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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E8C5E5 it is the complementary color #173A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E8C5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E8C5E5 shade: #EDC5E0, #FED7F3, #FFE9FF and #FFFBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E8C5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E8C5E5 shade: #E8C5E5, #D7B3D2, #C6A1BF, #B58FAC and #A47D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E8C5E5 shade: #E7C4E4, #E7C4DB, #E7C4D1, #E7C4C8 and #E7C4C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E8C5E5 shade: #E7C4E4, #E1C4E7, #D7C4E7, #CEC4E7 and #C4C4E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E8C5E5 shade matches the following richer shades: #E7C4E4, #EEBEEA, #F4B7EF and #FBB0F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E8C5E5 shade: #E7C4E4, #E1CBDF, #DAD1D9, #D3D8D4 and #CDDFCE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E8C5E5 shade: #D7C4E7, #E1C4E7, #E7C4E4, #E7C4DB and #E7C4D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E8C5E5 shade: #D089CA, #DBA7D7, #E7C4E4 and #F3E2F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E8C5E5 shade: #E8C5E5, #E7CEC4 and #C4E7DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E8C5E5 shade: #E8C5E5, #E4E7C4 and #C4E4E7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E8C5E5 shade: #E8C5E5, #E7CEC4, #C4E7C7 and #C4DDE7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E8C5E5 shade: #E8C5E5, #E7D9C4, #C4E7C7 and #C4D3E7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 1 / 9

HEX #E8C5E5

RGB 232 197 229

HSL 305.14, 0.43%, 0.84%

LAB 83.31, 17.79, -11.25

 

Complementary color

CMYK 60 / 0 / 55 / 77

HEX #173A1A

RGB 23 58 26

HSL 125.14, 0.43%, 0.16%

LAB 21.14, -20.85, 16.07

 

CMYK 0 / 17 / 5 / 7

HEX #EDC5E0

RGB 237 197 224

HSL 319.5, 0.53%, 0.85%

LAB 83.61, 18.6, -8.08

 

CMYK 0 / 15 / 4 / 0

HEX #FED7F3

RGB 254 215 243

HSL 316.92, 0.95%, 0.92%

LAB 89.93, 18.15, -8.62

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 0 / 15 / 1 / 9

HEX #E8C5E5

RGB 232 197 229

HSL 305.14, 0.43%, 0.84%

LAB 83.31, 17.79, -11.25

 

CMYK 0 / 17 / 2 / 16

HEX #D7B3D2

RGB 215 179 210

HSL 308.33, 0.31%, 0.77%

LAB 76.88, 18.24, -10.76

 

CMYK 0 / 19 / 4 / 22

HEX #C6A1BF

RGB 198 161 191

HSL 311.35, 0.25%, 0.7%

LAB 70.36, 18.73, -10.26

 

CMYK 0 / 21 / 5 / 29

HEX #B58FAC

RGB 181 143 172

HSL 314.21, 0.2%, 0.64%

LAB 63.71, 19.27, -9.73

 

CMYK 0 / 24 / 7 / 36

HEX #A47D99

RGB 164 125 153

HSL 316.92, 0.18%, 0.57%

LAB 56.94, 19.85, -9.18

 

CMYK 0 / 15 / 1 / 9

HEX #E7C4E4

RGB 231 196 228

HSL 305.14, 0.42%, 0.84%

LAB 82.95, 17.81, -11.26

 

CMYK 0 / 15 / 5 / 9

HEX #E7C4DB

RGB 231 196 219

HSL 320.57, 0.42%, 0.84%

LAB 82.69, 16.21, -6.83

 

CMYK 0 / 15 / 10 / 9

HEX #E7C4D1

RGB 231 196 209

HSL 337.71, 0.42%, 0.84%

LAB 82.42, 14.5, -1.87

 

CMYK 0 / 15 / 13 / 9

HEX #E7C4C8

RGB 231 196 200

HSL 353.14, 0.42%, 0.84%

LAB 82.18, 13.02, 2.61

 

CMYK 0 / 15 / 15 / 9

HEX #E7C4C4

RGB 231 196 196

HSL 0, 0.42%, 0.84%

LAB 82.08, 12.38, 4.61

 

CMYK 0 / 15 / 1 / 9

HEX #E7C4E4

RGB 231 196 228

HSL 305.14, 0.42%, 0.84%

LAB 82.95, 17.81, -11.26

 

CMYK 3 / 15 / 0 / 9

HEX #E1C4E7

RGB 225 196 231

HSL 289.71, 0.42%, 0.84%

LAB 82.52, 16.36, -13.56

 

CMYK 7 / 15 / 0 / 9

HEX #D7C4E7

RGB 215 196 231

HSL 272.57, 0.42%, 0.84%

LAB 81.67, 13.07, -14.92

 

CMYK 11 / 15 / 0 / 9

HEX #CEC4E7

RGB 206 196 231

HSL 257.14, 0.42%, 0.84%

LAB 80.94, 10.14, -16.08

 

CMYK 15 / 15 / 0 / 9

HEX #C4C4E7

RGB 196 196 231

HSL 240, 0.42%, 0.84%

LAB 80.17, 6.94, -17.33

 

CMYK 0 / 15 / 1 / 9

HEX #E7C4E4

RGB 231 196 228

HSL 305.14, 0.42%, 0.84%

LAB 82.95, 17.81, -11.26

 

CMYK 0 / 20 / 2 / 7

HEX #EEBEEA

RGB 238 190 234

HSL 305, 0.59%, 0.84%

LAB 82.35, 24.42, -15.3

 

CMYK 0 / 25 / 2 / 4

HEX #F4B7EF

RGB 244 183 239

HSL 304.92, 0.73%, 0.84%

LAB 81.47, 31, -19.24

 

CMYK 0 / 30 / 2 / 2

HEX #FBB0F5

RGB 251 176 245

HSL 304.8, 0.9%, 0.84%

LAB 80.82, 38.01, -23.38

 

CMYK 0 / 15 / 1 / 9

HEX #E7C4E4

RGB 231 196 228

HSL 305.14, 0.42%, 0.84%

LAB 82.95, 17.81, -11.26

 

CMYK 0 / 10 / 1 / 12

HEX #E1CBDF

RGB 225 203 223

HSL 305.45, 0.27%, 0.84%

LAB 83.99, 11.16, -7.1

 

CMYK 0 / 4 / 0 / 15

HEX #DAD1D9

RGB 218 209 217

HSL 306.67, 0.11%, 0.84%

LAB 84.75, 4.53, -2.85

 

CMYK 2 / 0 / 2 / 15

HEX #D3D8D4

RGB 211 216 212

HSL 132, 0.06%, 0.84%

LAB 85.86, -2.42, 1.37

 

CMYK 8 / 0 / 8 / 13

HEX #CDDFCE

RGB 205 223 206

HSL 123.33, 0.22%, 0.84%

LAB 87.1, -9.13, 6.27

 

CMYK 7 / 15 / 0 / 9

HEX #D7C4E7

RGB 215 196 231

HSL 272.57, 0.42%, 0.84%

LAB 81.67, 13.07, -14.92

 

CMYK 3 / 15 / 0 / 9

HEX #E1C4E7

RGB 225 196 231

HSL 289.71, 0.42%, 0.84%

LAB 82.52, 16.36, -13.56

 

CMYK 0 / 15 / 1 / 9

HEX #E7C4E4

RGB 231 196 228

HSL 305.14, 0.42%, 0.84%

LAB 82.95, 17.81, -11.26

 

CMYK 0 / 15 / 5 / 9

HEX #E7C4DB

RGB 231 196 219

HSL 320.57, 0.42%, 0.84%

LAB 82.69, 16.21, -6.83

 

CMYK 0 / 15 / 9 / 9

HEX #E7C4D2

RGB 231 196 210

HSL 336, 0.42%, 0.84%

LAB 82.44, 14.66, -2.37

 

CMYK 0 / 34 / 3 / 18

HEX #D089CA

RGB 208 137 202

HSL 305.07, 0.43%, 0.68%

LAB 66.19, 37.22, -22.57

 

CMYK 0 / 24 / 2 / 14

HEX #DBA7D7

RGB 219 167 215

HSL 304.62, 0.42%, 0.76%

LAB 74.57, 27, -16.91

 

CMYK 0 / 15 / 1 / 9

HEX #E7C4E4

RGB 231 196 228

HSL 305.14, 0.42%, 0.84%

LAB 82.95, 17.81, -11.26

 

CMYK 0 / 7 / 0 / 5

HEX #F3E2F2

RGB 243 226 242

HSL 303.53, 0.41%, 0.92%

LAB 91.62, 8.57, -5.69

 

CMYK 0 / 15 / 1 / 9

HEX #E8C5E5

RGB 232 197 229

HSL 305.14, 0.43%, 0.84%

LAB 83.31, 17.79, -11.25

 

CMYK 0 / 11 / 15 / 9

HEX #E7CEC4

RGB 231 206 196

HSL 17.14, 0.42%, 0.84%

LAB 84.54, 7.11, 8.15

 

CMYK 15 / 0 / 5 / 9

HEX #C4E7DC

RGB 196 231 220

HSL 161.14, 0.42%, 0.84%

LAB 88.95, -13.53, 1.52

 

CMYK 0 / 15 / 1 / 9

HEX #E8C5E5

RGB 232 197 229

HSL 305.14, 0.43%, 0.84%

LAB 83.31, 17.79, -11.25

 

CMYK 1 / 0 / 15 / 9

HEX #E4E7C4

RGB 228 231 196

HSL 65.14, 0.42%, 0.84%

LAB 90.61, -6.85, 16.72

 

CMYK 15 / 1 / 0 / 9

HEX #C4E4E7

RGB 196 228 231

HSL 185.14, 0.42%, 0.84%

LAB 88.44, -9.83, -4.99

 

CMYK 0 / 15 / 1 / 9

HEX #E8C5E5

RGB 232 197 229

HSL 305.14, 0.43%, 0.84%

LAB 83.31, 17.79, -11.25

 

CMYK 0 / 11 / 15 / 9

HEX #E7CEC4

RGB 231 206 196

HSL 17.14, 0.42%, 0.84%

LAB 84.54, 7.11, 8.15

 

CMYK 15 / 0 / 14 / 9

HEX #C4E7C7

RGB 196 231 199

HSL 125.14, 0.42%, 0.84%

LAB 88.45, -17.42, 11.8

 

CMYK 15 / 4 / 0 / 9

HEX #C4DDE7

RGB 196 221 231

HSL 197.14, 0.42%, 0.84%

LAB 86.61, -6.24, -7.7

 

CMYK 0 / 15 / 1 / 9

HEX #E8C5E5

RGB 232 197 229

HSL 305.14, 0.43%, 0.84%

LAB 83.31, 17.79, -11.25

 

CMYK 0 / 6 / 15 / 9

HEX #E7D9C4

RGB 231 217 196

HSL 36, 0.42%, 0.84%

LAB 87.29, 1.39, 12.07

 

CMYK 15 / 0 / 14 / 9

HEX #C4E7C7

RGB 196 231 199

HSL 125.14, 0.42%, 0.84%

LAB 88.45, -17.42, 11.8

 

CMYK 15 / 9 / 0 / 9

HEX #C4D3E7

RGB 196 211 231

HSL 214.29, 0.42%, 0.84%

LAB 84.01, -1.03, -11.56

 

Description

Color code: HEX #E8C5E5 | qconv.com Color code: HEX #E8C5E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 197 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 197 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 1 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 1% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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