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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 27 / 15 / 9 it is the complementary color CMYK 73 / 0 / 33 / 66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 27 / 15 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 27 / 15 / 9: CMYK 0 / 29 / 19 / 7, CMYK 0 / 26 / 17 / 0, CMYK 0 / 20 / 10 / 0, CMYK 0 / 13 / 2 / 0 and CMYK 0 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 27 / 15 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 27 / 15 / 9: CMYK 0 / 27 / 15 / 9, CMYK 0 / 30 / 17 / 16, CMYK 0 / 33 / 20 / 22, CMYK 0 / 36 / 23 / 29 and CMYK 0 / 41 / 26 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

Complementary color

CMYK 73 / 0 / 33 / 66

HEX #17563A

RGB 23 86 58

HSL 153.33, 0.58%, 0.21%

LAB 32.13, -27.32, 10.67

 

CMYK 0 / 29 / 19 / 7

HEX #EDA9C0

RGB 237 169 192

HSL 339.71, 0.65%, 0.8%

LAB 76.18, 28.28, -1.75

 

CMYK 0 / 26 / 17 / 0

HEX #FEBBD3

RGB 254 187 211

HSL 338.51, 0.97%, 0.86%

LAB 82.55, 27.62, -2.5

 

CMYK 0 / 20 / 10 / 0

HEX #FFCDE6

RGB 255 205 230

HSL 330, 1%, 0.9%

LAB 87.31, 21.53, -5.62

 

CMYK 0 / 13 / 2 / 0

HEX #FFDFF9

RGB 255 223 249

HSL 311.25, 1%, 0.94%

LAB 92.08, 15.36, -8.56

 

CMYK 0 / 5 / 0 / 0

HEX #FFF1FF

RGB 255 241 255

HSL 300, 1%, 0.97%

LAB 96.57, 7.12, -5.04

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 0 / 30 / 17 / 16

HEX #D797B2

RGB 215 151 178

HSL 334.69, 0.44%, 0.72%

LAB 69.32, 27.97, -4.38

 

CMYK 0 / 33 / 20 / 22

HEX #C6859F

RGB 198 133 159

HSL 336, 0.36%, 0.65%

LAB 62.75, 28.7, -3.59

 

CMYK 0 / 36 / 23 / 29

HEX #B5738C

RGB 181 115 140

HSL 337.27, 0.31%, 0.58%

LAB 56.07, 29.5, -2.72

 

CMYK 0 / 41 / 26 / 36

HEX #A46179

RGB 164 97 121

HSL 338.51, 0.27%, 0.51%

LAB 49.28, 30.36, -1.73

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 0 / 27 / 19 / 9

HEX #E8AABB

RGB 232 170 187

HSL 343.55, 0.57%, 0.79%

LAB 75.76, 25.21, 0.3

 

CMYK 0 / 27 / 24 / 9

HEX #E8AAB1

RGB 232 170 177

HSL 353.23, 0.57%, 0.79%

LAB 75.5, 23.74, 5.4

 

CMYK 0 / 25 / 27 / 9

HEX #E8ADAA

RGB 232 173 170

HSL 2.9, 0.57%, 0.79%

LAB 76.04, 21.15, 9.99

 

CMYK 0 / 21 / 27 / 9

HEX #E8B7AA

RGB 232 183 170

HSL 12.58, 0.57%, 0.79%

LAB 78.42, 15.82, 13.36

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 0 / 29 / 14 / 89

HEX #1C1418

RGB 28 20 24

HSL 330, 0.17%, 0.09%

LAB 7.34, 4.92, -1.27

 

CMYK 0 / 27 / 15 / 69

HEX #4F3A43

RGB 79 58 67

HSL 334.29, 0.15%, 0.27%

LAB 27, 10.94, -1.93

 

CMYK 0 / 27 / 15 / 49

HEX #825F6E

RGB 130 95 110

HSL 334.29, 0.16%, 0.44%

LAB 44.31, 16.75, -2.89

 

CMYK 0 / 27 / 15 / 29

HEX #B5849A

RGB 181 132 154

HSL 333.06, 0.25%, 0.61%

LAB 60.48, 22.26, -4.3

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 0 / 7 / 27 / 9

HEX #E8D8AA

RGB 232 216 170

HSL 44.52, 0.57%, 0.79%

LAB 86.59, -1.47, 24.71

 

CMYK 27 / 4 / 0 / 9

HEX #AADFE8

RGB 170 223 232

HSL 188.71, 0.57%, 0.79%

LAB 85.58, -14.89, -9.93

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 15 / 0 / 27 / 9

HEX #C6E8AA

RGB 198 232 170

HSL 92.9, 0.57%, 0.79%

LAB 88.27, -21.94, 26.59

 

CMYK 27 / 15 / 0 / 9

HEX #AAC6E8

RGB 170 198 232

HSL 212.9, 0.57%, 0.79%

LAB 78.9, -1.87, -19.96

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 0 / 7 / 27 / 9

HEX #E8D8AA

RGB 232 216 170

HSL 44.52, 0.57%, 0.79%

LAB 86.59, -1.47, 24.71

 

CMYK 27 / 0 / 12 / 9

HEX #AAE8CC

RGB 170 232 204

HSL 152.9, 0.57%, 0.79%

LAB 87.3, -25.26, 7.33

 

CMYK 27 / 20 / 0 / 9

HEX #AAB9E8

RGB 170 185 232

HSL 225.48, 0.57%, 0.79%

LAB 75.49, 5.15, -25.14

 

CMYK 0 / 27 / 15 / 9

HEX #E8A9C5

RGB 232 169 197

HSL 333.33, 0.58%, 0.79%

LAB 75.8, 27.3, -5.1

 

CMYK 1 / 0 / 27 / 9

HEX #E5E8AA

RGB 229 232 170

HSL 62.9, 0.57%, 0.79%

LAB 90.45, -10.7, 29.91

 

CMYK 27 / 0 / 12 / 9

HEX #AAE8CC

RGB 170 232 204

HSL 152.9, 0.57%, 0.79%

LAB 87.3, -25.26, 7.33

 

CMYK 25 / 27 / 0 / 9

HEX #ADAAE8

RGB 173 170 232

HSL 242.9, 0.57%, 0.79%

LAB 71.87, 14.32, -30.69

 

Description

Color code: CMYK 0 / 27 / 15 / 9 | qconv.com Color code: CMYK 0 / 27 / 15 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 169 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 169 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 15 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 15% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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