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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E9A8D5 it is the complementary color #16572A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E9A8D5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E9A8D5 shade: #EEA8D0, #FFBAE3, #FFCCF6, #FFDEFF and #FFF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E9A8D5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E9A8D5 shade: #E9A8D5, #D896C2, #C784AF, #B6729C and #A56089

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E9A8D5 shade: #EAA9D6, #EAA9C4, #EAA9B3 and #EAA9A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E9A8D5 shade: #EAA9D6, #EAA9E7, #DBA9EA, #C9A9EA and #B8A9EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E9A8D5 shade matches the following richer shades: #EAA9D6, #F2A1D9 and #FB98DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E9A8D5 shade: #EAA9D6, #E1B2D2, #D8BBCF, #D0C3CC and #C7CCC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E9A8D5 shade: #DBA9EA, #EAA9E7, #EAA9D6, #EAA9C5 and #EAA9B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E9A8D5 shade: #D967B6, #E188C6, #EAA9D6, #F2CAE6 and #FAEBF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E9A8D5 shade: #E9A8D5, #EAC9A9 and #A9EAE3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E9A8D5 shade: #E9A8D5, #D6EAA9 and #A9D6EA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E9A8D5 shade: #E9A8D5, #EAC9A9, #A9EABD and #A9C9EA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E9A8D5 shade: #E9A8D5, #EADDA9, #A9EABD and #A9B6EA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 9 / 9

HEX #E9A8D5

RGB 233 168 213

HSL 318.46, 0.6%, 0.79%

LAB 76.15, 30.8, -13.31

 

Complementary color

CMYK 75 / 0 / 52 / 66

HEX #16572A

RGB 22 87 42

HSL 138.46, 0.6%, 0.21%

LAB 32.16, -31.4, 20.34

 

CMYK 0 / 29 / 13 / 7

HEX #EEA8D0

RGB 238 168 208

HSL 325.71, 0.67%, 0.8%

LAB 76.52, 31.67, -9.98

 

CMYK 0 / 27 / 11 / 0

HEX #FFBAE3

RGB 255 186 227

HSL 324.35, 1%, 0.86%

LAB 82.87, 31.01, -10.6

 

CMYK 0 / 20 / 4 / 0

HEX #FFCCF6

RGB 255 204 246

HSL 310.59, 1%, 0.9%

LAB 87.53, 24.77, -13.75

 

CMYK 0 / 13 / 0 / 0

HEX #FFDEFF

RGB 255 222 255

HSL 300, 1%, 0.94%

LAB 92.01, 16.95, -11.8

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 0 / 28 / 9 / 9

HEX #E9A8D5

RGB 233 168 213

HSL 318.46, 0.6%, 0.79%

LAB 76.15, 30.8, -13.31

 

CMYK 0 / 31 / 10 / 15

HEX #D896C2

RGB 216 150 194

HSL 320, 0.46%, 0.72%

LAB 69.69, 31.47, -12.73

 

CMYK 0 / 34 / 12 / 22

HEX #C784AF

RGB 199 132 175

HSL 321.49, 0.37%, 0.65%

LAB 63.13, 32.19, -12.11

 

CMYK 0 / 37 / 14 / 29

HEX #B6729C

RGB 182 114 156

HSL 322.94, 0.32%, 0.58%

LAB 56.47, 32.96, -11.42

 

CMYK 0 / 42 / 17 / 35

HEX #A56089

RGB 165 96 137

HSL 324.35, 0.28%, 0.51%

LAB 49.7, 33.77, -10.64

 

CMYK 0 / 28 / 9 / 8

HEX #EAA9D6

RGB 234 169 214

HSL 318.46, 0.61%, 0.79%

LAB 76.51, 30.78, -13.3

 

CMYK 0 / 28 / 16 / 8

HEX #EAA9C4

RGB 234 169 196

HSL 335.08, 0.61%, 0.79%

LAB 75.98, 27.84, -4.27

 

CMYK 0 / 28 / 24 / 8

HEX #EAA9B3

RGB 234 169 179

HSL 350.77, 0.61%, 0.79%

LAB 75.53, 25.29, 4.37

 

CMYK 0 / 28 / 28 / 8

HEX #EAA9A9

RGB 234 169 169

HSL 0, 0.61%, 0.79%

LAB 75.28, 23.9, 9.49

 

CMYK 0 / 28 / 9 / 8

HEX #EAA9D6

RGB 234 169 214

HSL 318.46, 0.61%, 0.79%

LAB 76.51, 30.78, -13.3

 

CMYK 0 / 28 / 1 / 8

HEX #EAA9E7

RGB 234 169 231

HSL 302.77, 0.61%, 0.79%

LAB 77.06, 33.76, -21.71

 

CMYK 6 / 28 / 0 / 8

HEX #DBA9EA

RGB 219 169 234

HSL 286.15, 0.61%, 0.79%

LAB 75.68, 29.52, -25.57

 

CMYK 14 / 28 / 0 / 8

HEX #C9A9EA

RGB 201 169 234

HSL 269.54, 0.61%, 0.79%

LAB 74.02, 23.86, -28.27

 

CMYK 21 / 28 / 0 / 8

HEX #B8A9EA

RGB 184 169 234

HSL 253.85, 0.61%, 0.79%

LAB 72.57, 18.64, -30.63

 

CMYK 0 / 28 / 9 / 8

HEX #EAA9D6

RGB 234 169 214

HSL 318.46, 0.61%, 0.79%

LAB 76.51, 30.78, -13.3

 

CMYK 0 / 33 / 10 / 5

HEX #F2A1D9

RGB 242 161 217

HSL 318.52, 0.76%, 0.79%

LAB 75.69, 38.17, -16.1

 

CMYK 0 / 39 / 12 / 2

HEX #FB98DC

RGB 251 152 220

HSL 318.79, 0.93%, 0.79%

LAB 74.91, 46.24, -18.81

 

CMYK 0 / 28 / 9 / 8

HEX #EAA9D6

RGB 234 169 214

HSL 318.46, 0.61%, 0.79%

LAB 76.51, 30.78, -13.3

 

CMYK 0 / 21 / 7 / 12

HEX #E1B2D2

RGB 225 178 210

HSL 319.15, 0.44%, 0.79%

LAB 77.58, 22.21, -9.62

 

CMYK 0 / 13 / 4 / 15

HEX #D8BBCF

RGB 216 187 207

HSL 318.62, 0.27%, 0.79%

LAB 78.84, 13.74, -6.23

 

CMYK 0 / 6 / 2 / 18

HEX #D0C3CC

RGB 208 195 204

HSL 318.46, 0.12%, 0.79%

LAB 80.07, 6.15, -2.87

 

CMYK 2 / 0 / 2 / 20

HEX #C7CCC8

RGB 199 204 200

HSL 132, 0.05%, 0.79%

LAB 81.56, -2.44, 1.38

 

CMYK 6 / 28 / 0 / 8

HEX #DBA9EA

RGB 219 169 234

HSL 286.15, 0.61%, 0.79%

LAB 75.68, 29.52, -25.57

 

CMYK 0 / 28 / 1 / 8

HEX #EAA9E7

RGB 234 169 231

HSL 302.77, 0.61%, 0.79%

LAB 77.06, 33.76, -21.71

 

CMYK 0 / 28 / 9 / 8

HEX #EAA9D6

RGB 234 169 214

HSL 318.46, 0.61%, 0.79%

LAB 76.51, 30.78, -13.3

 

CMYK 0 / 28 / 16 / 8

HEX #EAA9C5

RGB 234 169 197

HSL 334.15, 0.61%, 0.79%

LAB 76.01, 28, -4.77

 

CMYK 0 / 28 / 23 / 8

HEX #EAA9B4

RGB 234 169 180

HSL 349.85, 0.61%, 0.79%

LAB 75.55, 25.43, 3.86

 

CMYK 0 / 53 / 16 / 15

HEX #D967B6

RGB 217 103 182

HSL 318.42, 0.6%, 0.63%

LAB 59.73, 54.12, -21.02

 

CMYK 0 / 40 / 12 / 12

HEX #E188C6

RGB 225 136 198

HSL 318.2, 0.6%, 0.71%

LAB 67.79, 42.58, -17.71

 

CMYK 0 / 28 / 9 / 8

HEX #EAA9D6

RGB 234 169 214

HSL 318.46, 0.61%, 0.79%

LAB 76.51, 30.78, -13.3

 

CMYK 0 / 17 / 5 / 5

HEX #F2CAE6

RGB 242 202 230

HSL 318, 0.61%, 0.87%

LAB 85.42, 18.69, -8.55

 

CMYK 0 / 6 / 2 / 2

HEX #FAEBF6

RGB 250 235 246

HSL 316, 0.6%, 0.95%

LAB 94.48, 6.96, -3.5

 

CMYK 0 / 28 / 9 / 9

HEX #E9A8D5

RGB 233 168 213

HSL 318.46, 0.6%, 0.79%

LAB 76.15, 30.8, -13.31

 

CMYK 0 / 14 / 28 / 8

HEX #EAC9A9

RGB 234 201 169

HSL 29.54, 0.61%, 0.79%

LAB 82.98, 6.94, 20.3

 

CMYK 28 / 0 / 3 / 8

HEX #A9EAE3

RGB 169 234 227

HSL 173.54, 0.61%, 0.79%

LAB 88.36, -21.77, -3.19

 

CMYK 0 / 28 / 9 / 9

HEX #E9A8D5

RGB 233 168 213

HSL 318.46, 0.6%, 0.79%

LAB 76.15, 30.8, -13.31

 

CMYK 9 / 0 / 28 / 8

HEX #D6EAA9

RGB 214 234 169

HSL 78.46, 0.61%, 0.79%

LAB 89.86, -17.34, 29.45

 

CMYK 28 / 9 / 0 / 8

HEX #A9D6EA

RGB 169 214 234

HSL 198.46, 0.61%, 0.79%

LAB 83.16, -10.11, -14.61

 

CMYK 0 / 28 / 9 / 9

HEX #E9A8D5

RGB 233 168 213

HSL 318.46, 0.6%, 0.79%

LAB 76.15, 30.8, -13.31

 

CMYK 0 / 14 / 28 / 8

HEX #EAC9A9

RGB 234 201 169

HSL 29.54, 0.61%, 0.79%

LAB 82.98, 6.94, 20.3

 

CMYK 28 / 0 / 19 / 8

HEX #A9EABD

RGB 169 234 189

HSL 138.46, 0.61%, 0.79%

LAB 87.46, -29.38, 15.39

 

CMYK 28 / 14 / 0 / 8

HEX #A9C9EA

RGB 169 201 234

HSL 210.46, 0.61%, 0.79%

LAB 79.7, -3.29, -19.83

 

CMYK 0 / 28 / 9 / 9

HEX #E9A8D5

RGB 233 168 213

HSL 318.46, 0.6%, 0.79%

LAB 76.15, 30.8, -13.31

 

CMYK 0 / 6 / 28 / 8

HEX #EADDA9

RGB 234 221 169

HSL 48, 0.61%, 0.79%

LAB 88, -3.41, 27.19

 

CMYK 28 / 0 / 19 / 8

HEX #A9EABD

RGB 169 234 189

HSL 138.46, 0.61%, 0.79%

LAB 87.46, -29.38, 15.39

 

CMYK 28 / 22 / 0 / 8

HEX #A9B6EA

RGB 169 182 234

HSL 228, 0.61%, 0.79%

LAB 74.72, 6.98, -27.42

 

Description

Color code: HEX #E9A8D5 | qconv.com Color code: HEX #E9A8D5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 233 red, 168 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
233 168 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 9 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 9% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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