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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 1 / 0 / 9 it is the complementary color CMYK 0 / 57 / 60 / 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 1 / 0 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 15 / 1 / 0 / 9: CMYK 12 / 0 / 1 / 10, CMYK 12 / 0 / 1 / 3, CMYK 7 / 0 / 0 / 0, CMYK 1 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 1 / 0 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 15 / 1 / 0 / 9: CMYK 15 / 1 / 0 / 9, CMYK 15 / 0 / 0 / 16, CMYK 16 / 0 / 0 / 24, CMYK 17 / 0 / 1 / 31 and CMYK 18 / 0 / 1 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

Complementary color

CMYK 0 / 57 / 60 / 77

HEX #3A1917

RGB 58 25 23

HSL 3.43, 0.43%, 0.16%

LAB 13.57, 16.04, 8.94

 

CMYK 12 / 0 / 1 / 10

HEX #CAE6E3

RGB 202 230 227

HSL 173.57, 0.36%, 0.85%

LAB 89.25, -9.74, -1.66

 

CMYK 12 / 0 / 1 / 3

HEX #DBF8F6

RGB 219 248 246

HSL 175.86, 0.67%, 0.92%

LAB 95.52, -9.74, -2.23

 

CMYK 7 / 0 / 0 / 0

HEX #ECFFFF

RGB 236 255 255

HSL 180, 1%, 0.96%

LAB 98.66, -6.16, -2.13

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

CMYK 15 / 0 / 0 / 16

HEX #B4D4D5

RGB 180 212 213

HSL 181.82, 0.28%, 0.77%

LAB 82.7, -10.34, -4.05

 

CMYK 16 / 0 / 0 / 24

HEX #A3C2C2

RGB 163 194 194

HSL 180, 0.2%, 0.7%

LAB 76.23, -10.37, -3.49

 

CMYK 17 / 0 / 1 / 31

HEX #92B0AF

RGB 146 176 175

HSL 178, 0.16%, 0.63%

LAB 69.65, -10.41, -2.91

 

CMYK 18 / 0 / 1 / 38

HEX #819E9C

RGB 129 158 156

HSL 175.86, 0.13%, 0.56%

LAB 62.95, -10.46, -2.31

 

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

CMYK 15 / 3 / 0 / 9

HEX #C4E0E7

RGB 196 224 231

HSL 192, 0.42%, 0.84%

LAB 87.4, -7.78, -6.54

 

CMYK 15 / 6 / 0 / 9

HEX #C4DAE7

RGB 196 218 231

HSL 202.29, 0.42%, 0.84%

LAB 85.83, -4.69, -8.86

 

CMYK 15 / 8 / 0 / 9

HEX #C4D4E7

RGB 196 212 231

HSL 212.57, 0.42%, 0.84%

LAB 84.27, -1.56, -11.17

 

CMYK 15 / 11 / 0 / 9

HEX #C4CEE7

RGB 196 206 231

HSL 222.86, 0.42%, 0.84%

LAB 82.73, 1.61, -13.49

 

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

CMYK 14 / 0 / 0 / 89

HEX #181C1C

RGB 24 28 28

HSL 180, 0.08%, 0.1%

LAB 9.86, -1.87, -0.64

 

CMYK 15 / 1 / 0 / 69

HEX #434E4F

RGB 67 78 79

HSL 185, 0.08%, 0.29%

LAB 32.27, -4.12, -2.07

 

CMYK 15 / 1 / 0 / 49

HEX #6E8182

RGB 110 129 130

HSL 183, 0.08%, 0.47%

LAB 52.54, -6.66, -2.87

 

CMYK 15 / 1 / 0 / 29

HEX #9AB3B5

RGB 154 179 181

HSL 184.44, 0.15%, 0.66%

LAB 71.18, -8.11, -3.91

 

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

CMYK 11 / 15 / 0 / 9

HEX #CDC4E7

RGB 205 196 231

HSL 255.43, 0.42%, 0.84%

LAB 80.87, 9.82, -16.21

 

CMYK 0 / 5 / 15 / 9

HEX #E7DBC4

RGB 231 219 196

HSL 39.43, 0.42%, 0.84%

LAB 87.79, 0.35, 12.78

 

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

CMYK 0 / 15 / 1 / 9

HEX #E7C4E5

RGB 231 196 229

HSL 303.43, 0.42%, 0.84%

LAB 82.98, 17.99, -11.75

 

CMYK 1 / 0 / 15 / 9

HEX #E5E7C4

RGB 229 231 196

HSL 63.43, 0.42%, 0.84%

LAB 90.69, -6.5, 16.84

 

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

CMYK 11 / 15 / 0 / 9

HEX #CDC4E7

RGB 205 196 231

HSL 255.43, 0.42%, 0.84%

LAB 80.87, 9.82, -16.21

 

CMYK 0 / 14 / 15 / 9

HEX #E7C6C4

RGB 231 198 196

HSL 3.43, 0.42%, 0.84%

LAB 82.57, 11.33, 5.31

 

CMYK 4 / 0 / 15 / 9

HEX #DEE7C4

RGB 222 231 196

HSL 75.43, 0.42%, 0.84%

LAB 90.17, -8.98, 16.04

 

CMYK 15 / 1 / 0 / 9

HEX #C5E6E8

RGB 197 230 232

HSL 183.43, 0.43%, 0.84%

LAB 89.06, -10.33, -4.6

 

CMYK 7 / 15 / 0 / 9

HEX #D7C4E7

RGB 215 196 231

HSL 272.57, 0.42%, 0.84%

LAB 81.67, 13.07, -14.92

 

CMYK 0 / 14 / 15 / 9

HEX #E7C6C4

RGB 231 198 196

HSL 3.43, 0.42%, 0.84%

LAB 82.57, 11.33, 5.31

 

CMYK 8 / 0 / 15 / 9

HEX #D4E7C4

RGB 212 231 196

HSL 92.57, 0.42%, 0.84%

LAB 89.46, -12.48, 14.93

 

Description

Color code: CMYK 15 / 1 / 0 / 9 | qconv.com Color code: CMYK 15 / 1 / 0 / 9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 230 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 230 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 1 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 1% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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