64 / 0

HEX #FFE15C

RGB 255 225 92

HSL 48.96, 1%, 0.68%

LAB 89.81, -4.31, 66.73

 

CMYK 64 / 0 / 25 / 0

HEX #5CFFC0

RGB 92 255 192

HSL 156.81, 1%, 0.68%

LAB 90.6, -56.69, 17.81

 

CMYK 64 / 52 / 0 / 0

HEX #5C7AFF

RGB 92 122 255

HSL 228.96, 1%, 0.68%

LAB 55.5, 30.06, -69.55

 

CMYK 0 / 63 / 40 / 0

HEX #FF5E9A

RGB 255 94 154

HSL 337.64, 1%, 0.68%

LAB 63.01, 65.94, 0.57

 

CMYK 7 / 0 / 64 / 0

HEX #ECFF5C

RGB 236 255 92

HSL 66.99, 1%, 0.68%

LAB 96.05, -26.58, 72.86

 

CMYK 64 / 0 / 25 / 0

HEX #5CFFC0

RGB 92 255 192

HSL 156.81, 1%, 0.68%

LAB 90.6, -56.69, 17.81

 

CMYK 56 / 64 / 0 / 0

HEX #6F5CFF

RGB 111 92 255

HSL 246.99, 1%, 0.68%

LAB 49.8, 50.77, -78.75

 

Description

Color code: HEX #FF5E9A | qconv.com Color code: HEX #FF5E9A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 94 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 94 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 40 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 40% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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