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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9C996 it is the complementary color #163669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9C996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E9C996: #EEC991, #FFDBA4, #FFEDB7, #FFFFCA and #FFFFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9C996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E9C996: #E9C996, #D8B783, #C7A570, #B6935D and #A5814A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

Complementary color

CMYK 79 / 49 / 0 / 59

HEX #163669

RGB 22 54 105

HSL 216.87, 0.65%, 0.25%

LAB 23.1, 8.24, -33.25

 

CMYK 0 / 16 / 39 / 7

HEX #EEC991

RGB 238 201 145

HSL 36.13, 0.73%, 0.75%

LAB 82.91, 5.55, 32.85

 

CMYK 0 / 14 / 36 / 0

HEX #FFDBA4

RGB 255 219 164

HSL 36.26, 1%, 0.82%

LAB 89.21, 4.98, 31.69

 

CMYK 0 / 7 / 28 / 0

HEX #FFEDB7

RGB 255 237 183

HSL 45, 1%, 0.86%

LAB 93.99, -1.87, 28.42

 

CMYK 0 / 0 / 21 / 0

HEX #FFFFCA

RGB 255 255 202

HSL 60, 1%, 0.9%

LAB 98.85, -8.33, 25.41

 

CMYK 0 / 0 / 13 / 0

HEX #FFFFDD

RGB 255 255 221

HSL 60, 1%, 0.93%

LAB 99.22, -5.56, 16.27

 

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

CMYK 0 / 15 / 39 / 15

HEX #D8B783

RGB 216 183 131

HSL 36.71, 0.52%, 0.68%

LAB 76.13, 4.74, 30.85

 

CMYK 0 / 17 / 44 / 22

HEX #C7A570

RGB 199 165 112

HSL 36.55, 0.44%, 0.61%

LAB 69.63, 5.4, 32.1

 

CMYK 0 / 19 / 49 / 29

HEX #B6935D

RGB 182 147 93

HSL 36.4, 0.38%, 0.54%

LAB 63.01, 6.17, 33.43

 

CMYK 0 / 22 / 55 / 35

HEX #A5814A

RGB 165 129 74

HSL 36.26, 0.38%, 0.47%

LAB 56.28, 7.1, 34.84

 

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

CMYK 0 / 8 / 36 / 9

HEX #E8D595

RGB 232 213 149

HSL 46.27, 0.64%, 0.75%

LAB 85.46, -2.54, 34.05

 

CMYK 0 / 2 / 36 / 9

HEX #E8E395

RGB 232 227 149

HSL 56.39, 0.64%, 0.75%

LAB 89.05, -9.64, 38.74

 

CMYK 3 / 0 / 36 / 9

HEX #E0E895

RGB 224 232 149

HSL 65.78, 0.64%, 0.75%

LAB 89.73, -15.18, 39.51

 

CMYK 9 / 0 / 36 / 9

HEX #D2E895

RGB 210 232 149

HSL 75.9, 0.64%, 0.75%

LAB 88.73, -20.45, 38.01

 

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

CMYK 0 / 14 / 34 / 89

HEX #1D1913

RGB 29 25 19

HSL 36, 0.21%, 0.09%

LAB 9.02, 0.68, 4.7

 

CMYK 0 / 14 / 35 / 69

HEX #504534

RGB 80 69 52

HSL 36.43, 0.21%, 0.26%

LAB 29.94, 1.71, 12.01

 

CMYK 0 / 14 / 36 / 49

HEX #837154

RGB 131 113 84

HSL 37.02, 0.22%, 0.42%

LAB 48.61, 2.5, 18.71

 

CMYK 0 / 14 / 36 / 29

HEX #B69D75

RGB 182 157 117

HSL 36.92, 0.31%, 0.59%

LAB 66.02, 3.36, 24.35

 

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

CMYK 28 / 0 / 36 / 9

HEX #A6E895

RGB 166 232 149

HSL 107.71, 0.64%, 0.75%

LAB 86, -36.01, 33.92

 

CMYK 28 / 36 / 0 / 9

HEX #A695E8

RGB 166 149 232

HSL 252.29, 0.64%, 0.75%

LAB 66.08, 24.11, -39.72

 

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

CMYK 36 / 0 / 14 / 9

HEX #95E8C7

RGB 149 232 199

HSL 156.14, 0.64%, 0.75%

LAB 86.12, -32.39, 8.11

 

CMYK 14 / 36 / 0 / 9

HEX #C795E8

RGB 199 149 232

HSL 276.14, 0.64%, 0.75%

LAB 69.09, 33.81, -34.81

 

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

CMYK 28 / 0 / 36 / 9

HEX #A6E895

RGB 166 232 149

HSL 107.71, 0.64%, 0.75%

LAB 86, -36.01, 33.92

 

CMYK 36 / 22 / 0 / 9

HEX #95B6E8

RGB 149 182 232

HSL 216.14, 0.64%, 0.75%

LAB 73.33, 0.82, -28.57

 

CMYK 7 / 36 / 0 / 9

HEX #D895E8

RGB 216 149 232

HSL 288.43, 0.64%, 0.75%

LAB 70.82, 38.97, -31.99

 

CMYK 0 / 14 / 36 / 9

HEX #E9C996

RGB 233 201 150

HSL 36.87, 0.65%, 0.75%

LAB 82.54, 4.17, 29.67

 

CMYK 36 / 0 / 32 / 9

HEX #95E89E

RGB 149 232 158

HSL 126.51, 0.64%, 0.75%

LAB 85.29, -40.01, 28.24

 

CMYK 36 / 22 / 0 / 9

HEX #95B6E8

RGB 149 182 232

HSL 216.14, 0.64%, 0.75%

LAB 73.33, 0.82, -28.57

 

CMYK 0 / 36 / 3 / 9

HEX #E895E0

RGB 232 149 224

HSL 305.78, 0.64%, 0.75%

LAB 72.25, 42.44, -25.25

 

Description

Color code: HEX #E9C996 | qconv.com Color code: HEX #E9C996 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 201 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 201 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 36 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 36% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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