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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E85A2A it is the complementary color #17A5D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E85A2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #E85A2A: #ED5A25, #FE6C38, #FF7E4B, #FF905E and #FFA271

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E85A2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #E85A2A: #E85A2A, #D74817, #C63604, #B52400 and #A41200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

Complementary color

CMYK 89 / 23 / 0 / 16

HEX #17A5D5

RGB 23 165 213

HSL 195.16, 0.81%, 0.46%

LAB 63.26, -17.81, -34.09

 

CMYK 0 / 62 / 84 / 7

HEX #ED5A25

RGB 237 90 37

HSL 15.9, 0.85%, 0.54%

LAB 57.51, 54.42, 57.03

 

CMYK 0 / 57 / 78 / 0

HEX #FE6C38

RGB 254 108 56

HSL 15.76, 0.99%, 0.61%

LAB 63.41, 52.96, 55.08

 

CMYK 0 / 51 / 71 / 0

HEX #FF7E4B

RGB 255 126 75

HSL 17, 1%, 0.65%

LAB 67.04, 45.6, 49.74

 

CMYK 0 / 44 / 63 / 0

HEX #FF905E

RGB 255 144 94

HSL 18.63, 1%, 0.68%

LAB 70.88, 37.66, 44.49

 

CMYK 0 / 36 / 56 / 0

HEX #FFA271

RGB 255 162 113

HSL 20.7, 1%, 0.72%

LAB 75.01, 29.71, 39.67

 

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

CMYK 0 / 67 / 89 / 16

HEX #D74817

RGB 215 72 23

HSL 15.31, 0.81%, 0.47%

LAB 50.85, 54.13, 55.55

 

CMYK 0 / 73 / 98 / 22

HEX #C63604

RGB 198 54 4

HSL 15.46, 0.96%, 0.4%

LAB 45.16, 55.17, 56

 

CMYK 0 / 80 / 100 / 29

HEX #B52400

RGB 181 36 0

HSL 11.93, 1%, 0.35%

LAB 39.72, 55.65, 52.81

 

CMYK 0 / 89 / 100 / 36

HEX #A41200

RGB 164 18 0

HSL 6.59, 1%, 0.32%

LAB 34.65, 55, 48.46

 

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

CMYK 0 / 48 / 82 / 9

HEX #E8792A

RGB 232 121 42

HSL 24.95, 0.81%, 0.54%

LAB 62.51, 37.97, 59.09

 

CMYK 0 / 34 / 82 / 9

HEX #E8992A

RGB 232 153 42

HSL 35.05, 0.81%, 0.54%

LAB 69.54, 21.22, 65.31

 

CMYK 0 / 20 / 82 / 9

HEX #E8B92A

RGB 232 185 42

HSL 45.16, 0.81%, 0.54%

LAB 77.29, 4.3, 72.02

 

CMYK 0 / 7 / 82 / 9

HEX #E8D82A

RGB 232 216 42

HSL 54.95, 0.81%, 0.54%

LAB 85.22, -11.57, 78.77

 

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

CMYK 0 / 61 / 82 / 89

HEX #1C0B05

RGB 28 11 5

HSL 15.65, 0.7%, 0.06%

LAB 4.49, 6.28, 4.79

 

CMYK 0 / 61 / 82 / 69

HEX #4F1F0E

RGB 79 31 14

HSL 15.69, 0.7%, 0.18%

LAB 18.69, 21.36, 21.76

 

CMYK 0 / 62 / 82 / 49

HEX #823218

RGB 130 50 24

HSL 14.72, 0.69%, 0.3%

LAB 32.02, 33.03, 33.01

 

CMYK 0 / 61 / 82 / 29

HEX #B54621

RGB 181 70 33

HSL 15, 0.69%, 0.42%

LAB 44.68, 43.2, 43.76

 

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 82 / 69 / 0 / 9

HEX #2A47E8

RGB 42 71 232

HSL 230.84, 0.81%, 0.54%

LAB 39.28, 47.63, -83.25

 

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

CMYK 82 / 0 / 61 / 9

HEX #2AE85A

RGB 42 232 90

HSL 135.16, 0.81%, 0.54%

LAB 81.26, -72.64, 55.19

 

CMYK 61 / 82 / 0 / 9

HEX #5A2AE8

RGB 90 42 232

HSL 255.16, 0.81%, 0.54%

LAB 37.22, 66.06, -86.57

 

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

CMYK 37 / 0 / 82 / 9

HEX #93E82A

RGB 147 232 42

HSL 86.84, 0.81%, 0.54%

LAB 84.01, -52.34, 75.53

 

CMYK 82 / 20 / 0 / 9

HEX #2AB9E8

RGB 42 185 232

HSL 194.84, 0.81%, 0.54%

LAB 70.19, -20.54, -33.75

 

CMYK 45 / 82 / 0 / 9

HEX #802AE8

RGB 128 42 232

HSL 267.16, 0.81%, 0.54%

LAB 41.33, 70.21, -79.65

 

CMYK 0 / 61 / 82 / 9

HEX #E85A2A

RGB 232 90 42

HSL 15.16, 0.81%, 0.54%

LAB 56.72, 52.8, 53.87

 

CMYK 61 / 0 / 82 / 9

HEX #5AE82A

RGB 90 232 42

HSL 104.84, 0.81%, 0.54%

LAB 81.87, -68.69, 72.8

 

CMYK 82 / 20 / 0 / 9

HEX #2AB9E8

RGB 42 185 232

HSL 194.84, 0.81%, 0.54%

LAB 70.19, -20.54, -33.75

 

CMYK 20 / 82 / 0 / 9

HEX #B92AE8

RGB 185 42 232

HSL 285.16, 0.81%, 0.54%

LAB 49.25, 78.5, -66.39

 

Description

Color code: HEX #E85A2A | qconv.com Color code: HEX #E85A2A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 232 red, 90 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
232 90 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 82 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 82% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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