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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8E780 it is the complementary color #17187F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8E780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E8E780: #EDE77B, #FEF98E, #FFFFA1, #FFFFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8E780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E8E780: #E8E780, #D7D56D, #C6C35A, #B5B147 and #A49F34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

Complementary color

CMYK 82 / 81 / 0 / 50

HEX #17187F

RGB 23 24 127

HSL 239.42, 0.69%, 0.29%

LAB 17.31, 37.45, -56.82

 

CMYK 0 / 3 / 48 / 7

HEX #EDE77B

RGB 237 231 123

HSL 56.84, 0.76%, 0.71%

LAB 90.13, -12.3, 52.86

 

CMYK 0 / 2 / 44 / 0

HEX #FEF98E

RGB 254 249 142

HSL 57.32, 0.98%, 0.78%

LAB 96.32, -12.77, 51.72

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

CMYK 0 / 1 / 49 / 16

HEX #D7D56D

RGB 215 213 109

HSL 58.87, 0.57%, 0.64%

LAB 83.52, -13.36, 51.14

 

CMYK 0 / 2 / 55 / 22

HEX #C6C35A

RGB 198 195 90

HSL 58.33, 0.49%, 0.56%

LAB 77.15, -12.81, 52.24

 

CMYK 0 / 2 / 61 / 29

HEX #B5B147

RGB 181 177 71

HSL 57.82, 0.44%, 0.49%

LAB 70.68, -12.14, 53.24

 

CMYK 0 / 3 / 68 / 36

HEX #A49F34

RGB 164 159 52

HSL 57.32, 0.52%, 0.42%

LAB 64.11, -11.31, 53.96

 

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

CMYK 7 / 0 / 44 / 9

HEX #D8E882

RGB 216 232 130

HSL 69.41, 0.69%, 0.71%

LAB 88.89, -20.33, 47.64

 

CMYK 14 / 0 / 44 / 9

HEX #C7E882

RGB 199 232 130

HSL 79.41, 0.69%, 0.71%

LAB 87.71, -26.77, 45.93

 

CMYK 22 / 0 / 44 / 9

HEX #B6E882

RGB 182 232 130

HSL 89.41, 0.69%, 0.71%

LAB 86.64, -33, 44.35

 

CMYK 29 / 0 / 44 / 9

HEX #A5E882

RGB 165 232 130

HSL 99.41, 0.69%, 0.71%

LAB 85.67, -38.94, 42.93

 

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

CMYK 0 / 0 / 46 / 89

HEX #1C1C0F

RGB 28 28 15

HSL 60, 0.3%, 0.08%

LAB 9.89, -2.76, 8.26

 

CMYK 0 / 0 / 44 / 69

HEX #4F4F2C

RGB 79 79 44

HSL 60, 0.28%, 0.24%

LAB 32.78, -6.05, 20.65

 

CMYK 0 / 1 / 45 / 49

HEX #828148

RGB 130 129 72

HSL 58.97, 0.29%, 0.4%

LAB 52.86, -8.46, 30.93

 

CMYK 0 / 1 / 45 / 29

HEX #B5B464

RGB 181 180 100

HSL 59.26, 0.35%, 0.55%

LAB 71.82, -11.22, 40.74

 

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

CMYK 44 / 0 / 36 / 9

HEX #82E894

RGB 130 232 148

HSL 130.59, 0.69%, 0.71%

LAB 84.28, -47.18, 31.83

 

CMYK 19 / 44 / 0 / 9

HEX #BD82E8

RGB 189 130 232

HSL 274.71, 0.69%, 0.71%

LAB 63.84, 41.26, -43.07

 

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

CMYK 44 / 0 / 1 / 9

HEX #82E8E6

RGB 130 232 230

HSL 178.82, 0.69%, 0.71%

LAB 86.09, -30.21, -8.32

 

CMYK 1 / 44 / 0 / 9

HEX #E682E8

RGB 230 130 232

HSL 298.82, 0.69%, 0.71%

LAB 68.47, 53.01, -35.5

 

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

CMYK 44 / 0 / 36 / 9

HEX #82E894

RGB 130 232 148

HSL 130.59, 0.69%, 0.71%

LAB 84.28, -47.18, 31.83

 

CMYK 44 / 44 / 0 / 9

HEX #8283E8

RGB 130 131 232

HSL 239.41, 0.69%, 0.71%

LAB 58.79, 25.04, -51.39

 

CMYK 0 / 44 / 8 / 9

HEX #E882D5

RGB 232 130 213

HSL 311.18, 0.69%, 0.71%

LAB 67.97, 50.33, -25.74

 

CMYK 0 / 0 / 45 / 9

HEX #E8E780

RGB 232 231 128

HSL 59.42, 0.69%, 0.71%

LAB 89.8, -13.82, 49.99

 

CMYK 44 / 0 / 23 / 9

HEX #82E8B3

RGB 130 232 179

HSL 148.82, 0.69%, 0.71%

LAB 84.85, -41.57, 16.66

 

CMYK 44 / 44 / 0 / 9

HEX #8283E8

RGB 130 131 232

HSL 239.41, 0.69%, 0.71%

LAB 58.79, 25.04, -51.39

 

CMYK 0 / 44 / 22 / 9

HEX #E882B6

RGB 232 130 182

HSL 329.41, 0.69%, 0.71%

LAB 66.9, 45.51, -10

 

Description

Color code: HEX #E8E780 | qconv.com Color code: HEX #E8E780 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 231 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 231 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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